The Man Who Saw A Ghost: The Life and Work of Henry FondaDevin McKinney has written a biography of uncommon urgency and feeling, about a man not prone to either. Henry Fonda’s performances and, the book suggests, his private life, were built on varieties of withholding. Fonda’s greatest performances are models of underplaying, using his middle-Western sincerity to mask the losses that fissured his characters, manifesting only as haunted stares. McKinney’s The Man Who Saw A Ghost: The Life and Work of Henry Fonda traces the tragedies in turn that marked Fonda’s personal life, those which lined his face and lie hidden behind his icy blue eyes. McKinney draws broad conclusions from these traumas, finding constant echoes in Fonda’s screen roles, an occasionally problematic approach that tends to reduce collaborative film efforts to manifestations of Fonda’s personality. But McKinney is a seductive and patient writer, and whenever he focuses on the physical details of a Fonda performance, his various postures and gaits, it is a revelation of the actor’s craft, how Fonda positioned himself most often to disappear, whether by shading his face or turning his back. McKinney exalts him for this reserve and modesty, a reticence and chastened demeanor the author will trace back to the ghosts that populate Fonda’s past and present, the human wreckage he has left behind in his fabulously successful life. Of all the iconic Hollywood screen presences, McKinney argues, Fonda stands apart, a symbol not of American exceptionalism but of hesitation and regret for the country that could have been. Snapshots of the Fall: Part IIIn my last post I provided a look behind the curtain for the first five weeks of film programming for my fall film calendar. This week we look at the remaining 24 titles that round out the schedule. It features everything from classics such as Vertigo to the state premiere of the latest uncompromising and visually arresting film by Bruno Dumont, Outside Satan (a scene of which is pictured above). READ MORE How about a “big screen” tennis biography?
Summer Reading
I do a lot of reading all year long but during the summer months I tend to set aside some extra time to catch up with the books that have accumulated on my shelves. This is partially due to a habit I developed as a child. While other kids were outside playing and enjoying the bright sunshine I could often be found in my bedroom pouring over a good book. Even when my family would go on vacation I would always stick a book in my suitcase or duffel bag. For better or worse, many of my fondest childhood memories involve books that I read during the sweltering summer months while on camping trips and during long plane flights to visit grandparents. This summer I’ve started habitually reading some interesting non-fiction film related books so I thought I’d share some recent discoveries. Seriously?It’s been a little over a year since I debuted here, and in that time I’ve stirred up a handful of firestorms–but weirdly, not the ones I expected. I posted a clip of Buster Keaton as a sympathetic Nazi general, and nobody chirped a word of protest. I ran a whole blog about blackface comedians, and the comments thread it initiated was reasoned, intelligent and low-key. I facetioustly pretended that The Thing was a Christmas movie, defended Popeye, and praised Charlie Chaplin imitators. But the one time I provoked serious anger and acrimony was the time I suggested that William Haines–William Haines!–wasn’t all that funny (I got called “hateful” for that one!) When I wrote last week’s post about the Muppets, I figured I was running a risk. Critics say nice things about heavily hyped contemporary movies at their own peril. But my positive thoughts on the new Muppets wasn’t what kicked up dust–heavens, no. The vitriol came out in my offhanded reference to Orson Welles having appeared in the 1979 Muppet Movie! Somehow, this prompted the comments thread to start to tear into F for Fake. (how?) To be fair, it was just one lone voice, wailing into the ether about how much he hated the Muppets, and F for Fake. I wouldn’t be surprised if it was a put-on, somebody simply trying to bait me. But I’m not above being baited. I won’t stand by and let anybody talk smack about F for Fake, one of my 10 favorite movies of all time. Consider the battle joined. Lance Henriksen: Not Bad for a HumanYou know this gaunt growler. He lurks in the disreputable direct-to-video section of your local video store, if it still exists, or pops up on Netflix in a low-budget creeper rated with one reluctant star. He is, of course, Lance Henriksen, a tireless worker and a real character of a character actor. In his wild, circuitous life he’s compiled a trunk-full of anecdotes and chastened life lessons. With the help of co-writer Joseph Maddrey, he packed all of them into his autobiography, Not Bad For A Human. It lays bare his poverty-stricken youth and job-hustling acting career with a disarming lack of vanity and a rhythmic sense of cursing. |
Archives
This is a great thread ... I guess I ... - Nim Kovak
Featured Sites
Popular terms
3-D
Action Films
Actors
Actors' Endorsements
Actresses
animal stars
Animation
Anime
Anthology Films
Autobiography
Avant-Garde
Aviation
Awards
B-movies
Beer in Film
Behind the Scenes
Best of the Year lists
Biography
Biopics
Blu-Ray
Books on Film
Boxing films
British Cinema
Canadian Cinema
Character Actors
Chicago Film History
Cinematography
Classic Films
College Life on Film
Comedy
Comic Book Movies
Crime
Czech Film
Dance on Film
Digital Cinema
Directors
Disaster Films
Documentary
Drama
DVD
Early Talkies
Editing
Educational Films
European Influence on American Cinema
Experimental
Exploitation
Fairy Tales on Film
Faith or Christian-based Films
Family Films
Fan Edits
Film Composers
Film Criticism
film festivals
Film History in Florida
Film Noir
Film Scholars
Film titles
Filmmaking Techniques
Films of the 1980s
Food in Film
Foreign Film
French Film
Gangster films
Genre
Genre spoofs
Guest Programmers
HD & Blu-Ray
Holiday Movies
Hollywood history
Hollywood lifestyles
Horror
Horror Movies
Icons
independent film
Italian Film
Japanese Film
Korean Film
Leadership
Literary Adaptations
Martial Arts
Melodramas
Method Acting
Mexican Cinema
Moguls
Monster Movies
Movie Books
Movie Costumes
Movie locations
Movie lovers
Movie Magazines
Movie Reviewers
Movie settings
Movie Stars
Movies about movies
Music in Film
Musicals
New Releases
Outdoor Cinema
Paranoid Thrillers
Parenting on film
Pirate movies
Polish film industry
political thrillers
Politics in Film
Pornography
Pre-Code
Producers
Race in American Film
Remakes
Revenge
Road Movies
Romance
Romantic Comedies
Russian Film Industry
Satire
Scandals
Science Fiction
Screenwriters
Semi-documentaries
Serials
Short Films
Silent Film
silent films
Social Problem Film
Spaghetti Westerns
Sports
Sports on Film
Stereotypes
Straight-to-DVD
Studio Politics
Stunts and stuntmen
Suspense thriller
Swashbucklers
TCM Classic Film Festival
Tearjerkers
Television
The British in Hollywood
The Germans in Hollywood
The Hungarians in Hollywood
The Irish in Hollywood
The Russians in Hollywood
Theaters
Thriller
Trains in movies
Underground Cinema
VOD
War film
Westerns
Women in the Film Industry
Women's Weepies |