Posted by David Kalat on October 12, 2013
It’s getting ever closer to Halloween, and TCM is imminently going to screen the spectacular 1922 Nosferatu. I was asked to contribute an audio commentary on this legendary horror classic for the UK Blu-Ray edition from Masters of Cinema. In preparing my track I took the opportunity to challenge some of the received wisdom about the authorship of this film—but one disadvantage of the audio commentary format as a vehicle for that kind of discussion is that I was limited to the visual examples presented by the film itself. To really make my case I wanted to be able to show some other film clips or stills—which is best suited to a blog! So here we go—into the mad world of Nosferatu’s creator, F.W. Murnau Albin Grau!
Posted by medusamorlock on January 19, 2013
In honor of tomorrow’s TCM Danny Kaye 100th Birthday 24-hour celebration, here are a few of my favorite pictures of him from my collection, in no particular order. It’s great to know that there is renewed interest in this most talented of entertainers — I’m not the only one who likes him! — and I’ll bet that there will be some new fans after Sunday’s festival! Here we go…Enjoy!
Posted by Susan Doll on October 22, 2012
What’s better than listening to a behind-the-scenes DVD commentary and discovering something new about a favorite film? It’s listening to a live commentary while watching the film on a big screen! Last week, I attended a “sound-down” of the sci-fi blockbuster Inception presented by cinematographer Wally Pfister. A sound-down is exactly what the term implies: The film is screened with the sound so low that it cannot be heard while a person of note—in this case, Pfister—provides an expert commentary. A sound-down offers an opportunity to fully understand the art behind the illusion that is Hollywood movie-making without destroying the magic.
A free event open to all film students and movie-lovers, the sound-down of Inception ended a week of workshops, master classes, and screenings at Ringling College of Art and Design in which Pfister generously gave his time and expertise to the students. Located in my new hometown of Sarasota, Florida, Ringling is the college where I now teach film and art history to a talented student body of future illustrators, fine artists, animators, and filmmakers. I was lucky to squeeze into a class in which Pfister provided an insider’s view of production design by explaining the interrelationship between the director, the production designer, and the cinematographer. Informal yet informative, Pfister painted a clear picture of the process of production, emphasizing that story needs to drive the choice of visual techniques—not the other way around.
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