Tony Sarg: Floating Above Reality

If you are like millions of Americans, the Macy’s Thanksgiving Day Parade may be playing as video wallpaper in the background of tomorrow’s holiday hubbub in your household. In between stuffing that turkey and unsuccessfully averting your eyes from the crasser, materialistic moments of the television broadcast, it is still fun to catch sight of those unwieldy balloons straining while remaining afloat above the crowded street. Depending on luck, fashions in pop culture and our memories of balloons past (where is Underdog?) these gargantuan floating creatures seem as familiar as that stained recipe card you may be consulting. Yet, as the above image from a 1930s Macy’s Parade illustrates, they were not always quite as cuddly as they seem today. Just as these helium behemoths sometimes elude their handlers and occasionally deflate, the origin of these now familiar fixtures is not well known. Not surprisingly, perhaps, the originator of these unique inflated fantasies dipped a toe into the movie business just as it started to take off as an art form.

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The View in the Rear View Mirror

A brooding James Cagney drives his cab as if he's doing penance in The Roaring Twenties (1939), while Priscilla Lane remains oblivious to his despairHave you a favorite cab driver from classic movies?

Is he (or she) loud, pushy and aggressively seeking a faster route and big tip–maybe a Alan Hale, Sr. or Nat Pendleton type, quick with his mouth and his fists when needed? Or is the celluloid cabbie you cherish a comical “hail fellow well met” type, eager for conversation and filled with an inexplicable sense of bonhomie–perhaps played by a George Tobias, Red Skelton or Frank McHugh? Might another compelling favorite be those Charon-like figures behind the wheel, ferrying passengers across the dark city, musing philosophically about the pulse of the lifeblood of the city while guiding those in the back seat to a physical and spiritual destination–weightier characters captured by such diverse actors as Tom D’Andrea and Paul Lukas?

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A Dog-Eared Movie

Just as I enjoy reading and sometimes re-reading a beloved book of short stories, some movies bear watching repeatedly.

The enjoyment I derive from episodic movies might be indicative of our fragmented concentration in this dizzying information age. Yet, as someone who loves to curl up with a book of short stories, I also enjoy movies that follow that portmanteau format, at least loosely. Some of the films mentioned are literary, some dream-like, and some just plain movie fun. Hardly any would ever make one of those AFI best movie lists, but they have given me a great deal of diversion.

The following is a partial list of my favorite anthology films, which, despite the often critical disdain that greets them, continue to pop up from the early talkie period to today. Their sometimes hit or miss quality seems to have kept most of them from ever being the critics’ darlings as a genre, but there is lots of entertainment in some of these often imaginative and films, whether they are directed by one person or a clutch of varying talents. Curiously, many of the older films mentioned are very hard to find and haven’t been broadcast in years, but are well worth seeking out. I hope that you’ll add your suggestions to the list. I’m sure that there are some that I’m overlooking: READ MORE

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