Jim Thorpe, All American (1951): Running After an American DreamJim Thorpe, All American (1951) is a biopic that is too easily dismissed as a mass of clichés about race, sports, and the elusive nature of the American Dream for Native Americans. Some might argue that it was old fashioned, even in its day. You can’t help cringing at lines such as “Indian boy got much to learn,” illnesses that are foreshadowed by a beloved character’s mild cough, and trouble in paradise being signaled by a wife who shrinks away when her hubby tries to steal a kiss, but the child-like broken heart at this movie’s center somehow still ticks away on a visceral level, evoking some complex feelings of guilt, empathy and even vicarious pride as a viewer gets caught up in this version of the great Native American athlete’s simultaneously triumphant and troubled life.
In the Loop with The Group (1966)
Melancholia! Sex! The New Deal! Alcoholism! Brooding Artists! Swedish Modern Furniture! Psychoanalysis! Contraception! Lesbians! The Abraham Lincoln Brigade! The La Leche League! Cocktail Parties! The Theatre with a capital “T”! The Group (1966-Sidney Lumet) had it all, dear readers, in spades. At this distance, the gulf between personal and public faces and the political skirmishes touched on in this movie between Trotskyites, Stalinists, socialists and the battle of the sexes seems even more long ago and far away than it must have appeared in the 1960s. Still, I couldn’t help being drawn into the story, thanks largely to the talented cast and the sometimes uneven but breezy, episodic nature of the movie. Breaking Away
Last week I had the opportunity to screen a 16mm print of Breaking Away (1979) in my backyard. This is the film that inspired me as a kid to get into bicycling. I seem to recall seeing the film three or four times in the theater upon its first release, and then that was it – I left it alone. Now 30 years later here I am watching it again, and maybe just a tad nervous that this movie that I held so dear might reveal itself to be a hopelessly dated cheese-fest. About 40 people showed up and I’m happy to report that the film holds up up to mature scrutiny and even garnered a hearty applause from the crowd as the end credits rolled on by. READ MORE All Too Human a Father
~John Wayne as Steve Aloysius Williams in Trouble Along the Way (1953) |
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