Greg Ferrara
Greg Ferrara

It was in grade school that I starting going out of my way to see whatever movies I could from the Golden Era of Hollywood, movies I had read about in the "Motion Pictures" entry in the encyclopedia. I'd stay up late or convince my mom to take me to whatever revival in whatever town I could find. It was with my mom that I saw the double feature of "Creature from the Black Lagoon/It Came from Outer Space," both in their original 3-D, complete with the red and blue glasses, and even though she wanted to leave after the first feature, I convinced her to stay for the whole thing.

It was around this time that my middle school library got a brand new book, just published! And it was about film! That didn't happen often, I can tell you. The book, published in 1976, was "Silents to Sound: A History of the Movies" by Juliet P. Schoen, an author I'd not heard of before and have not heard of since but it was she who introduced me to the movies in a real way. Oh sure, the book was general knowledge, just like the encyclopedia, but it had so much more detail, so many wonderful stories. I read it every week in the library until, one day, quite absent-mindedly, I put it in my backpack and walked out. I didn't mean to, I assure you, and promised myself I'd return it just as soon as I read it a couple more times. Then a little more. Then just a little more. Okay, just one more time!

I still have it today.

Though it no longer holds anything for me in the way of film knowledge or analysis, I can't get rid of it and the school doesn't even exist anymore anyway. No matter, the love remained, the film studies continued and the reception of so much joy, of spiritual fulfillment, taken from the cinema daily is something that remains powerful to this day.

Posts by Greg Ferrara

To view 21 Days click here. What would you do if you killed a man, quite by accident, and then had the great fortune of someone else being arrested for it? On top of that, the person arrested for it actually doesn’t object to the arrest and is so guilt ridden about the rest of […]

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To view Michael Collins click here. “If the price of freedom, if the price of peace, is the blackening of my name, I will gladly pay it.” Those are the words of Michael Collins as spoken by Liam Neeson. Actually, to put it more accurately, those are the words of Neil Jordan, writer and director […]

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To view The Exterminating Angel click here. What does it all mean? Does it matter? There’s a dinner party but before the guests have even arrived, the servants start taking the night off. First it’s just one, then two more, then another two, until finally only the head butler is left. But we know something […]

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To view The Woman in Question click here. My mother loved mysteries. Loved them. It was her favorite genre (science fiction and adventure were a close second and third) and whenever I discover a new one, it makes me think of her. One of the pleasures of watching a good mystery is trying to figure […]

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To view French Cancan click here. Jean Gabin, the great French actor and star, had worked with Jean Renoir three times before called upon to play the role of impresario Henri Danglard in Renoir’s salute to the Belle Epoque, the Moulin Rouge and the theater at large in French Cancan (1955), so he was ready for […]

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Terry Zwigoff’s Crumb enters FilmStruck at roughly 8:00pm ET today. Near the end of the 1994 documentary Crumb, directed by Terry Zwigoff, we see Robert Crumb and his wife, Aline Kominsky-Crumb, in their home supervising movers as they get ready to head out. Out of the country, that is. They’re moving to France and Crumb wonders […]

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To view Tess click here. A haggard, beaten down farmer walks home down a quiet country road in Wessex and greets, and is greeted by, another man on a horse. The man on the horse is Parson Tringham (Tony Church) and the grizzled farmer is John Durbyfield (John Collin). The parson jokingly calls him “Sir […]

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There’s a rather clunky scene early on in Hannah Arendt (2012), one whose purpose seems clearly to provide a quick bio of Hannah for the novice viewer. It takes place inside the office of William Shawn (Nicholas Woodsen), editor of The New Yorker. He has just received an offer from Hannah Arendt (Barbara Sukowa) to […]

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To view Burden of Dreams click here. “If I abandon this project I would be a man without dreams and I don’t want to live like that. I live my life or I end my life with this project.” That’s how Werner Herzog responded to his investors in Germany asking him if he had the will […]

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To view Lola click here. Jacques Demy came up right along with the rest of the French New Wave but his reputation didn’t have the same edge. While Godard, Truffaut, Chabrol and Resnais acquired a rep for groundbreaking work, Demy was too in love with both the Hollywood musical form and the sweeping camera of […]

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