DTV Action Items (Part 3): Inmate at The Asylum, an interview with director Richard Schenkman

Posted by R. Emmet Sweeney on May 15, 2012

This is the third and final post in DTV ACTION ITEMS, a three-part series on direct-to-video action movies. Click here for Part 1, an interview with Outlaw Vern, and here for Part 2, a profile of actor Stone Cold Steve Austin.

The Asylum is the most disreputable studio in that most disreputable of markets: direct-to-video. They made their name cranking out cheaply made “mockbusters”, thinly veiled ripoffs of Hollywood blockbusters starring Z-list celebrities, many of which air in constant rotation on the SyFy channel. Last month Universal Studios sued them for copyright infringement on The Asylum’s Battleship take-off, American Battleship, starring Mario Van Peebles and Carl Weathers. Despite a hilariously cocky press release defending their film (” Looking for a scapegoat, or more publicity, for its pending box-office disaster, the executives at Universal filed this lawsuit in fear of a repeat of the box office flop, John Carter of Mars. The Universal action is wholly without merit and we will vigorously defend their claims in Court. Nonetheless, we appreciate the publicity.”), they changed the title to American Warships, which will be released on video May 22nd.

They are a crew of brilliantly amoral hucksters pranking Hollywood for fun and profit — a commendable goal for sure, but are the movies worth watching? When I spoke to Outlaw Vern two weeks back, he didn’t think so, nothing that “I get a laugh from the titles and covers like everybody else, but the parts I’ve seen have been terrible and not in a fun way.” One of their upcoming releases may indicate an uptick in quality, for Abraham Lincoln vs. Zombies (out on DVD/Blu on May 29th) is a taut, resourceful piece of survival horror, completely lacking the forced campiness of most of The Asylum product. First-time Asylum director Richard Schenkman is an industry veteran who has made everything from indie comedies (The Pompatus of Love) to sci-fi (The Man From Earth), and his experience pays off. The pace is snappy, the action well-staged, and lead actor Bill Oberst is gruffly engaging as Honest Abe. I’d be surprised if its Hollywood counterpart, Abraham Lincoln: Vampire Hunter, is as energetically entertaining. I spoke with Mr. Schenkman about his path into moviemaking, his opinion of The Asylum, and his experience shooting Abraham Lincoln vs. Zombies.

1 Comment |

submit

Quatermass and the X

Posted by keelsetter on May 6, 2012

Quatermass creator and screenwriter Nigel Kneale (1922 – 2006) has his roots in the Isle of Man, a small patch of over 200 square miles in size that is located between Great Britain and Ireland. Megalithic monuments that heralded a new development in human technology began to appear on the Isle of Man during the Neolithic Age. At present, the island is the center for various competing private space travel companies that are vying for a thirty million dollar Google Lunar X Prize, organized by the X Prize Foundation. “X” marks the spot, and in this case it’s where reality and space travel intersect, bringing us back to Nigel Kneale and The Quatermass Xperiment (U.S. title: The Creeping Unknown), which was the first feature film to introduce his beloved alien-battling character of Professor Bernard Quatermass of the British Experimental Rocket Group. READ MORE

6 Comments |

submit

Edward L. Cahn’s You Have To Run Fast (1961)

Posted by R. Emmet Sweeney on April 10, 2012

Edward L. Cahn directed 11 films in 1961, and You Have to Run Fast was one of them. MGM recently released it on their DVD burn-on-demand service in a crisp transfer, making it easy to appreciate the thriller’s tight construction and open-air location shooting. The AFI Catalog lists no production dates but it was undoubtedly completed in a week or two before Cahn and producer Robert E. Kent moved on to the next programmer (17 of which are now streaming on Netflix). I was tipped to Cahn’s work by Dave Kehr’s “Further Research” column in the November/December 2011 Film Comment, where he says, “Cahn…seemed to embrace the aesthetic of speed with a passion and personal commitment not always apparent in the work of his more feverishly productive Poverty Row peers.” Cahn reportedly filmed “an astonishing 40 setups a day”, but as You Have to Run Fast clearly shows, they flow with an ironclad visual logic, and establish a moral equivalency between a mob boss and the innocent he is tracking down.

2 Comments |

submit

Diary of a B-Fest Survivor

Posted by Susan Doll on January 30, 2012

For my birthday, I treated myself to the 31^st Annual B-Fest, a 24-hour marathon of b-movies held each year in January at Northwestern University in Evanston, Illinois. “B-movie” is a generous distinction for most of the films, some of which are so bad they stupefy. But, fans of B-Fest revel in the ridiculous because attending is a participatory experience in which audience members yell, cheer, and shout a running commentary at the screen. As my friend Al explained, “It’s like Mystery Science Theater 3000 on steroids or cocaine.”

Al, who has attended B-Fest for 14 straight years, is fairly perceptive about its appeal to regulars, noting that audiences are simultaneously in awe and aghast at how bad, cheesy, insipid, or tedious the films are. The worse the film, the more inspired or inventive the commentary is. Also, watching nonstop movies into the wee hours of the morning with like-minded movie lovers inspires a camaraderie that is infectious, an observation made by Spencer, a 14-year B-Fest veteran who has made a tradition of attending.

I was delighted to see that the audience for B-Fest was a mix of males and females, with an age range from teens through seniors. Some come for the old creature features from the 1950s; some come for the classic bad movies, like the perennial Plan 9 from Outer Space; others prefer famous flops. Though Becky, who has attended B-Fest for three years, is a science fiction fan, she really enjoys those legitimate Hollywood movies that turned out to be “train wrecks,” like Cool as Ice, the Vanilla Ice vehicle that showed at least year’s B-Fest.

I managed to stay for about for five features, one short, and the raffle before bailing on B-Fest in the wee hours of the morning. I scribbled a rough diary of my observations and impressions, which I hope captures the spirit, fun, and craziness of B-Fest.

26 Comments |

submit

^ back to top

MovieMorlocks.com is the official blog for TCM. No topic is too obscure or niche to be excluded from our film discussions. And we welcome your comments on our blogs and bloggers.