Posted by Pablo Kjolseth on December 4, 2011
In case you haven’t heard; 2012 will be known as the official date when most celluloid projection will be tossed into a fiery and remote pit. Film, “reel” film, the stuff made of organic emulsion that unspools through a projector at 24-frames-a-second, is going the way of the dodo bird. Roger Ebert wrote a eulogy on November 2nd (Chicago Sun Times; The sudden death of film). A.O. Scott followed his lead a couple weeks later on Nov 18th (N.Y. Times; Film Is Dead? What Else Is New?). Leo Enticknap, a cinema director at the University of Leeds in the U.K., went even further on Nov. 20th (INDIEwire; The 35mm Battle Continues) when he facetiously ridiculed a recent petition to save 35mm film with this opening salvo: “OK, and let’s petition Ford to reopen the Model T production line, and ban all performances of Mozart’s piano concertos on anything other than an eighteenth century fortepiano while we’re at it.” (Links to all three essays are provided at the bottom of my post.)
Posted by Susan Doll on December 27, 2010
Recently, I have been thinking about the nature and function of film criticism and movie reviewing, which was prompted by the last episode of Moguls and Movie Stars. Episode 7, “Fade Out, Fade In” noted the influence of a new generation of critics during the 1960s and 1970s. Many college-age movie-goers were excited by the film s of the era and enthusiastically read the reviews of such critics as Pauline Kael, Andrew Sarris, and Stanley Kaufmann. Their reviews featured thoughtful comparisons to the other arts and a general regard for film style and aesthetics—something missing from the writing of the old guard of movie reviewers. [See last week’s post.]
Then, while searching online for a specific review by Roger Ebert for another project, I came across several blogs and forums that vehemently attacked the country’s best-known critic. Basically, these bloggers/commentators were irked because Ebert had panned several of their favorite movies. From the nature and writing level of their comments, I deduced that these detractors were teenagers and/or college-age kids. I couldn’t help compare their negative attitudes and immature perspectives on film criticism with those of young movie-goers during the Film School Generation.
Posted by Susan Doll on December 20, 2010
The last episode of TCM’s Moguls and Movie Stars, “Fade Out, Fade In,” chronicled the Film School Generation and its impact on Hollywood history. The episode also noted the impact of young movie critics of the era, many of whom supported the then-radical films against the old guard of reviewers who were vexed by the New Hollywood. A major incident of the era was the battle among the critics over Bonnie and Clyde, with grand old man Bosley Crowther of The New York Times remarking about the film, “This blending of farce with brutal killings is as pointless as it is lacking in taste, since it makes no valid commentary upon the already travestied truth. And it leaves an astonished critic wondering just what purpose Mr. Penn and Mr. Beatty think they serve with this strangely antique, sentimental claptrap.” Coincidentally, the reviewer for Time magazine also declared Bonnie and Clyde to be “claptrap.” Either Time’s critic had read Mr. Crowther’s review, or “claptrap” was a very popular word at the time.
Crowther’s intense hatred for the film became a rallying point for supporters of the Film School Generation, who felt the movies of these young, college-educated directors were not understood by older critics of the establishment. Crowther wrote three negative reviews and repeatedly criticized the film in other articles, and then in the spring of 1968, he was dismissed from The New York Times. Many assume that Crowther was let go after 27 years because his opinion of Bonnie and Clyde revealed him to be too far behind the times. After hearing the incident recounted in Moguls and Movie Stars, I couldn’t help recall other films that were wrongly maligned by critics upon initial release. With the aid of some helpful resources, including The Critics Were Wrong: Misguided Movie Reviews and Film Criticism Gone Awry, I thought I would share a few examples that I found particularly thought-provoking. This week, I will focus on reviews of movies from “old Hollywood,” including the silent era through the 1960s. Next week, I will dig up reviews of contemporary films, including those of the Film School Generation. I was going to comment on the quotes, or group them together into fun categories, but I decided they are more telling without adding my two cents. Draw your own conclusions.
MovieMorlocks.com is the official blog for TCM. No topic is too obscure or niche to be excluded from our film discussions. And we welcome your comments on our blogs and bloggers.
See more: facebook.com/tcmtv
See more: twitter.com/tcm
3-D Academy Awards Action Films Actors Actors' Endorsements Actresses animal stars Animation Anime Anthology Films Art Direction Art in Movies Asians in Hollywood Australian CInema Autobiography Avant-Garde Aviation Awards B-movies Beer in Film Behind the Scenes Best of the Year lists Biography Biopics Black Film Blu-Ray Books on Film Boxing films British Cinema Canadian Cinema Character Actors Chicago Film History Cinematography Classic Films College Life on Film Comedy Comic Book Movies Crime Czech Film Dance on Film Digital Cinema Directors Disaster Films Documentary Drama DVD Early Talkies Editing Educational Films European Influence on American Cinema Experimental Exploitation Fairy Tales on Film Faith or Christian-based Films Family Films Film Composers Film Criticism film festivals Film History in Florida Film Noir Film Scholars Film titles Filmmaking Techniques Films About Gambling Films of the 1960s Films of the 1980s Food in Film Foreign Film French Film Gangster films Genre Genre spoofs HD & Blu-Ray Holiday Movies Hollywood history Hollywood lifestyles Horror Horror Movies Icons independent film Italian Film Japanese Film Korean Film Literary Adaptations Martial Arts Melodramas Memorabilia Method Acting Mexican Cinema Moguls Monster Movies Movie Books Movie Costumes movie flops Movie locations Movie lovers Movie Reviewers Movie settings Movie Stars Movie titles Movies about movies Music in Film Musicals Outdoor Cinema Paranoid Thrillers Parenting on film Pirate movies Polish film industry political thrillers Politics in Film Pornography Pre-Code Producers Race in American Film Remakes Revenge Road Movies Romance Romantic Comedies Satire Scandals Science Fiction Screenwriters Semi-documentaries Serials Short Films Silent Film silent films Social Problem Film Sports Sports on Film Stereotypes Straight-to-DVD Studio Politics Stunts and stuntmen Suspense thriller Swashbucklers TCM Classic Film Festival TCM Underground Television The British in Hollywood The Germans in Hollywood The Hungarians in Hollywood The Irish in Hollywood Theaters Thriller Trains in movies Underground Cinema VOD War film Westerns Women in the Film Industry Women's Weepies