davidkalat
If you ask where I'm from, I have to give an essay in response: I was born in Philadelphia, lived briefly in Atlantic City and then Durham, before spending most of my childhood and formative years in Raleigh, NC. I went to college at the University of Michigan (where I was in the second cohort of students to go through U of M's Film and Video Studies Program), and spent a year in Freiburg, Germany. After graduation, I lived in Washington, DC for a year, then followed my wife Julie to Bloomington where she attended law school. After a summer in New York, we both returned to DC, moved to the Alexandria suburbs, and then moved to the outskirts of Chicago where I am now. One thing has been a constant through all that-I love movies. I eat them. It was a weird confluence of science fiction/horror and slapstick comedy that first commanded my heart. As a little kid I thrilled to Godzilla and Hammer horror, in revival screenings at Raleigh's Rialto and similar theaters, while watching Batman and Doctor Who on TV. At the same time I was obsessed with the Marx Brothers and Laurel and Hardy, Buster Keaton, Charlie Chaplin, and the Three Stooges. By the time I was twenty-five I'd already seen THE GENERAL in five different theaters in five different cities. My career path has been as peripatetic as my lifestyle. I once aspired to making movies of my own and one of my short films was released on DVD, even though I was the one who published it, so maybe that doesn't count. I started writing about movies in 1997 with the publication of A CRITICAL HISTORY AND FILMOGRAPHY OF TOHO'S GODZILLA SERIES, a book that won me a lot of attention and acclaim but which I eventually grew to dislike. I rewrote it, and had the completely revamped text published under the same title as if it were just a second edition. Joke's on you! I've also written about J-Horror and Dr. Mabuse, while contributing essays on subjects such as Fantomas, French horror and Edgar Ulmer to various anthologies.The latest career swerve is I'm getting my Master's in Library and Information Science from UIUC. While I know there are many interesting intersections between Information Science and the world of film, I'm actually hoping to become a law librarian. I'll revise this bio when that moment comes. From time to time I record audio commentaries as well. Now I blog.

Posts by davidkalat

We begin our story at the end.  The end of what, you ask?  The end of silent comedy.  It is March of 1949, twenty years after sound came to Hollywood and laid waste to the traditions of silent slapstick.  It is St. Patrick’s Day, and the California Country Club is playing host to an event [...]

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In the introduction to his essential new book The Funny Parts (McFarland, 2011), writer Anthony Balducci relates an anecdote about Bill Cosby appropriating and improving on a routine first performed by George Carlin, and the lasting personal enmity that resulted from this “theft.” Balducci tells the story as a signpost for how attitudes about intellectual [...]

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Last week we visisted with Fantomas, the Lord of Terror.  This week it’s his opposite number’s turn in the spotlight—the Gentleman Thief, Arsene Lupin.

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Louis Feuillade was the Christopher Columbus of cinema—a pioneer explorer of newly uncovered lands, a touchstone to all who followed in his footsteps.  Generations of filmmakers after him called him out as an inspiration: Fritz Lang, Georges Franju, Jacques Rivette, Claude Chabrol, Jean-Luc Godard… French film auteur Alain Resnais said simply, “He is one of [...]

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Over the last few weeks, I’ve been exploring competing claims on the creation of movies.  The Lumière brothers hold a sizeable claim, for having pioneered the exhibition model that became the norm–and even if modern trends are moving back towards the Edison-style intimacy of one-movie-one-viewer, the bulk of film history belongs to the Lumière tradition.  [...]

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The inventor steps aboard the train, and loads the packing crates that contain his most wondrous device.  It will revolutionize the world.  It would not be an exaggeration to say that this is the very birth of the modern age.  The inventor takes his seat—it will be a few hours from Leeds to Paris, his [...]

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Last week, we paid tribute to the origin of movies.  It’s put me in a frame of mind I can’t quite shake–so I’m going to linger in these early days of cinema, in the nineteenth century, for a while longer.  There are things of great beauty and mind-shattering complexity here in these primitive relics of [...]

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Yes that’s me in the picture above–it was taken back in 2004, back when I was a bottle blonde.  I was standing in front of the Grand Café at 14 Boulevard des Capucines in Paris, posing awkwardly as my wife took a photo.  There were no other tourists, just Parisians going about their business as [...]

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“I didn’t know you could mix Santa Claus and horror movies,” my son Max told me this morning (y’all met him last week when he guest blogged on my behalf). He was referring specifically to his and my current obsession, a movie that has been inaugurated as a holiday viewing tradition in our home: Jalmari [...]

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This week I’m asking my son Max to join me in talking about a peculiar genre of movies I was unfamiliar with until he became obsessed with them last year. I wanted him to have the chance to share his passion with you, to help you find the joy he finds in these movies–consider it [...]

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