David Kalat
David Kalat If you ask where I'm from, I have to give an essay in response: I was born in Philadelphia, lived briefly in Atlantic City and then Durham, before spending most of my childhood and formative years in Raleigh, NC. I went to college at the University of Michigan (where I was in the second cohort of students to go through U of M's Film and Video Studies Program), and spent a year in Freiburg, Germany. After graduation, I lived in Washington, DC for a year, then followed my wife Julie to Bloomington where she attended law school. After a summer in New York, we both returned to DC, moved to the Alexandria suburbs, and then moved to the outskirts of Chicago where I am now. One thing has been a constant through all that-I love movies. I eat them. It was a weird confluence of science fiction/horror and slapstick comedy that first commanded my heart. As a little kid I thrilled to Godzilla and Hammer horror, in revival screenings at Raleigh's Rialto and similar theaters, while watching Batman and Doctor Who on TV. At the same time I was obsessed with the Marx Brothers and Laurel and Hardy, Buster Keaton, Charlie Chaplin, and the Three Stooges. By the time I was twenty-five I'd already seen THE GENERAL in five different theaters in five different cities. My career path has been as peripatetic as my lifestyle. I once aspired to making movies of my own and one of my short films was released on DVD, even though I was the one who published it, so maybe that doesn't count. I started writing about movies in 1997 with the publication of A CRITICAL HISTORY AND FILMOGRAPHY OF TOHO'S GODZILLA SERIES, a book that won me a lot of attention and acclaim but which I eventually grew to dislike. I rewrote it, and had the completely revamped text published under the same title as if it were just a second edition. Joke's on you! I've also written about J-Horror and Dr. Mabuse, while contributing essays on subjects such as Fantomas, French horror and Edgar Ulmer to various anthologies. From time to time I record audio commentaries as well. Now I blog.
Posts by David Kalat

Coming up on Friday on TCM is a delightful pre-Code screwball comedy called Bombshell. If you haven’t seen it before, you owe it to yourself to catch up with it this time around since it is at once a zippy, aggressively paced comedy with one of early film’s most glamorous comediennes, while also being a […]

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As we approach the anniversary of 9/11, I do at least have some good news to report. No, international terrorism is still a thing. Violence still reigns across Iraq, Afghanistan, the Gaza strip, and Ukraine. Injustice and racism still festers here at home, and the income gap widens. But… on this September 11, TCM is […]

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My wife once accused me of liking every movie I see. As a criticism, that’s a character flaw I think I can live with.  In fact, it’s hard to even see it as an insult.  I’ve got a number of pop culture passions—Godzilla, Doctor Who, Batman, silent comedy… and I’ve always felt alienated from their […]

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I’ve outed myself as a Doctor Who fan in this space before. As a TV show, even if it is a record-breakingly long-running TV show, it’s not really within the remit of this blog—but then again, Doctor Who has been wearing its cinematic ambitions pretty openly on its sleeve lately. Movie directors like Nick Hurran, […]

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I had planned to run something else here this week, but in light of this week’s tragic news regarding Robin Williams, I’ve shoved that essay to a later week and opted to re-run an oldie but a goodie, my fifth ever Movie Morlocks post from four years ago about one of my very favorite movies, […]

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At the risk of being absurdly reductionist: there are two kinds of special effects.  The first is the Invisible effect—the kind that you aren’t meant to notice. Back in the days of classic film, these sorts of effects included matte paintings used in establishing shots, or rear projection effects.  Of course, keen eyed observers probably […]

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The Killing is many things.  It’s a 1956 film noir heist film.  It’s the earliest work that Stanley Kubrick embraced as representative of what he wanted to do.  But The Thing You Need to Know About The Killing is: it’s a daringly non-linear jigsaw puzzle of a story that jumps back and forth through its […]

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Richard Pryor stood on the stage of the Kennedy Center for the Performing Arts in Washington DC in 1998.  It was an unusual audience for the veteran comedian—a bunch of stuffed shirt politicos and hoity toits, there to award Pryor with the Mark Twain Prize for humor, and to congratulate themselves for doing so.  He […]

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OK, so I’m a couple of weeks late writing about the restored A Hard Day’s Night.  C’mon people, the movie’s 50 years old, no matter when I wrote about it would be late, so gimme a break. But my daughter is an aspiring singer/songwriter, and I love me some absurdist British comedy, so this is […]

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In honor of this week’s debut of the latest outing in The Planet of the Apes franchise, I rewatched Tim Burton’s 2001 misbegotten reboot.  It was like picking at a scab that wouldn’t heal—I know I wasn’t doing myself any favors by watching it, but I couldn’t help it.  And along the way I ran […]

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