R. Emmet Sweeney
R. Emmet Sweeney

R. Emmet Sweeney grew up in Buffalo, NY, where as a teen he haunted the few art cinemas in town. Soon he was gainfully employed slinging popcorn and ticket stubs in one of those theaters, where the restorations of TOUCH OF EVIL and REAR WINDOW inflamed his cinephilic passions. Further stoked by the film sections at the Village Voice and the Chicago Reader, he devoured as many moving images as he could, becoming an unrepentant auteurist in the process.

He earned a Masters degree in Cinema Studies from New York University, and has been writing about the movies ever since. His work has appeared in Film Comment, Time Out Chicago, The Believer, IFC News, the Village Voice, Moving Image Source, and most proudly, Baseball Prospectus. He lives in Brooklyn with his wondrous wife and the Ford at Fox box set. Follow him on Twitter at @r_emmet.

Posts by R. Emmet Sweeney

In the summer of 1956, Sam Fuller took a 50% stake in Globe Enterprises, an independent production company that would strike deals with RKO, Twentieth-Century Fox, and Columbia for financing and distribution. He received creative control over his projects, and though this setup only lasted through 1961, he made six strong films with Globe: Run […]

READ MORE

At the moment I am enjoying a scenic vacation in Portland, Maine, so won’t be able to contribute my usual film-related gibberish. Instead I’ll be spending time in John Ford’s hometown, where, though they snubbed him when he lit West for Hollywood, they have now erected a statue to him. In my absence watch a […]

READ MORE

, Last week Warner Archive snuck out a minor announcement with major implications. Six martial arts films from Golden Harvest studios were made available in HD on their Instant streaming service, in their original language and aspect ratios. Golden Harvest was the proving ground for Bruce Lee, Jackie Chan,  Sammo Hung and Jet Li, producing some […]

READ MORE

  “The color overshadows the plot.” – Frank Borzage on I’ve Always Loved You (’46)  In 1945 Frank Borzage signed a lavish five-year deal with the penurious Republic Pictures, and it granted him unusual autonomy over his projects.  I’ve Always Loved You was the first film he made for Republic, and he invested it with the full force of […]

READ MORE

  When I have an empty afternoon to kill, I go to the movies.  This past Saturday my hours were filled to bursting with the “Glorious Technicolor: From George Eastman House and Beyond” series at MoMA, which runs through August 5th. The way the schedule fell, my matinees were made up of MGM’s frothy swashbuckler Scaramouche (1952) […]

READ MORE

  After the conclusion of WWII, the subject of the returning soldier became a popular one in B-movies, with the image of a dazed G-man wandering desolate back alleys becoming cinematic shorthand for post-traumatic stress. While the prestige pics explored how the soldiers’ physical toll left psychological scars (The Best Years of Our Lives, Pride […]

READ MORE

  After the success of Stagecoach (1939), John Wayne was in demand. While still under contract to poverty row Republic Studios, he was lent out to United Artists for The Long Voyage Home (1940), Universal for Seven Sinners (1940) and Paramount for The Shepherd of the Hills (1941). While still making interesting features for Republic, including Raoul Walsh’s Dark Command (1940), he was positioning […]

READ MORE

When I interviewed Roy Andersson last week I was struck by how mischievous this 72-year-old still was, his moon-shaped face cracking into an impish grin whenever he belittled things inimical to humanity (including but not limited to: the monarchy, billionaires, and smart phones) . The Swedish director was in NYC promoting A Pigeon Sat on a […]

READ MORE

  The “It” in It! The Terror From Beyond Space (1958) is a lumbering thing, a slow-footed creature from a Martian lagoon terrorizing the crew of a rescue ship returning to Earth. Despite his violent blood-sucking tendencies, “It” is a lovable sort, blundering about in the spacecraft’s engine room with the stunned and disoriented gait […]

READ MORE

 Our story is about a special group of these, the richest, smartest, the chicest. The jet-set ones. Has to do with a kind of voyeurism. I’d call it emotional parasitism. It has to do with the mystique of the he-man. This picture is against he-men. – Orson Welles The above quote is from Orson Welles […]

READ MORE
MovieMorlocks.com is the official blog for TCM. No topic is too obscure or niche to be excluded from our film discussions. And we welcome your comments on our blogs and bloggers.
See more: facebook.com/tcmtv
See more: twitter.com/tcm
3-D  Academy Awards  Action Films  Actors  Actors' Endorsements  Actresses  animal stars  Animation  Anime  Anthology Films  Art Direction  Art in Movies  Asians in Hollywood  Australian CInema  Autobiography  Avant-Garde  Aviation  Awards  B-movies  Beer in Film  Behind the Scenes  Best of the Year lists  Biography  Biopics  Black Film  Blu-Ray  Books on Film  Boxing films  British Cinema  Canadian Cinema  Character Actors  Chicago Film History  Cinematography  Classic Films  College Life on Film  Comedy  Comic Book Movies  Crime  Czech Film  Dance on Film  Digital Cinema  Directors  Disaster Films  Documentary  Drama  DVD  Early Talkies  Editing  Educational Films  European Influence on American Cinema  Experimental  Exploitation  Fairy Tales on Film  Faith or Christian-based Films  Family Films  Film Composers  Film Criticism  Film Festival 2015  film festivals  Film History in Florida  Film Noir  Film Scholars  Film titles  Filmmaking Techniques  Films About Gambling  Films of the 1960s  Films of the 1970s  Films of the 1980s  Food in Film  Foreign Film  French Film  Gangster films  Genre  Genre spoofs  HD & Blu-Ray  Holiday Movies  Hollywood history  Hollywood lifestyles  Horror  Horror Movies  Icons  independent film  Italian Film  Japanese Film  Korean Film  Literary Adaptations  Martial Arts  Melodramas  Memorabilia  Method Acting  Mexican Cinema  Moguls  Monster Movies  Movie Books  Movie Costumes  movie flops  Movie locations  Movie lovers  Movie Reviewers  Movie settings  Movie Stars  Movie titles  Movies about movies  Music in Film  Musicals  New Releases  Outdoor Cinema  Paranoid Thrillers  Parenting on film  Pirate movies  Polish film industry  political thrillers  Politics in Film  Pornography  Pre-Code  Producers  Race in American Film  Remakes  Revenge  Road Movies  Romance  Romantic Comedies  Satire  Scandals  Science Fiction  Screenwriters  Semi-documentaries  Serials  Set design/production design  Short Films  Silent Film  silent films  Social Problem Film  Sports  Sports on Film  Stereotypes  Straight-to-DVD  Studio Politics  Stunts and stuntmen  Suspense thriller  Swashbucklers  TCM Classic Film Festival  TCM Underground  Television  The British in Hollywood  The Germans in Hollywood  The Hungarians in Hollywood  The Irish in Hollywood  Theaters  Thriller  Trains in movies  U.S.S. Indianapolis  Underground Cinema  VOD  War film  Westerns  Women in the Film Industry  Women's Weepies