David Kalat
David Kalat If you ask where I'm from, I have to give an essay in response: I was born in Philadelphia, lived briefly in Atlantic City and then Durham, before spending most of my childhood and formative years in Raleigh, NC. I went to college at the University of Michigan (where I was in the second cohort of students to go through U of M's Film and Video Studies Program), and spent a year in Freiburg, Germany. After graduation, I lived in Washington, DC for a year, then followed my wife Julie to Bloomington where she attended law school. After a summer in New York, we both returned to DC, moved to the Alexandria suburbs, and then moved to the outskirts of Chicago where I am now. One thing has been a constant through all that-I love movies. I eat them. It was a weird confluence of science fiction/horror and slapstick comedy that first commanded my heart. As a little kid I thrilled to Godzilla and Hammer horror, in revival screenings at Raleigh's Rialto and similar theaters, while watching Batman and Doctor Who on TV. At the same time I was obsessed with the Marx Brothers and Laurel and Hardy, Buster Keaton, Charlie Chaplin, and the Three Stooges. By the time I was twenty-five I'd already seen THE GENERAL in five different theaters in five different cities. My career path has been as peripatetic as my lifestyle. I once aspired to making movies of my own and one of my short films was released on DVD, even though I was the one who published it, so maybe that doesn't count. I started writing about movies in 1997 with the publication of A CRITICAL HISTORY AND FILMOGRAPHY OF TOHO'S GODZILLA SERIES, a book that won me a lot of attention and acclaim but which I eventually grew to dislike. I rewrote it, and had the completely revamped text published under the same title as if it were just a second edition. Joke's on you! I've also written about J-Horror and Dr. Mabuse, while contributing essays on subjects such as Fantomas, French horror and Edgar Ulmer to various anthologies. From time to time I record audio commentaries as well. Now I blog.
Posts by David Kalat

 Tomorrow (Sunday the 19th), TCM will be wallowing in filth. Yup, they’re going to be screening a movie that the Monthly Film Bulletin labeled “the most sickening exhibition of brutality, perversion, sex and sadism ever to be shown on a cinema screen.” Sight and Sound deemed it “a piece of calculated nastiness,” the Daily Mirror […]

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Curtis Harrington’s Night Tide (coming up on TCM on Thursday) is a thing of sunshine and jazz music, set at a seaside amusement park. Instead of assaulting the viewer with gore or violence, Harrington finds suspense in such subtleties as watching a girl eat a fish, and or when she then catches a seagull with […]

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There’s an argument to be made that Five Million Years to Earth (AKA Quatermass and the Pit) is the best science fiction film of the 1960s. By “best” I mean: coolest, weirdest, most lunatic, sharpest, most clever. Not necessarily the best known or most iconic. The films that do claim the title of most iconic […]

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Our story starts in 1967. OK, all you furious pedants out there, getting ready to split hairs. Yes, Alfred Hitchcock’s Rear Window was made in 1954, but… we’ve gathered here today to celebrate this masterpiece in anticipation of its limited theatrical reissue thanks to TCM’s partners at Fathom Events. Fathom will be screening Rear Window […]

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Walt Disney had a problem. Technically, he had several problems, but they were all knotted up with each other like a set of headphones that had been left too long in someone’s pocket (great metaphor, huh? That’s why they pay me the big bucks). And his response to this problem was in many ways mean-spirited […]

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On a recent business trip, I took my team out to dinner and had some fun telling them some of the absurdly implausible anecdotes from my peripatetic life (I was bit by a giraffe! Picasso’s lover bought my daughter a toy! I accidentally imprinted myself on a pair of doves and they followed me around […]

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So—later this week, TCM will be running Night of the Lepus. It’s been on TCM before—but usually relegated to the late night TCM Underground slot. This Wednesday it’s on at 6pm Eastern where decent folk might stumble across it unawares. Which is awesome. There are few films as mocked as Night of the Lepus. You […]

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Here’s where we find ourselves–the proverbial wild west. A shapely blonde dancehall singer, clutching a smoking gun. She’s trembling with residual anger, surrounded by friends and allies who are aghast at her latest escapade. She’s just shot a judge, in the buttocks, for the second time in as many hours. That’s what’s onscreen, in the […]

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Once upon a time there was a Hollywood director at the top of his game. He made movies that were widely popular, influential, critically esteemed, and profitable. He was a visual stylist and a practitioner of high Hollywood glamour. He coaxed great performances from top stars. He was on the short list for producers looking […]

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Jean Arthur is a writer for the Boy’s Constant Companion. No, Jean Arthur is an actress, and in the movie Easy Living she plays a writer for the Boy’s Constant Companion, but let’s not get bogged down in such hairsplitting. In any event, she barely holds that job and is fired early in the film. […]

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