David Kalat
David Kalat If you ask where I'm from, I have to give an essay in response: I was born in Philadelphia, lived briefly in Atlantic City and then Durham, before spending most of my childhood and formative years in Raleigh, NC. I went to college at the University of Michigan (where I was in the second cohort of students to go through U of M's Film and Video Studies Program), and spent a year in Freiburg, Germany. After graduation, I lived in Washington, DC for a year, then followed my wife Julie to Bloomington where she attended law school. After a summer in New York, we both returned to DC, moved to the Alexandria suburbs, and then moved to the outskirts of Chicago where I am now. One thing has been a constant through all that-I love movies. I eat them. It was a weird confluence of science fiction/horror and slapstick comedy that first commanded my heart. As a little kid I thrilled to Godzilla and Hammer horror, in revival screenings at Raleigh's Rialto and similar theaters, while watching Batman and Doctor Who on TV. At the same time I was obsessed with the Marx Brothers and Laurel and Hardy, Buster Keaton, Charlie Chaplin, and the Three Stooges. By the time I was twenty-five I'd already seen THE GENERAL in five different theaters in five different cities. My career path has been as peripatetic as my lifestyle. I once aspired to making movies of my own and one of my short films was released on DVD, even though I was the one who published it, so maybe that doesn't count. I started writing about movies in 1997 with the publication of A CRITICAL HISTORY AND FILMOGRAPHY OF TOHO'S GODZILLA SERIES, a book that won me a lot of attention and acclaim but which I eventually grew to dislike. I rewrote it, and had the completely revamped text published under the same title as if it were just a second edition. Joke's on you! I've also written about J-Horror and Dr. Mabuse, while contributing essays on subjects such as Fantomas, French horror and Edgar Ulmer to various anthologies. From time to time I record audio commentaries as well. Now I blog.
Posts by David Kalat

OK, so I’m a couple of weeks late writing about the restored A Hard Day’s Night.  C’mon people, the movie’s 50 years old, no matter when I wrote about it would be late, so gimme a break. But my daughter is an aspiring singer/songwriter, and I love me some absurdist British comedy, so this is […]

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In honor of this week’s debut of the latest outing in The Planet of the Apes franchise, I rewatched Tim Burton’s 2001 misbegotten reboot.  It was like picking at a scab that wouldn’t heal—I know I wasn’t doing myself any favors by watching it, but I couldn’t help it.  And along the way I ran […]

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It was 1979; I was nine years old.  It was a Sunday morning and my parents were leisurely enjoying the Sunday paper.  I could see there was a front page story, illustrated with a massive photograph of what appeared to be the wreckage of a crashed spaceship on the moon or something.  I don’t remember […]

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Now that the announcement has been made official I can go ahead and ‘fess up: I recently recorded an audio commentary for the newly restored Cabinet of Dr. Caligari for the UK Blu-Ray release by Masters of Cinema.  It was a huge thrill for me—I’d been wanting to do a Caligari commentary for years and […]

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Key Largo (tonight on TCM) is one of those venerable mainstays of TCM and likely something everyone here has already nearly memorized.  I remember once I made a point of watching it in Key Largo, while on vacation (much like how I watch movies like Airport 77 while flying).  I mentioned this to the proprietors of […]

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Don Murray got an Academy Award nomination for Best Supporting Actor for his part in Bus Stop (airing on TCM in just a couple of days). Were they trying to make Marilyn Monroe go insane?

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I read a lot of film books.  Sometimes because I’m personally interested in the particular subject, sometimes because I’m obliged to research a topic as part of a larger project.  And along the way I’ve come to one sad conclusion: the majority of them are terribly written.  I am so weary of reading poorly written […]

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Several weeks ago, I posted an essay that claimed that the reason movies get made is to make money.  I stand by that claim, and have spent the many of the last several weeks trying to explore the edges of it, but I’d like to clarify that I’m not saying that everyone who works in […]

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  I’ve been collecting movies in one format or another since the late 1970s.  Some of my acquisitions are treasured artifacts—the Betamax copy of Monty Python and the Holy Grail  was my first ever factory-released video purchase (in 1983!); the 16mm print of Harry Langdon’s Plain Clothes was struck especially for me and is one […]

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As part of TCM’s tribute to the films of Mel Brooks, his 1983 remake of To Be Or Not To Be is screening on Tuesday.  It’s a curiosity to be sure—too slavish to the Lubitsch original to really find its own voice as a Mel Brooks film, yet too much of a Mel Brooks film […]

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