R. Emmet Sweeney
R. Emmet Sweeney grew up in Buffalo, NY, where as a teen he haunted the few art cinemas in town. Soon he was gainfully employed slinging popcorn and ticket stubs in one of those theaters, where the restorations of TOUCH OF EVIL and REAR WINDOW inflamed his cinephilic passions. Further stoked by the film sections at the Village Voice and the Chicago Reader, he devoured as many moving images as he could, becoming an unrepentant auteurist in the process.

He earned a Masters degree in Cinema Studies from New York University, and has been writing about the movies ever since. His work has appeared in Film Comment, Time Out Chicago, The Believer, IFC News, the Village Voice, Moving Image Source, and most proudly, Baseball Prospectus. He lives in Brooklyn with his wondrous wife and the Ford at Fox box set.

Posts by R. Emmet Sweeney

In one of those serendipitous quirks of scheduling, two homages to the silent film era are opening at the same time. Martin Scorsese’s Hugo, a 3D extravaganza adapted from Brian Selznick’s gorgeously illustrated children’s book The Invention of Hugo Cabret, uses the life and work of  Georges Melies as the central mystery for its eponymous [...]

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William A. Wellman was an attractive guy who happened to make a lot of movies, one of those directors who led an entire life before entering the cinema (as salesman, hockey player, soldier). For Wellman and so many other early Hollywood craftsmen, directing was, as John Ford described it, just another “job of work”. Wellman [...]

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The previously hazy career of William Dieterle is slowly being brought into focus, as the Warner Archive and repertory screenings grant incrementally wider access to this neglected German-American filmmaker. The Archive has just released Fashions of 1934 (’34) and Juarez (1939), while the 92Y Tribeca recently screened a gorgeous new print of Love Letters (1945, [...]

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In one of the stranger experiments in cable television history, Showtime’s 1994 Rebel Highway series commissioned ten filmmakers to remake a 1950s exploitation movie. It was the brainchild of Lou Arkoff (the son of American International Pictures founder Samuel Z. Arkoff) and Debra Hill (producer of Halloween). They gave directors $ 1.3 million and a [...]

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Alexandre Dumas’ The Three Musketeers has been adapted countless times for the screen, most of them forgotten. There is a 1911 Edison production, a modernized 1933 Mascot serial that starred John Wayne as a French Foreign Legionnaire,  and now a newfangled 3D version crafted by Paul W.S. Anderson. Left out of this un-illustrious list are [...]

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For nine years running, MoMA’s To Save and Project international festival of film preservation has showcased the latest celluloid surgery jobs by archives the world over. It’s the one place where film stock is still a fetish, each new print ogled with the entitled leer of a sozzled Miss Universe judge. So I was sent [...]

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Every week the Warner Archive dusts off a bundle of forgotten studio productions onto DVD and hopes they find an audience. Recently they released a quartet of late films from veteran studio auteurs, and they all deserve to be seen. They are Robert Aldrich’s The Legend of Lylah Clare (1968), Richard Fleischer’s The Last Run [...]

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Major League Baseball is in the midst of a preposterously entertaining postseason, with major upsets and wild finishes happening almost every night. As I typed that, Nelson Cruz hit a walk-off grand slam, the first in playoff history, to give the Rangers a victory over the Tigers in the ALCS. Even better for MLB’s image [...]

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The 49th New York Film Festival is strutting into its first full week, rolling out red carpets and doling out free espresso to its star and art-struck audience. As posh as the whole experience is, this shouldn’t hide the adventurousness of the programming, which is rivaled in NYC only by Migrating Forms and the New [...]

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The 49th New York Film Festival begins this Friday, September 30th, with a main slate of 27 features and an abundance of sidebar and retrospective screenings, including a massive survey of Nikkatsu Films. All of my favorite entries so far share an obsessively detailed sense of place, locations that subsume central characters and emerge as [...]

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