davidkalat
If you ask where I'm from, I have to give an essay in response: I was born in Philadelphia, lived briefly in Atlantic City and then Durham, before spending most of my childhood and formative years in Raleigh, NC. I went to college at the University of Michigan (where I was in the second cohort of students to go through U of M's Film and Video Studies Program), and spent a year in Freiburg, Germany. After graduation, I lived in Washington, DC for a year, then followed my wife Julie to Bloomington where she attended law school. After a summer in New York, we both returned to DC, moved to the Alexandria suburbs, and then moved to the outskirts of Chicago where I am now. One thing has been a constant through all that-I love movies. I eat them. It was a weird confluence of science fiction/horror and slapstick comedy that first commanded my heart. As a little kid I thrilled to Godzilla and Hammer horror, in revival screenings at Raleigh's Rialto and similar theaters, while watching Batman and Doctor Who on TV. At the same time I was obsessed with the Marx Brothers and Laurel and Hardy, Buster Keaton, Charlie Chaplin, and the Three Stooges. By the time I was twenty-five I'd already seen THE GENERAL in five different theaters in five different cities. My career path has been as peripatetic as my lifestyle. I once aspired to making movies of my own and one of my short films was released on DVD, even though I was the one who published it, so maybe that doesn't count. I started writing about movies in 1997 with the publication of A CRITICAL HISTORY AND FILMOGRAPHY OF TOHO'S GODZILLA SERIES, a book that won me a lot of attention and acclaim but which I eventually grew to dislike. I rewrote it, and had the completely revamped text published under the same title as if it were just a second edition. Joke's on you! I've also written about J-Horror and Dr. Mabuse, while contributing essays on subjects such as Fantomas, French horror and Edgar Ulmer to various anthologies.The latest career swerve is I'm getting my Master's in Library and Information Science from UIUC. While I know there are many interesting intersections between Information Science and the world of film, I'm actually hoping to become a law librarian. I'll revise this bio when that moment comes. From time to time I record audio commentaries as well. Now I blog.

Posts by davidkalat

Several times over the last year I have sat down to write something about Four Lions, one of my favorite films of the past couple of years, but each time I abort the mission.  As much as I love the movie and wish to celebrate it, I also know that the chances are few of [...]

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Last week we took a look at Preston Sturges’ Palm Beach Story, and in so doing I took a swipe at Sturges’ Sullivan’s Travels.  Well, this week I cycle back to give Sullivan’s Travels a second look.  I still think it’s weak tea compared to Sturges’ more madcap films like Hail the Conquering Hero, Christmas [...]

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Hollywood’s fascination with itself has generally meant that movies about movies–or, more precisely, movies that celebrate movies–tend to be overvalued by the film establishment relative to their actual merits. For example, Preston Sturges’ Sullivan’s Travels tends to show up on a lot of classic movie lists, it was singled out for the Criterion treatment back [...]

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I’ve been in a state of sleep-deprivation-induced delirium for a couple of weeks now, an unending surrealist haze, and so I decided to pay a visit to one of the nutty dream-like movies that most closely approximates this state of mind–the wonderfully structured horror-comedy Viy!

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I knew I was likely to provoke some disagreement a couple of weeks ago when I presented my defense of the Pollock cut of Metropolis.  I never claimed it was a better movie than the longer restored cut—and I certainly never suggested it should supplant that version in the marketplace.  I have a wife and [...]

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The Farrelly Brothers’ Three Stooges movie is not the first time contemporary directors have sought to recreate slapstick comedies.  This week, we’ll visit Blake Edward’s attempt to revive Laurel and Hardy in the 1980s. You have to be careful with titles like A Fine Mess.  If it isn’t perfect (and what movies are?), you’ve just [...]

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Spread out! Having been on a remake kick now for several weeks, I can’t pass up the opportunity to comment on the current big-screen “remake” of The Three Stooges.  The only problem is, I haven’t yet seen it (I write these blogs a week or more before they go up), so I’m not in a [...]

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Last year I had the privilege of participating in the Blu-Ray restoration of the restored version of Metropolis (the UK Blu-Ray edition at least, from Masters of Cinema), recording an audio commentary alongside Jonathan Rosenbaum.  It was a tremendous thrill to see this once-lost footage brought back into circulation—it makes you think that maybe anything [...]

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Agatha Christie aficionados and detective fiction fans take note: Behind the deceptively bland title The Inugami Family lies a superb pulp mystery of the highest order–a cinematic classic that won awards, influenced a generation, and remains as thrilling today as when it was made.  Those of you who are inspired by this blog to rush [...]

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One day, Japanese pulp cinema auteur Kiyoshi Kurosawa was watching TV.  A killer had been apprehended, and the TV newscasters mobbed the perp’s neighbors to ask all the familiar questions: what was he like?  Did he act unusual?  Did you ever suspect you were living next door to a monster?  And the answers to these inevitable [...]

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