The Plumber

ThePlumber

I can’t let a month featuring a Friday Night Spotlight on Australian Cinema go by without putting in a plug for a small gem coming up later this week; Peter Weir’s The Plumber (1979). Shot on 16mm and made for TV, this quickie project shot in under three weeks was a middle step-child between Weir’s The Last Wave (1977) and Gallipoli (1981), and as such is often overlooked. Interestingly, water plays an important and ominous role in all three films. 

If it were up to me, I’d double up The Plumber with The Cars That Ate Paris (1974) as both are gritty, aggressive, and loaded with strong B-pic energy. It’s easy to see why latter pic would catch Roger Corman’s eye and inspire some of the designs for Death Race 2000 (1975). Given how many of Weir’s arthouse titles are ambitious, haunting, enigmatic, and epic, it’s refreshing to see his early and smaller budget efforts cast a spell via stories that are stripped down and raw.

Weir’s early work dons a leather coat and has dirt under the fingernails. It also shows a keen sense for how to inflict subtle psychological discomforts without resorting to blunt trauma. The Plumber is a home invasion story that eschews the stark nihilism and violence of a film like Straw Dogs (1971), while still addressing similar issues of class. Both show academic intellectuals being harangued by the working class, but to very different effect.

Weir came up with the treatment for The Plumber (which was inspired by a true story from a friend) during a creative six-month period in London while he was visiting the Elstree and Pinewood Studios as part of a study grant. During that same time he wrote the outline for The Cars That Ate Paris, the treatment for The Last Wave, and even managed to literally bump into Hitchcock who was there shooting Frenzy (1972).

Having scored critical success with both Picnic at Hanging Rock (1975) and The Last Wave, Weir was able to secure funds from the South Australian Film Corporation and Australian television’s Channel Nine to make The Plumber. Judy Morris and Robert Coleby were cast as the academic husband and wife team (Jill and Brian Cowper) who live in a university housing unit. Ivor Kants plays Max, a plumber and aspiring folk singer harboring rather bitter feelings for the bourgeousie. What follows is a cat-and-mouse game that plays with feminist anxiety and class tension as Judy and Max clash and a seemingly simple plumbing project takes on a nightmarish quality of Kafkaesque  proportions and surreal passive aggressive behavior.

I’m not sure why TCM programmed The Plumber to screen later this week after Weir’s The Year of Living Dangerously (1982) instead of alongside the previously packaged “Early Peter Weir” selections but, either way it’s worth a circle on the calendar (Friday, May 23rd). Unlike many of Weir’s better-known titles that might predictably get a grand release (like, say, Picnic at Hanging Rock, which gets the Criterion treatment with a June 17th release), The Plumber usually gets relegated to the realm of shoddy transfers, low-rez links, or used VHS tapes. Catch it while you can and know that, even if it ends up not being your cup of tea, it’s barely over an hour long (it clocks in at 76 minutes) – although by its end you might feel like The Plumber has been around a lot longer than that.

VHS cover of THE PLUMBER

6 Responses The Plumber
Posted By george : May 19, 2014 4:06 am

Here’s a mid-’70s Australian flick I’m sure nobody remembers: ‘JOCK’ PETERSEN. I remember it playing the U.S. drive-in circuit with an ad campaign that sold it as softcore (R-rated) porn. Has anyone here actually seen it?

http://www.imdb.com/title/tt0071991/?ref_=fn_al_tt_1

Posted By Richard Brandt : May 19, 2014 4:16 am

Caught THE PLUMBER on a PBS station back in the day!

Posted By Pablo Kjolseth : May 20, 2014 4:11 am

I have not seen JOCK PETERSEN. But I do have in mind a slight re-working of the title that might more properly alert its viewers to its adult sensibilities.

Posted By george : May 22, 2014 5:43 pm

Found this amusing post about JOCK PETERSEN on the IMDB: “Hey, it’s 1974! Time for another nude scene!”

That jibes with my very vague memory of seeing it on videotape in the ’80s. A couple of the cast members, Jack Thompson and the late Wendy Hughes, went on to decent careers.

Posted By swac44 : May 27, 2014 4:51 pm

Love The Plumber, which as Pablo suggests above, was actually paired on a DVD with The Cars That Ate Paris/People as a bonus feature, which seemed all too appropriate. (The DVD was released by Home Vision, which was a sister label to the Criterion Collection.)

I was also reminded of Terry Gilliam’s later Brazil as the plumber’s job becomes more involved. I wonder if this was an early inspiration?

Posted By pk : May 27, 2014 6:37 pm

I don’t think it’s out of the question that Terry Gilliam may have seen THE PLUMBER. What Gilliam does with plumbers in BRAZIL is pure genius. It’s one of my favorite Bob Hoskins roles, may he rest in peace.

Leave a Reply

Current ye@r *

MovieMorlocks.com is the official blog for TCM. No topic is too obscure or niche to be excluded from our film discussions. And we welcome your comments on our blogs and bloggers.
See more: facebook.com/tcmtv
See more: twitter.com/tcm
3-D  Action Films  Actors  Actors' Endorsements  Actresses  animal stars  Animation  Anime  Anthology Films  Art Direction  Art in Movies  Australian CInema  Autobiography  Avant-Garde  Aviation  Awards  B-movies  Beer in Film  Behind the Scenes  Best of the Year lists  Biography  Biopics  Black Film  Blu-Ray  Books on Film  Boxing films  British Cinema  Canadian Cinema  Character Actors  Chicago Film History  Cinematography  Classic Films  College Life on Film  Comedy  Comic Book Movies  Crime  Czech Film  Dance on Film  Digital Cinema  Directors  Disaster Films  Documentary  Drama  DVD  Early Talkies  Editing  Educational Films  European Influence on American Cinema  Experimental  Exploitation  Fairy Tales on Film  Faith or Christian-based Films  Family Films  Film Composers  Film Criticism  film festivals  Film History in Florida  Film Noir  Film Scholars  Film titles  Filmmaking Techniques  Films About Gambling  Films of the 1960s  Films of the 1980s  Food in Film  Foreign Film  French Film  Gangster films  Genre  Genre spoofs  HD & Blu-Ray  Holiday Movies  Hollywood history  Hollywood lifestyles  Horror  Horror Movies  Icons  independent film  Italian Film  Japanese Film  Korean Film  Literary Adaptations  Martial Arts  Melodramas  Method Acting  Mexican Cinema  Moguls  Monster Movies  Movie Books  Movie Costumes  movie flops  Movie locations  Movie lovers  Movie Reviewers  Movie settings  Movie Stars  Movie titles  Movies about movies  Music in Film  Musicals  Outdoor Cinema  Paranoid Thrillers  Parenting on film  Pirate movies  Polish film industry  political thrillers  Politics in Film  Pornography  Pre-Code  Producers  Race in American Film  Remakes  Revenge  Road Movies  Romance  Romantic Comedies  Satire  Scandals  Science Fiction  Screenwriters  Semi-documentaries  Serials  Short Films  Silent Film  silent films  Social Problem Film  Sports  Sports on Film  Stereotypes  Straight-to-DVD  Studio Politics  Stunts and stuntmen  Suspense thriller  Swashbucklers  TCM Classic Film Festival  TCM Underground  Television  The British in Hollywood  The Germans in Hollywood  The Hungarians in Hollywood  The Irish in Hollywood  Theaters  Thriller  Trains in movies  Underground Cinema  VOD  War film  Westerns  Women in the Film Industry  Women's Weepies