Posted by Susan Doll on February 10, 2014
I recently picked up a used audiotape of the biography of Harry Cohn by Bob Thomas, King Cohn: The Life and Times of Harry Cohn. First published in 1967, the book was revised in 1990 with additional interviews and material; in 2000, it was republished, including an audiotape edition with a forward by Peter Bart. King Cohn is not groundbreaking in structure or shocking in content, but I did learn a great deal about the meanest movie mogul in Hollywood as well as the love of his life, Columbia Pictures.
Most of the Golden Age movie moguls started at the bottom in the movie business and worked their way up to head of production at their studios. While Cohn was no exception, I discovered that his entrance into the film industry was quite unique. He was working as a song plugger for sheet-music publishers when he had a brilliant idea to increase sales. The latest songs were routinely plugged at movie theaters between films by the house orchestras who played them while slides of pretty pictures were shown to the audience. Cohn believed that audiences would respond better to movie footage than slides, so he began to produce footage for theaters to project during the songs. To maximize the effect, Cohn learned to match the content of the images to the songs’ lyrics. Jack Cohn, Harry’s brother, worked for Universal Pictures at the time, and he showed Cohn’s innovation to studio owner Carl Laemmle. Laemmle was impressed enough to give Harry a job. Eventually, Harry and Jack left Universal to form their own production company.
Posted by Susan Doll on November 1, 2010
Tonight begins TCM’s original documentary series Moguls & Movie Stars: A History of Hollywood, a seven-part series that will air every Monday till December 13, with each episode repeating on the following Wednesday. An ambitious, meticulously crafted interpretation of the history of American film, Moguls & Movie Stars focuses on the famous (movie stars) and the infamous (the moguls) as the threads that tie this history together.
While I have been anxiously awaiting the series since I first heard about it months ago, I feel especially eager because I have already seen the first two episodes, and I know the quality and level of detail to expect. At the Telluride Film Festival, director John Wilkman presented Episode 1: “The Peepshow Pioneers” and Episode 2: “The Birth of Hollywood.” Another reason I am excited about Moguls & Movie Stars is because I got to contribute in a small way to the terrific-looking website that supports the series. I wrote four of the site’s biographies of the legendary moguls: Sam Warner, Louis B. Mayer, Jesse L. Lasky, and Irving Thalberg. I urge everyone to peruse the website for the wealth of historical information it provides. However, I can’t help but wonder if the other writers experienced the same difficulty that I did in paring down the anecdotes and stories about the moguls into just a few paragraphs. Some of the information and insight I uncovered but discounted will pop up in the program’s interviews with the moguls’ relatives and offspring, including Carla Laemmle, Daniel Selznick, and Samuel Goldwyn, Jr. But much information I came across will be left out. I thought it might be fun and enlightening to offer a few extra facts and details on these larger-than-life moguls who, for better or worse, shaped the Hollywood industry.
MovieMorlocks.com is the official blog for TCM. No topic is too obscure or niche to be excluded from our film discussions. And we welcome your comments on our blogs and bloggers.
See more: facebook.com/tcmtv
See more: twitter.com/tcm
3-D Action Films Actors Actors' Endorsements Actresses animal stars Animation Anime Anthology Films Art Direction Art in Movies Australian CInema Autobiography Avant-Garde Aviation Awards B-movies Beer in Film Behind the Scenes Best of the Year lists Biography Biopics Black Film Blu-Ray Books on Film Boxing films British Cinema Canadian Cinema Character Actors Chicago Film History Cinematography Classic Films College Life on Film Comedy Comic Book Movies Crime Czech Film Dance on Film Digital Cinema Directors Disaster Films Documentary Drama DVD Early Talkies Editing Educational Films European Influence on American Cinema Experimental Exploitation Fairy Tales on Film Faith or Christian-based Films Family Films Film Composers Film Criticism film festivals Film History in Florida Film Noir Film Scholars Film titles Filmmaking Techniques Films About Gambling Films of the 1960s Films of the 1980s Food in Film Foreign Film French Film Gangster films Genre Genre spoofs HD & Blu-Ray Holiday Movies Hollywood history Hollywood lifestyles Horror Horror Movies Icons independent film Italian Film Japanese Film Korean Film Literary Adaptations Martial Arts Melodramas Method Acting Mexican Cinema Moguls Monster Movies Movie Books Movie Costumes movie flops Movie locations Movie lovers Movie Reviewers Movie settings Movie Stars Movie titles Movies about movies Music in Film Musicals Outdoor Cinema Paranoid Thrillers Parenting on film Pirate movies Polish film industry political thrillers Politics in Film Pornography Pre-Code Producers Race in American Film Remakes Revenge Road Movies Romance Romantic Comedies Satire Scandals Science Fiction Screenwriters Semi-documentaries Serials Short Films Silent Film silent films Social Problem Film Sports Sports on Film Stereotypes Straight-to-DVD Studio Politics Stunts and stuntmen Suspense thriller Swashbucklers TCM Classic Film Festival TCM Underground Television The British in Hollywood The Germans in Hollywood The Hungarians in Hollywood The Irish in Hollywood Theaters Thriller Trains in movies Underground Cinema VOD War film Westerns Women in the Film Industry Women's Weepies