Jim Thorpe, All American (1951): Running After an American DreamJim Thorpe, All American (1951) is a biopic that is too easily dismissed as a mass of clichés about race, sports, and the elusive nature of the American Dream for Native Americans. Some might argue that it was old fashioned, even in its day. You can’t help cringing at lines such as “Indian boy got much to learn,” illnesses that are foreshadowed by a beloved character’s mild cough, and trouble in paradise being signaled by a wife who shrinks away when her hubby tries to steal a kiss, but the child-like broken heart at this movie’s center somehow still ticks away on a visceral level, evoking some complex feelings of guilt, empathy and even vicarious pride as a viewer gets caught up in this version of the great Native American athlete’s simultaneously triumphant and troubled life.
In the Loop with The Group (1966)
Melancholia! Sex! The New Deal! Alcoholism! Brooding Artists! Swedish Modern Furniture! Psychoanalysis! Contraception! Lesbians! The Abraham Lincoln Brigade! The La Leche League! Cocktail Parties! The Theatre with a capital “T”! The Group (1966-Sidney Lumet) had it all, dear readers, in spades. At this distance, the gulf between personal and public faces and the political skirmishes touched on in this movie between Trotskyites, Stalinists, socialists and the battle of the sexes seems even more long ago and far away than it must have appeared in the 1960s. Still, I couldn’t help being drawn into the story, thanks largely to the talented cast and the sometimes uneven but breezy, episodic nature of the movie. Breaking Away
Last week I had the opportunity to screen a 16mm print of Breaking Away (1979) in my backyard. This is the film that inspired me as a kid to get into bicycling. I seem to recall seeing the film three or four times in the theater upon its first release, and then that was it – I left it alone. Now 30 years later here I am watching it again, and maybe just a tad nervous that this movie that I held so dear might reveal itself to be a hopelessly dated cheese-fest. About 40 people showed up and I’m happy to report that the film holds up up to mature scrutiny and even garnered a hearty applause from the crowd as the end credits rolled on by. READ MORE All Too Human a Father
~John Wayne as Steve Aloysius Williams in Trouble Along the Way (1953) |
Archives
[...] “Cinema Interruptus”... - This & That « BackBay
Featured Sites
Popular terms
3-D
Actors
Actors' Endorsements
Animation
Anthology Films
Awards
Books on Film
British Cinema
Character Actors
Chicago Film History
Cinematography
Classic Films
College Life on Film
Comedy
Comic Book Movies
Czech Film
Dance on Film
Digital Cinema
Directors
Disaster Films
Documentary
Drama
Early Talkies
Editing
Educational Films
European Influence on American Cinema
Exploitation
Family Films
Film Composers
film festivals
Film Noir
Film Scholars
Filmmaking Techniques
Food in Film
Foreign Film
French Film
Gangster films
Genre spoofs
Guest Programmers
HD & Blu-Ray
Holiday Movies
Hollywood lifestyles
Horror
Horror Movies
Icons
independent film
Italian Film
Literary Adaptations
Martial Arts
Melodramas
Method Acting
Mexican Cinema
Monster Movies
Movie Books
Movie locations
Movie Stars
Music in Film
Musicals
Outdoor Cinema
Parenting on film
Polish film industry
political thrillers
Pornography
Pre-Code
Producers
Race in American Film
Remakes
Road Movies
Romance
Romantic Comedies
Russian Film Industry
Scandals
Science Fiction
Screenwriters
Semi-documentaries
Short Films
Silent Film
silent films
Social Problem Film
Sports
Sports on Film
Stereotypes
Straight-to-DVD
Studio Politics
Suspense thriller
Swashbucklers
TCM Classic Film Festival
Television
The British in Hollywood
The Hungarians in Hollywood
The Irish in Hollywood
The Russians in Hollywood
Theaters
Underground Cinema
VOD
War film
Westerns
Women in the Film Industry
Women's Weepies |