Greg Ferrara
It was in grade school that I starting going out of my way to see whatever movies I could from the Golden Era of Hollywood, movies I had read about in the "Motion Pictures" entry in the encyclopedia. I'd stay up late or convince my mom to take me to whatever revival in whatever town I could find. It was with my mom that I saw the double feature of "Creature from the Black Lagoon/It Came from Outer Space," both in their original 3-D, complete with the red and blue glasses, and even though she wanted to leave after the first feature, I convinced her to stay for the whole thing.

It was around this time that my middle school library got a brand new book, just published! And it was about film! That didn't happen often, I can tell you. The book, published in 1976, was "Silents to Sound: A History of the Movies" by Juliet P. Schoen, an author I'd not heard of before and have not heard of since but it was she who introduced me to the movies in a real way. Oh sure, the book was general knowledge, just like the encyclopedia, but it had so much more detail, so many wonderful stories. I read it every week in the library until, one day, quite absent-mindedly, I put it in my backpack and walked out. I didn't mean to and promised myself I'd return it just as soon as I read it a couple more times. Then a little more. Then just a little more. Okay, just one more time!

I've still got it today.

Though it no longer holds anything for me in the way of film knowledge or analysis, I can't get rid of it and the school doesn't even exist anymore anyway. When I started writing online in 2007 I named my blog "Cinema Styles: From Silents to Sound." By 2009 I had dropped the "From Silents to Sound" part but the love remained, the film studies continued and the reception of so much joy, of spiritual fulfillment, taken from the cinema daily is something that remains powerful to this day.

Posts by Greg Ferrara

By 1976, Peter Bogdanovich’s breakout movie, The Last Picture Show, had officially become an anomaly.  Its stark drama stood in sharp relief to his next four movies, all comedies.  Bogdanovich seemed to fancy himself a director of screwball comedies and, to a degree, he was right.  What’s Up, Doc? recreated the feel of a screwball comedy […]

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Moviegoers everywhere understand the concept of shared cinema.  Even if they don’t know it as a topic of conversation or classroom discussion, they understand that a part of the thrill of seeing a new movie is seeing it on opening weekend with a crowd.  Well, at least most young moviegoers.  I myself prefer a quiet […]

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Hollywood has long been in love with itself.  It has also loathed itself in equal share.  It’s the all-time Hollywood love/hate relationship and it’s with itself.  They even make movies in Hollywood about how great Hollywood is and movies about how bad it is, too.  The movies about how bad it is tend to win […]

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When a movie is made, that is, the actual dates in time in which the movie is completed,  is often of little value to the plot.  A story with well drawn characters may or may not be much affected by what year it takes place in anymore than where.  Many movies of all genres have […]

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I never saw the transformation Judy Garland, Roddy McDowall or Elizabeth Taylor made from child actor to adult star.   Or Mickey Rooney.  Or Dean Stockwell.  Or any child actor who successfully moved on to a movie career as an adult before 1980 because to me, I saw it happen all at once.  I might […]

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Like most genres of film, Science Fiction has many sub-genres within a one all-inclusive umbrella but there’s the odd, subtextual mix of the fun and the disturbing in almost all of it.   No matter how fun it may be to watch, just under the surface or perhaps to the side of the screen, in […]

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I watched the documentary Side by Side over the weekend and enjoyed it very much (it was mentioned here at the Morlocks about three months ago when Morlock Keelsetter did a post, The Year in Documentaries, assessing the best non-fiction had to offer for the year, outside of the short list created by the Academy to […]

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2013 marks the 75th anniversary of Anatole Litvak’s The Amazing Dr. Clitterhouse, starring Edward G. Robinson, Claire Trevor and Humphrey Bogart.  Since no one else will celebrate it, I will.  Why?  Well, for starters, did you see that title?  No one has character names like that anymore nor are they described as amazing unless they’re […]

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Each year the Oscars ignite arguments between movie lovers between what did win and what didn’t win, what could have won and what should have won.  And more often than not, by the very next year, they’re all forgotten.  Since the Oscars don’t exactly measure true quality, most movie lovers take the whole dog and […]

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One thing I like to imagine when thinking about a film I really enjoy is what the side characters do in their spare time, that is, when they’re not busy propelling the story of the main character before us.   And I don’t mean what are they doing in this particular scene when they’re off-camera, […]

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