R. Emmet Sweeney
R. Emmet Sweeney

R. Emmet Sweeney grew up in Buffalo, NY, where as a teen he haunted the few art cinemas in town. Soon he was gainfully employed slinging popcorn and ticket stubs in one of those theaters, where the restorations of TOUCH OF EVIL and REAR WINDOW inflamed his cinephilic passions. Further stoked by the film sections at the Village Voice and the Chicago Reader, he devoured as many moving images as he could, becoming an unrepentant auteurist in the process.

He earned a Masters degree in Cinema Studies from New York University, and has been writing about the movies ever since. His work has appeared in Film Comment, Time Out Chicago, The Believer, IFC News, the Village Voice, Moving Image Source, and most proudly, Baseball Prospectus. He lives in Brooklyn with his wondrous wife and the Ford at Fox box set. Follow him on Twitter at @r_emmet.

Posts by R. Emmet Sweeney

  Farrelly Brothers movies are akin to family gatherings. They are filled with extreme neuroses, unexpected violence, and deep undercurrents of affection. Their films are even populated with friends and relatives from their Rhode Island home. Listen to any of their audio commentaries and you’ll find that half the actors are bankers and car salesman who […]

READ MORE

  The Lusty Men is haunted by the Great Depression. It’s about economic displacement, wandering the countryside to make a buck at podunk rodeos, and where the dream of owning a home seems forever out of reach. As with most Hollywood studio projects, The Lusty Men was built out of compromise and circumstance, starting as a Life magazine article on […]

READ MORE

  For director Michael Powell, The Red Shoes was “mostly a sketch for The Tales of Hoffmann“. So far the sketch has eclipsed the full painting, with The Red Shoes a repertory film staple that plays regularly around the country (you can catch it in my cinema-starved hometown of Buffalo on November 17th!), while The Tales of Hoffmann has endured decades of […]

READ MORE

  The New York Film Festival opened this past Friday night with the sadistic comedy of remarriage Gone Girl  (which is released nationwide October 3rd). It trails success in its wake, adapted from Gillian Flynn’s blockbuster novel, which has occupied the majority of bedside end tables in the United States. It is the second straight bestseller […]

READ MORE

  The fifty-second New York Film Festival begins this Friday night with the world premiere of Gone Girl, the David Fincher adaptation of Gillian Flynn’s  ubiquitous spousal murder mystery. But the early highlight of the thirty-film main slate concerns another missing woman, although in a less-outwardly-thrilling scenario. Hong Sang-soo’s Hill of Freedom, which screens the evenings of 9/30 […]

READ MORE

  John Waters wishes he directed Final Destination. At the recently completed John Waters retrospective at the Film Society of Lincoln Center, there was a sidebar of films Waters was “Jealous I Didn’t Make”. One of them was Final Destination, the 2000 horror film about five teens who cheat death – for which Death itself wants bloody […]

READ MORE

  “Every detail, every second of each shot makes La Nuit du carrefour [Night of the Crossroads] the only great French thriller, or rather, the greatest French adventure film of all.” -Jean-Luc Godard, Cahiers du Cinema (December 1957) Night of the Crossroads was the first film adaptation of Georges Simenon’s phenomenally popular Inspector Maigret novels, and was lent a thick, […]

READ MORE

  Jeff Markham knew Kathie would not arrive, but he sat there and drank anyway. He was resigned to his premonitions, seemingly able to tell the future but powerless to stop it. “I think I’m in a frame…I don’t know. All I can see is the frame. I’m going in there now to look at […]

READ MORE

  “I’ve tried to break him of it…but he just loves people!”  -Lucille (Ann Sheridan) complaining about her husband Sam (Gary Cooper) in Good Sam In 1948 Leo McCarey was coming off the biggest hits of his career, as Bing Crosby’s singing priest in Going My Way (1944) and The Bells of St. Mary’s (1945) topped the box office. Both […]

READ MORE

  “Sixty seconds before the baby shot its father, leaves fell lazily in Central Park.” -the first line of Sam Fuller’s Brainquake Sam Fuller was not one for the slow burn. He preferred instant incineration. He learned his potent pulp technique in the NYC tabloids as a crime reporter, where an attention grabbing lede was all […]

READ MORE
MovieMorlocks.com is the official blog for TCM. No topic is too obscure or niche to be excluded from our film discussions. And we welcome your comments on our blogs and bloggers.
See more: facebook.com/tcmtv
See more: twitter.com/tcm
3-D  Action Films  Actors  Actors' Endorsements  Actresses  animal stars  Animation  Anime  Anthology Films  Art Direction  Art in Movies  Australian CInema  Autobiography  Avant-Garde  Aviation  Awards  B-movies  Beer in Film  Behind the Scenes  Best of the Year lists  Biography  Biopics  Black Film  Blu-Ray  Books on Film  Boxing films  British Cinema  Canadian Cinema  Character Actors  Chicago Film History  Cinematography  Classic Films  College Life on Film  Comedy  Comic Book Movies  Crime  Czech Film  Dance on Film  Digital Cinema  Directors  Disaster Films  Documentary  Drama  DVD  Early Talkies  Editing  Educational Films  European Influence on American Cinema  Experimental  Exploitation  Fairy Tales on Film  Faith or Christian-based Films  Family Films  Film Composers  Film Criticism  film festivals  Film History in Florida  Film Noir  Film Scholars  Film titles  Filmmaking Techniques  Films About Gambling  Films of the 1960s  Films of the 1980s  Food in Film  Foreign Film  French Film  Gangster films  Genre  Genre spoofs  HD & Blu-Ray  Holiday Movies  Hollywood history  Hollywood lifestyles  Horror  Horror Movies  Icons  independent film  Italian Film  Japanese Film  Korean Film  Literary Adaptations  Martial Arts  Melodramas  Method Acting  Mexican Cinema  Moguls  Monster Movies  Movie Books  Movie Costumes  movie flops  Movie locations  Movie lovers  Movie Reviewers  Movie settings  Movie Stars  Movie titles  Movies about movies  Music in Film  Musicals  Outdoor Cinema  Paranoid Thrillers  Parenting on film  Pirate movies  Polish film industry  political thrillers  Politics in Film  Pornography  Pre-Code  Producers  Race in American Film  Remakes  Revenge  Road Movies  Romance  Romantic Comedies  Satire  Scandals  Science Fiction  Screenwriters  Semi-documentaries  Serials  Short Films  Silent Film  silent films  Social Problem Film  Sports  Sports on Film  Stereotypes  Straight-to-DVD  Studio Politics  Stunts and stuntmen  Suspense thriller  Swashbucklers  TCM Classic Film Festival  TCM Underground  Television  The British in Hollywood  The Germans in Hollywood  The Hungarians in Hollywood  The Irish in Hollywood  Theaters  Thriller  Trains in movies  Underground Cinema  VOD  War film  Westerns  Women in the Film Industry  Women's Weepies