Delmer Daves is having a moment. The Criterion Collection, the closest thing the U.S. has to a cultural gatekeeper, just released 3:10 To Yuma (1957) and Jubal (1956) on DVD and Blu-Ray, while the Anthology Film Archives in New York City is holding a mini-retrospective of rarely screened Daves titles, including Pride of the Marines […]

Approximately every English-language publication in existence has run an “Is Television Better than the Movies” piece over the past few years. I will bravely buck the whims of headline writers and declare I don’t know why we have to choose. For every Louie or The Wire, there are eight billion CSIs, and a similar ratio holds […]

As May approaches, the film world turns its eyes to the Cannes Film Festival, which will host world premiere screenings from the likes of Jia Zhangke and Alexander Payne at its Grand Théâtre Lumière. I, however, will be celebrating the Edward L. Cahn Film Festival, taking place on my mustard stained IKEA couch in Brooklyn. […]

“Nobody can beat Bruce Lee, everybody can beat me” -Jackie Chan Failing as a stoic Bruce Lee clone early in his career, Jackie Chan discovered that audiences preferred him as a cheery masochist, enduring abuse for fun and profit. His kung-fu clowning in Snake in the Eagle’s Shadow and Drunken Master (both 1978) established a […]

Since its inception Hollywood has been the plaything of the super rich, an ideal medium for ego stroking and favor doling. William Randolph Hearst famously bankrolled the career of his talented mistress, Marion Davies, while Howard Hughes worked out his fetish for flying machines and bra technology. Many of these captain of industry vanity projects […]

To the Wonder, Upstream Color and Spring Breakers have been speaking to each other in my head. I would rather they go away so I could do my taxes, but here we are. Terrence Malick’s To the Wonder, which opens in limited release this week, is a memory movie, swirling around a couple straining to […]

When director George Sherman passed away at the age of 82 in 1991, he was noted only for the quantity of his output. The obituaries in both the Los Angeles and New York Times pointed out the “175″ credits he had accrued as a director for screens both large and small (IMDb lists 126), although […]

To make a thoughtful direct-to-video action movie is about as difficult as recovering from a meaty right hook to the jaw from Stone Cold Steve Austin. Working on shoestring budgets and two-week deadlines, most DTV product is a jumbled mess of plot holes and broken bones. So when a director is able to compose a […]

I am a man of few principles, but when a Raoul Walsh film comes out on home video I am duty-bound to write about it. The Warner Archive has been a blessing for Walsh enthusiasts, and their latest gift is a handsomely restored DVD of his Western Cheyenne (1947). It is somewhat of a neglected […]