morlockjeff
Jeff Stafford blames his parents for his addiction to movies. At the age of five in Memphis, Tennessee, he was allowed to stay up and watch "The Wolf Man" on the Late Night Show. It scared the bejabbers out of him and gave him nightmares but also led to a lifetime fascination with film. His other formative movie experience that same year was seeing Elvis Presley in "Love Me Tender" with his father during a trip to New Orleans and being disturbed over the ending where Elvis's ghost sings the title song. Born in Dalton, Georgia, Jeff has also lived in Memphis; Harrisburg, Pennsylvania; Richmond, Virginia; Athens, Georgia; and Atlanta. He graduated from the University of Georgia with a journalism degree and for a while dabbled in radio, television and newspapers before landing one of his favorite jobs, working as a film programmer at Films Inc., a non-theatrical distributor (no longer in business) that rented 16mm movies to colleges, libraries, film societies, etc. Provided with a 16mm projector and a warehouse full of films, he was able to indulge himself with the Janus and Audio Brandon collections plus the film libraries of 20th-Century-Fox, Paramount, RKO, Warner Bros. and many other studios. When the non-theatrical film market eventually collapsed due to the rising video industry (Blockbuster and their clones), Jeff began working as a freelance writer and started contributing to tcm.com. He is currently the managing editor of the Turner Classic Movies web site and has been since 2000.
Posts by morlockjeff

Have you ever had a fantasy about running and programming your own repertory cinema? Any self-proclaimed film buff probably has and, for me, it was a real but barely articulated desire from the time I was seven. Unlike the kids who wanted to be firemen, magicians, astronauts, cops, forest rangers, professional athletes, I could see [...]

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…and that feeling is so dark, deep and numb it shouldn’t be disturbed.    

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For the early settlers of this country, the New World offered freedom as well as the unknown…..    

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What if Jesus Christ was a donkey?        

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Made during the early period of Marlene Dietrich’s career at Paramount, THE SONG OF SONGS (1933) is usually overlooked amid the Josef von Sternberg collaborations that made her famous such as The Blue Angel (1930), Morocco (1930) and Shanghai Express (1932). Yet, it provides a fascinating look at Dietrich under a different director (Rouben Mamoulian) [...]

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Those who follow the current art scene and are well versed in art history know William Klein as one of the most influential American photographers to emerge in the fifties along with his contemporary Robert Frank. Famous for his unconventional fashion shoots for Vogue as well as his candid documentation of New York City street [...]

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Hammer Studios were always experts at following cinema fads and providing their own particular spin on a popular genre quickly to satify fans and take advantage of moviegoing trends. Besides the steady stream of horror films that made their reputation in the late fifties, they also had mini-franchises that ran from costume adventures (Sword of [...]

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I’m a big admirer of John Frankenheimer’s early work from such live TV dramas as The Comedian (1956) and Days of Wine and Roses (1957) to All Fall Down (1962), Birdman of Alcatraz (1962), The Manchurian Candidate (1962) and Seconds (1966). I’ve also enjoyed several of the more commercial projects he helmed throughout his career such [...]

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One of countless Eurospy actioners released in the wake of the James Bond film craze in the sixties, SECRET AGENT SUPER DRAGON (aka New York chiama Superdrago, 1966) has been mercilessly ridiculed on MST3K but served straight up, it’s often funnier in its own poker-faced way and has some oddball flourishes to set it apart [...]

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One of the best kept secrets about the Telluride Film Festival is what happens AFTER the event. The town residents are treated to a 3 day, 6-film sampler with two different screenings at the Palm Theatre each night. The selection is purely random and usually based on which films don’t have to be shipped out [...]

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