
What do Charlie Chaplin’s The Gold Rush (1925), Werner Herzog’s Aguirre: The Wrath of God (1972), Tobe Hooper’s The Texas Chain Saw Massacre (1974), Jonathan Demme’s The Silence of the Lambs (1991), Marc Caro and Jean-Pierre Jeunet’s Delicatessen (also 1991), Frank Marshall’s Alive (1993), and Antonia Bird’s Ravenous (1999) – to name but a few worthy titles – all have in common? For starters, these are prime-cut films. Great titles no matter how you slice and dice ‘em, and ones I’ve already covered in a previous post of a couple years ago. They also touch on the taboo subject of cannibalism, and there is a reason why I’m thinking of them all on this fine April day. READ MORE