rhsmith
My grandmother Julia played piano in the Beckley, West Virginia silent movie house where my father Dick grew up watching the exploits of cowboy heroes Tom Mix, Buck Jones and The Three Mesquiteers. Raised in New England, I was a frequent attendee of the Danielson Cinema, built in 1900 as a playhouse and formerly called the Orpheum Theater. Due to my Dad's status as principal of our mill town's only high school, I was given a literal free pass to the movies and saw each new hit multiple times during its week-long run. Emancipated in my thinking and catholic in my tastes even by the age of 8, I would march the half mile to the Danielson Cinema to see such varied fare as DRACULA HAS RISEN FROM THE GRAVE, AIRPORT, THE ADVENTURES OF SHERLOCK HOLMES' SMARTER BROTHER, RYAN'S DAUGHTER and THE PRIME OF MISS JEAN BRODIE, initiating a cinematic education whose first term ended when the Danielson Cinema was destroyed by fire in 1978.

After obtaining a Bachelor of Arts degree in Theatre in New Haven, I moved to New York City to be an actor but switched gears to become an Off-Off Broadway playwright. My one act plays and full lengths have been performed at such varied Manhattan venues as The Grove Street Theatre, 29th Street Rep, Synchronicity Space, The Theatre-Studio, the Pulse Theatre, the Sanford Meisner Theatre, Raw Space and H.E.R.E. Performing Arts Center. In 2004, my wife and I relocated to Hollywood, where I currently write box copy, liner notes, talent bios and promotional material for several DVD companies and review DVDs for the Turner Classic Movies website. I am the author of several horror screenplays, am the former Euro-Cult film discussion moderator of the Mobius Home Video Forum and I have been a staff writer for Video Watchdog magazine since 1999. I'm a contributor to The Wallflower Press critical guides Contemporary North American Directors and Contemporary British and Irish Directors and to the upcoming Vampiros and Monstruos: The Mexican Horror Film of the 20th Century and The Book of Lists: Horror.
Posts by rhsmith

Back when TV Guide was as important a publication to me as The Cub Scout Handbook or Famous Monsters of Filmland, I often ran across the phrase “Good fang work” in the one-sentence reviews that accompanied listings for vampire movies.  I don’t know whose wording that was (the neologism was ported into Leonard Maltin’s movie [...]

READ MORE

By that I mean I’m mad at the Oscars.  More to the point, I hate them.  And I hate that you still love the Oscars even though they take and they take and they give nothing back.  And I want to break you guys up.  And the way I plan to do that is to [...]

READ MORE

Movie lovers are always gassing on about the end of things.  Oh, how we love to mourn!  Up in Canada, the horror-hound’s TV getaway, Scream, morphed quietly and with little fanfare last September into Dusk.  Billed as “the supernatural, thriller and suspense channel,” Dusk is a gore-free zone that sounds suspiciously like a crust thrown [...]

READ MORE

Since my wife and I started a family within the past five years, I’ve become acutely attuned to the performances of child actors in movies and on TV.  Although I was born a softie, I find myself tearing up a lot more now as a father of two… and not just during scenes of sadness [...]

READ MORE

I grew up singing and listening to my family sing.  We weren’t show folk or carnies.  My parents were ex-military (they had in fact met and married in the Air Force) and worked for the better part of my formative years as school teachers.  I was the only actor in the family tree but I [...]

READ MORE

While watching Universal’s hopelessly misconceived (but still enjoyable) THE STRANGE CASE OF DR. RX (1942) the other night, I was struck by how valuable an asset was Mantan Moreland. 

READ MORE

Universal Studios was the headquarters for horror during the 1930s and 40s, following the one-two punch of Tod Browning’s DRACULA and James Whale’s FRANKENSTEIN in 1931.  The rival studios didn’t try to beat Universal at cranking out the monster pictures but most of them gave the genre a shot once horror became, in the eyes [...]

READ MORE

We all have our seminal texts.  These are the books that made us who we are, that are hard-wired to our psyches, whose very pages float like paper sailboats in the salty brine of our DNA.  At the far end of my life, I’d rate Don Whitehead’s THE FBI STORY (a sanitized “adapted for young [...]

READ MORE

Look deep into the heart of a true cinephile and you’ll find not only a long list of movies he or she is dying to see and hasn’t but another equally long, if not longer, list of movies he or she is dying to see that were never made. 

READ MORE

The great thing about Christmas is that it’s yours to do with whatever you like.  Some people just can’t abide the holidays and my heart goes out to them.  I understand.  I’m an atheist, a secular humanist, a realist, at times even a cynic.  I get how galling the prefab mirth and canned bonhomie can [...]

READ MORE
MovieMorlocks.com is the official blog for TCM. No topic is too obscure or niche to be excluded from our film discussions. And we welcome your comments on our blogs and bloggers.
Archives
Popular terms
3-D  Actors  Actors' Endorsements  Animation  Anthology Films  Awards  Books on Film  British Cinema  Character Actors  Chicago Film History  Cinematography  Classic Films  College Life on Film  Comedy  Comic Book Movies  Czech Film  Dance on Film  Digital Cinema  Directors  Disaster Films  Documentary  Drama  Early Talkies  Editing  Educational Films  European Influence on American Cinema  Exploitation  Family Films  Film Composers  film festivals  Film Noir  Film Scholars  Filmmaking Techniques  Food in Film  Foreign Film  French Film  Gangster films  Genre spoofs  Guest Programmers  HD & Blu-Ray  Holiday Movies  Hollywood lifestyles  Horror  Horror Movies  Icons  independent film  Italian Film  Literary Adaptations  Martial Arts  Melodramas  Method Acting  Mexican Cinema  Monster Movies  Movie Books  Movie locations  Movie Stars  Music in Film  Musicals  Outdoor Cinema  Parenting on film  Polish film industry  political thrillers  Pre-Code  Producers  Race in American Film  Remakes  Road Movies  Romance  Romantic Comedies  Russian Film Industry  Scandals  Science Fiction  Screenwriters  Semi-documentaries  Short Films  Silent Film  silent films  Social Problem Film  Sports  Sports on Film  Stereotypes  Studio Politics  Suspense thriller  Swashbucklers  TCM Classic Film Festival  Television  The British in Hollywood  The Hungarians in Hollywood  The Irish in Hollywood  The Russians in Hollywood  Theaters  Underground Cinema  VOD  War film  Westerns  Women in the Film Industry  Women's Weepies