R. Emmet Sweeney
R. Emmet Sweeney started out with so much promise. His youth in Buffalo, NY was spent honing his mid-range jumper and tearing through the collected works of Raymond Chandler. His attraction to such upstanding hobbies was considered a boon to the family's reputation. Then he saw Rio Bravo and all was lost. Howard Hawks became his obsession and downfall.

He quickly turned into a denizen of darkened rooms projecting tales of questionable virtue. His nascent muscle tone turned to flab, and his career options quickly narrowed. All that was left was academia. He earned a Masters degree in Cinema Studies from New York University, and has been writing about the movies ever since. His work has appeared on IFC News, the Village Voice, Moving Image Source, The Believer, and his blog, Termite Art (termiteart.blogspot.com). He lives in Brooklyn with his wondrous wife and the Ford at Fox box set.
Posts by R. Emmet Sweeney

Early yesterday, news broke that Eric Rohmer passed away at the age of 89. Dave Kehr has a fine obituary up at the NY Times, and I would recommend Michael J. Anderson’s essay on My Night at Maud’s and The Green Ray for an analysis of his style. The Six Moral Tales will remain his [...]

READ MORE

It’s time to stagger into the new year with eyes thrust forward. No more list-making and list-arguing and dwelling on the decade that was. Let us break free from our immediate history and nostalgia’s uncomfortably warm grip to embrace the rambunctious year to come. We’re going to squeeze out its tender juices one month at [...]

READ MORE

After a lengthy hold-out, I’ve galloped into the loving arms of Blu-Ray. It’s the right time to jump in, as the studios are (rather desperately) pushing the format hard, cutting prices across the board. You can pick up a player for around $150, with many library titles on sale for $10 (most new releases are set [...]

READ MORE

My lists for the top films of the year and of the decade have been posted over at Indiewire, so feel free to rush over there and criticize my choices in the comments back here. Only two English language films made my year-end roundup (The Informant! and Orphan), but there was a whole slew of [...]

READ MORE

Twitter has its uses, including its function as cinephilic program guide. I follow an eccentric crew of film writers and scholars on the service, and often something like the following will pop up:   “DVR alert: TCM, 10:15 am Eastern, Men Are Such Fools”  rare Busby Berkeley, 1938, non-musical, w/Bogart; never seen it.” This was [...]

READ MORE

The decade is almost at a close, and a deluge of film lists has started the conversation about who were the vital movie artists over the past ten years. All of them are worth scrolling through to stoke some self-righteous anger or gratifying head nods, but before I pull together my chin-scratcher about the end [...]

READ MORE

A few weeks back I examined the directorial decisions that went into Fox’s World Series broadcast. Every play in baseball contains an inherent drama easy for a camera to pick out – the duel between pitcher and catcher. This offers an easy, lucid way for the production team to escalate tension, and the natural rhythm between [...]

READ MORE

The nasal whine of Jerry Lewis is slowly screeching it’s way back into the American consciousness. He won the Jean Hersholt Humanitarian award at the last Oscar ceremony, and he’s returning to Broadway as the director of a musical version of The Nutty Professor, set for the 2010-11 season. And over the past few weeks, [...]

READ MORE

Abbas Kiarostami has retreated from the international scene for most of this past decade, working on a variety of museum installations and digital video experiments that received little to no distribution in the U.S. These pursuits, which include the installation Looking at Taziyeh, the long-take landscape film Five Dedicated to Ozu, and his latest, Shirin,  [...]

READ MORE

This is part of our week-long tribute to Robert Ryan, whose centennial is being celebrated on TCM today and tomorrow with a varied selection of his work. Check the schedule!
Robert Ryan looks exhausted in Men In War, Anthony Mann’s spare Korean War drama. He focuses all of his energy on curling his upper lip, slitting [...]

READ MORE
MovieMorlocks.com is the official blog for TCM. No topic is too obscure or niche to be excluded from our film discussions. And we welcome your comments on our blogs and bloggers.
Archives
Popular terms
3-D  Actors  Actors' Endorsements  Animation  Anthology Films  Awards  Books on Film  British Cinema  Character Actors  Chicago Film History  Cinematography  Classic Films  College Life on Film  Comedy  Comic Book Movies  Czech Film  Dance on Film  Digital Cinema  Directors  Disaster Films  Documentary  Drama  Early Talkies  Editing  Educational Films  European Influence on American Cinema  Exploitation  Family Films  Film Composers  film festivals  Film Noir  Film Scholars  Filmmaking Techniques  Food in Film  Foreign Film  French Film  Gangster films  Genre spoofs  Guest Programmers  HD & Blu-Ray  Holiday Movies  Hollywood lifestyles  Horror  Horror Movies  Icons  independent film  Italian Film  Literary Adaptations  Martial Arts  Melodramas  Method Acting  Mexican Cinema  Monster Movies  Movie Books  Movie locations  Movie Stars  Music in Film  Musicals  Outdoor Cinema  Parenting on film  Polish film industry  political thrillers  Pre-Code  Producers  Race in American Film  Remakes  Road Movies  Romance  Russian Film Industry  Scandals  Science Fiction  Screenwriters  Semi-documentaries  Silent Film  silent films  Social Problem Film  Sports  Sports on Film  Stereotypes  Studio Politics  Suspense thriller  Swashbucklers  Television  The British in Hollywood  The Hungarians in Hollywood  The Irish in Hollywood  The Russians in Hollywood  Theaters  Underground Cinema  VOD  War film  Westerns  Women in the Film Industry  Women's Weepies