Pablo Kjolseth (aka keelsetter)
Pablo Kjolseth

I've been a film exhibitor for over 25 years and have programmed many rare U.S. film premieres in a variety of venues, from small bars to large concert halls. For a small chunk of time I also worked in the acquisitions department of the Starz cable channel, where I read scripts and helped with programming. That was an impressive and mighty ship that was hard to abandon, but a long time ago I decided to jump that ride in favor of being the captain of a smaller vessel: the International Film Series in Boulder, Colorado.

The IFS is like a small tugboat compared to the massive cruise ship of cable tv, but it afforded me the freedom to go into uncharted waters. The IFS is a calendar film program that has been around since 1941, and unfurls over 100 independent and repertory movies a year via two campus venues.

We recently salvaged over a dozen 35mm projectors from nearby multiplexes for parts and pieces that will allow us to continue showing archive and reel-to-reel film prints into the foreseeable future, alongside the digital formats now required. The new DCP format has many advantages, but my goal is to keep both the past and present alive by still showing 35mm prints whenever possible.

I raise my glass to all the rogue agents, private collectors, pirates, and other genuine cinephiles working in smaller distribution companies who are all doing their best to save rare prints from being destroyed, dumped, or otherwise permanently withdrawn from the public sphere. It is because of these heroes that so many otherwise forgotten stories from our cinematic legacy might yet live at 24-frames-a-second, and I salute the people who still make it possible to fly this particular pirate flag high, large, and on the big screen.

Posts by Pablo Kjolseth

(* … or not. As an alert reader just pointed out, Bergman has been replaced with a tribute to James Garner. Still… I’ll leave this post for future reference, as I’m sure TCM will eventually bring some of these films back.) I recently screened a 16mm print of Ingmar Bergman’s (1918 – 2007) The Magician […]

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Peter Yates (1929 – 2011) is primarily known as the director of Bullitt (1968), which set the bar for car-chases. Anyone who has seen The French Connection (1971) or To Live and Die in L.A. (1985) will not be surprised to know that William Friedkin, TCM‘s Guest Programmer for July, credits Bullitt for being “one […]

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Unlike Chris Marker (1921 – 2012), I am not an editor, poet, videographer, novelist, digital multimedia artist, or filmmaker. Even on a strictly personal level we are worlds apart, him having been a Salinger-like enigma who famously avoided interviews and photographs, me being a “nothing close to Salinger-like on any level” kind of guy who […]

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Screening this week as part of the TCM Imports lineup is Polish director Krzysztof Kieslowski’s (1941 – 1996) Three Colors trilogy. As a film exhibitor I have very fond memories of showcasing Kieslowski’s work. Both The Double Life of Veronique (1991) and the aforementioned operatic triptych made Kieslowski a huge arthouse hit who would pack […]

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If you missed A Hard Day’s Night (Richard Lester, 1964) when it screened at the recent TCM Film Fest, you’ll get another shot tomorrow when it airs as part of an evening celebrating the British Invasion. A Hard Day’s Night marks the Fab Four‘s debut in front of the cameras for a feature film and […]

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I can’t let a month featuring a Friday Night Spotlight on Australian Cinema go by without putting in a plug for a small gem coming up later this week; Peter Weir’s The Plumber (1979). Shot on 16mm and made for TV, this quickie project shot in under three weeks was a middle step-child between Weir’s […]

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     “Cry who will, laugh who can.” So begins Lola; with this Chinese proverb that makes clear its intentions.      How does Jacques Demy’s Lola, released over a half-century ago, in 1961, still work its magic on me? Normally any kind of conceit involving a love triangle that includes one character who serves as a […]

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Last January while attending the Arthouse Convergence in Midway, Utah, I was privy to a digital 4K restoration of The Lady from Shanghai (Orson Welles, 1948). It was introduced by Leonard Maltin, and the screening preceded the official Blu-ray release by a couple weeks. It comes to mind now because I see it coming up […]

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This Thursday TCM is featuring four films that fall under the theme of European Auto Racing: Le Mans (Lee H. Katzin, 1971), Grand Prix (John Frankenheimer, 1966), The Racers (Henry Hathaway, 1955), The Young Racers (Roger Corman, 1963), and Speed (Edwin, L, Martin, 1936). Last month I sold the Subaru that I’d owned since 1996. […]

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“I thought you might want to go to the picture show. Miss Mosey is having to close it. Tonight’s the last night.” – Sonny Crawford (Timothy Bottoms) How is it that nobody has done a modern version of The Last Picture Show? I realize that Peter Bogdanovich’s 1971 film, based on the novel by Larry […]

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