Kimberly Lindbergs
I've been a movie lover for as long as I can remember. My father loved movies and he passed his deep affection for them on to me. When I was just a kid my dad and I spent many weekends together watching movies on our old black and white television and every Saturday night he would take my mom and myself to the local drive-in to see a double feature.

Growing up on a steady diet of horror films, spaghetti westerns, James Bond movies, American musicals and Japanese monster flicks gave me the ability to appreciate movies that were often marginalized by other film fans and overlooked by many critics. As I got older my interest in cinema expanded into areas like Italian Neorealism and the French, British & Japanese New Wave. I've always had a particular fondness for films made during the '60s and '70s so my home is filled with books, soundtrack recordings and film posters from those wonderful movie-making eras.

I wrote my first film review for my high-school newspaper and when I started attending college in the late '80s I concentrated on film studies. For the last four years I've been writing about film regularly at my personal blog Cinebeats.com. Some of my recent accomplishments include contributing liner notes to the CD release of John Barry's BOOM! (1968) soundtrack and providing an overview of Lee Marvin's performance in POINT BLANK (1967) for the 2008 Woodstock Film Festival guide.

Posts by Kimberly Lindbergs

Ava Gardner with photographer Clarence Sinclair Bull (1945) Photographer Clarence Sinclair Bull is probably best remembered today as “The Man Who Shot Garbo.” And while it’s true that his publicity photos of the illusive actress helped create Garbo’s mystique, he also had a hand in sculpting the public’s perception of many other popular performers such […]

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Ray Milland and Gene Tierney in DAUGHTER OF THE MIND (1969) Ray Milland sees dead people. Or to be more precise, Ray Milland begins seeing the ghost of his dead daughter in the made-for-TV movie DAUGHTER OF THE MIND (1969). I thought I’d kick start my year-long look at telefilms with this compelling thriller based […]

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In the weeks leading up to the 85th Academy Awards the usual flood of articles about the so-called “Oscar Curse” or “Oscar Jinx” have started to appear. Journalists who write these superstitious stories usually play fast and loose with the facts in an effort to grab headlines and appeal to the public’s unhealthy obsession with […]

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When I first saw Karl Freund’s MAD LOVE (1935) 20 odd years ago I was somewhat disappointed by it. I had spent decades looking at still photos from the movie in various books I came across and I had anticipated seeing a very different film than the one that eventually greeted me. Chilling photos of […]

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I’ve said it before but I’ll say it again, horror is my favorite film genre. But that doesn’t stop me from occasionally getting aggravated by some of the female stereotypes that populate it. From madwomen in the attic to resilient final girls and overprotective mothers, horror is a genre that rarely deviates from the tired […]

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Jon Finch in Roman Polanski’s MACBETH (1971) “… Out, out, brief candle. Life’s but a walking shadow, a poor player That struts and frets his hour upon the stage And then is heard no more …” – Macbeth, William Shakespeare Writing obituaries is never easy but when I decided I wanted to memorialize the British […]

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One of the best gifts I received during the holidays was a set of books that I’ve been eager to get my hands on, Michael Karol’s ABC Movie of the Week Companion and David Deal’s Television Fright Films of the 1970’s. I grew up watching and enjoying telefilms and last year I spent a lot […]

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William Edward Cronenweth photographing Rita Hayworth (1947) In my ongoing quest to learn more about the talented men and women who were responsible for taking the imaginative studio portraits and set photos we all love but too often take for granted, I recently became fascinated with the work of William Edward Cronenweth. Trying to compile […]

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I love a good heist film. They’re often formulaic and follow a well-worn path originally etched out by classic capers such as John Huston’s THE ASPHALT JUNGLE (1950), Jules Dassin’s RIFIFI (1955), Alexander Mackendrick’s THE LADYKILLERS (1955), Jean-Pierre Melville’s BOB LE FLAMBEUR (1955) and Stanley Kubrick’s THE KILLING (1956) but the best heist films take […]

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I celebrate my birthday on December 26th and this year I woke up to the sad news that the man who was responsible for some of my favorite childhood memories had passed away on the same day that I was born. It’s not the kind of news you want to hear when you’re trying to […]

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