These movies brought to you by the number 11.
Ever wonder if the universe might be sending you a secret message? I’m not one to read tea-leaves or Tarot cards, but sometimes think numerology can be fun. So today I woke up wondering if there could be any significance to it being the first day of the eleventh month of the year. Taking a cue from the popular internet meme that asks people to turn to a specific page in the book nearest them to share an excerpt, I decided to see what films the cosmos might be suggesting I add to my Netflix account by pulling down from my bookshelf all the film books I had that I figured would have plenty of poster art. Then I counted the stack. I’m not making this up: there were exactly eleven books! I was off to a good start. How to proceed? Since it’s the first day of the eleventh month of the year I went to page 11, and from there let my finger fall on the very first film image that followed. With that in mind, I now dedicate the following eleven films to the month of November: READ MORE “And 5000 Others!”, including Maria Ouspenskaya
Maria Ouspenskaya, whose talent came out of that creative seedbed for some of the finest actors and boldest hams, stands out among them, despite being under five feet tall. Many of her colleagues lent their credibility and indelible gifts to Hollywood, but she may be the most readily identifiable of the bunch. While hightailing it away from the Cossacks, the Whites, the Reds, the Mensheviks, the Bolsheviks, the anarchists and the fascists who made life a bit too “interesting” in the first half of the 20th century from Siberia to the shores of Ellis Island, several of these actors found a pretty fair living in Hollywood, among them Akim Tamiroff, Olga Baclanova, Vladimir Sokoloff, Leonid Kinskey and Konstantin Shayne. They may never have felt completely at home in what sometimes seemed the Babylonian splendor of “barbaric” American culture in the studio era. Cut off from their cultural roots and often having lost their families and nearly their lives during the revolutionary times they lived in, these actors often proved their strength of character and professional versatility when asked to play characters of almost every class and ethnicity in American movies. Catfights in District 9
I really should be talking about Summer Storm, a rare Douglas Sirk film from 1944 that only has one small capsule review to represent it on IMDB. Instead, I feel like weighing in on District 9 which, as of this writing, already has 121 film critic posts, close to 400 customer reviews, and God knows how much else out there amassing itself to the IMDB ballyhoo. Adding to the craziness is the fact that you can’t have a party this size without breaking some chairs and tipping some bikes. Not that brawling film geeks can quite summon forth the fury of Altamont, but I still have to admit to being a tad bit mesmerized by it all. READ MORE Zotz! Coins, Psycho Sticks, and Witch Deflectors
This comedy-fantasy stars Tom Poston, television actor par excellence, as Professor Jonathan Jones who comes into possession of “zotz,” a coin that has three magical properties. If the coin’s owner points an accusatory finger at an intended victim, the coin causes intense pain; another command causes everything to move in slow motion; finally, if the accusatory finger and the command are used simultaneously, the victim dies. Released in 1962 during the height of the Cold War, Zotz! is an obvious product of the times. Professor Jones tries to involve the Department of Defense in his discovery, but they think he is a madman. Then Communist agents plot to get possession of the coin from Professor Jones. I was surprised to discover that promotion king William Castle codirected Zotz!, because with its wacky naïve professors, crazy antics, and bureaucratic government officials, this kids-oriented movie is more like The Absent-Minded Professor or Son of Flubber than Castle’s usual schlocky horror-film fare, such as 13 Ghosts, The Tingler, or Macabre. As a matter of fact, both Absent-Minded and Flubber follow Zotz! on the TCM schedule on March 13. But, Zotz! does share something with Castle’s other films — a gimmick, albeit a little one. During the initial theatrical run, the movie’s patrons were rewarded with a plastic replica of the Zotz! coin. According to the Internet (now, there’s a reliable source), the Zotz! coins are highly sought after by collectors. Well, eat your hearts out sci-fi buffs, because I own a Zotz! coin. A gold-colored hunk of hard plastic with a zany design on the front, the coin is one of my prized possessions. “Ein,… Zwei, … DIE!”
The Norwegian horror film about Nazi Zombies, Dead Snow, had it’s U.S. premiere at Sundance. I always try to make at least one midnight screening at Park City’s Egyptian theater so as to be able to tap into the rowdy revelry of the late-show crowd, and the filmmakers for Dead Snow knew how to pack ‘em in. According to staff this sold-out screening was their busiest one in five years. Small wonder… the viral marketing for Dead Snow was so successful that I’d gotten three different trailers forwarded to me by friends who didn’t even know I was at Sundance. The filmmakers also know how to have fun with their screening in a way that would make William Castle proud; they had two guys dressed up as Nazi zombies playing to the ticket holders and, later, the crowd inside. The film was preceded by Treevenge, a disturbing and amusing Canadian short film about killer Christmas trees. READ MORE 31st Starz Denver Film Festival
Any films buffs near Denver this November 13 – 23 are advised to check out the 31st Starz Denver Film Festival. Here is a glimpse at what S.D.F.F. offers: Red Carpet Presentations (gala screenings with special guests followed by parties), Special Presentations (these are titles that programmers feel are destined for various awards), Films In Competition that vy for The Krysztof Kieslowski Award (reflecting the sensibilities of the late Polish director), the Emerging Filmmaker Award (presented to first or second-time directors who have yet to gain U.S. distribution), and the Maysles Brothers award for Best Documentary (presented annually by Albert Maysles to a feature-length nonfiction film without U.S. distribution). But that’s not all, there’s also: Contemporary World Cinema (one of my favorite sections), Documentary Films, a New Directors Showcase, a Tributes section (this year bringing out Carolee Schneemann, Richard Jenkins, Majid Majidi, Thomas Imbach, and Wally Pfister), a showcase called In Memoriam for recently departed artists (this year: Anthony Minghella, Paul Newman, and Sydney Pollack), a selection of late-show/cult fare titled The Watching Hour, two different platforms for short films (one for vets, one for students), and this year a spotlight on animation. Also: too many attending guests, panel discussions, etc., to list here. Phew! Still with me? Good. Below is a brief look at four films screened at the 31st S.D.F.F. Unparalleled neatnessIf you read Famous Monsters of Filmland magazine during the 1960s, you’ll be familiar with this ad or others like it. The back pages of that wonderful publication (the abnormal brainchild of Forrest J. Ackerman, the original fanboy) were filled with ads for all kinds of curios and grotesqueries offered mail order from the Philadelphia-based outfit Captain Company. Flipping these pages was like being in The Circus of Dr. Lao – it was a secret world of unparalleled neatness, from back issues (oh, how I studied those thumbnail covers, imagining the manifest horrors pressed between their pages) to werewolf rings (designed, I think, to repelwerewolves) to 8mm movie projectors and a wealth of monster movie “cutdowns” (4 and 12 minute silent versions of the classic monster films) to genuine (it seemed) “crawling hands” to 7′ Frankenstein monsters (turns out it was just a poster with glow-in-the-dark dots to stick on his eyes) and masks, masks, masks. READ MORE Frightfully good company
Amazon.com is currently offering THE BOOK OF LISTS: HORROR at the attractive presale price of $10.17. |
Archives
I hope you'll enjoy The Magnificent S... - Kimberly Lindbergs
Featured Sites
Popular terms
3-D
Actors
Actors' Endorsements
Animation
Anthology Films
Awards
Books on Film
British Cinema
Character Actors
Chicago Film History
Cinematography
Classic Films
College Life on Film
Comedy
Comic Book Movies
Czech Film
Dance on Film
Digital Cinema
Directors
Disaster Films
Documentary
Drama
Early Talkies
Editing
Educational Films
European Influence on American Cinema
Exploitation
Family Films
Film Composers
film festivals
Film Noir
Film Scholars
Filmmaking Techniques
Food in Film
Foreign Film
French Film
Gangster films
Genre spoofs
Guest Programmers
HD & Blu-Ray
Holiday Movies
Hollywood lifestyles
Horror
Horror Movies
Icons
independent film
Italian Film
Literary Adaptations
Martial Arts
Melodramas
Method Acting
Mexican Cinema
Monster Movies
Movie Books
Movie locations
Movie Stars
Music in Film
Musicals
Outdoor Cinema
Parenting on film
Polish film industry
political thrillers
Pre-Code
Producers
Race in American Film
Remakes
Road Movies
Romance
Russian Film Industry
Scandals
Science Fiction
Screenwriters
Semi-documentaries
Silent Film
silent films
Social Problem Film
Sports
Sports on Film
Stereotypes
Studio Politics
Suspense thriller
Swashbucklers
Television
The British in Hollywood
The Hungarians in Hollywood
The Irish in Hollywood
The Russians in Hollywood
Theaters
Underground Cinema
VOD
War film
Westerns
Women in the Film Industry
Women's Weepies |