My Goodness, My Guinness!

Today on TCM, all day, the movies of Alec Guinness are playing, as we celebrate the actor’s 100th birthday.  I’ll cut the recommendations short: you can’t go wrong.  Really, you can’t when it involves Alec Guinness, at least, not in my opinion.  But this day is important to me for more than just the celebration of a great actor, it’s important to me because, somehow, Alec Guinness informed most of my early study of cinema and he remains a figure the drums up instant nostalgia for my youthful enthusiasm for learning all I could about the movies.

Alec Guinness as George Smiley in Smiley's People

As much as Guinness would hate to hear it, and he truly grew to hate hearing it, Star Wars was pretty important to me in his canon.   But not in the way he would have thought (I have his autobiography, and he came to regard Star Wars with contempt mixed with gratitude for the financial well-being it brought to him).  No, I was one of the few youngsters going to see Star Wars who knew Alec Guinness going in.  I had been studying movies in any way I could since Jaws kind of set me off on a path of cinematic excitement that has never subsided.  And back in 1975 and 1976, the only real way to study cinema was to go to the library to read film books and watch whatever old movies were being shown on television.  For whatever reason, comedies starring Alec Guinness played on my local PBS station all the time.  They played so often they might as well have changed the name of the station to The Ealing Studios Channel.

The first Alec Guinness movie I ever saw, and sadly it’s not a part of today’s schedule, was The Man in the White Suit.  It remains one of my favorites, though that term is essentially meaningless here as the large majority of movies I have seen with Alec Guinness have become personal favorites.   I should also make clear that when I say “I saw it” I actually didn’t, at first.  My mother was watching it in the front room of the house on a Saturday afternoon and I walked in and saw Alec Guinness standing in a tattered suit, defeated and battered.  The End.  I asked her what the hell that was all about and she gave me a basic run down, enough to intrigue me immensely and make me want to see it from the start.  I got the chance when the station ran it again the next day (my local PBS station – sorry, I mean, The Ealing Studios Channel – did that a lot).   For me, it was a great experience, blending social commentary with comedy and science fiction.  And despite all the talents involved in the making of the movie, it was Alec Guinness that became the movie to me.

In short order, I began to watch all the Ealing Studios movies and picked and chose my favorites.  At the bottom of the list was Kind Hearts and Coronets.  I didn’t find it very appealing upon first viewing and couldn’t figure out why.  The reason, I discovered years later when I saw it again with no expectations and realized what a marvelous film it is, was that I was expecting it to be an Alec Guinness movie.  Oh sure, he’s the actor who does all the attention grabbing work, playing multiple characters of the same family, showing off his skills at playing varying ages, types and even genders.  But the star of the movie is Dennis Price and he wasn’t nearly as captivating for me as Guinness.

Alec01

At the top of the list, and still standing there, was The Lavender Hill Mob.  What a wonderful movie from start to finish (with a momentary appearance of a then unknown Audrey Hepburn right at the end).   The movie, directed by Charles Crichton, employs a deceptive flashback, in and of itself revealing in that the deception of it perfectly mirrors the deception of the heroes, Guinness and an always brilliant Stanley Holloway.   They’re the bad guys but only according to the law.  That is, they use criminal means to make their fortune and retire but we don’t ever root against them.  What they do is illegal but they never seem criminal.

It was with this background that I went into Star Wars, the movie my friends and I had seen weeks of commercials for and were excited to see.  My friends didn’t know a single actor in the cast.  I knew two: Alec Guinness, of course, and Peter Cushing, though I had yet to see a single Hammer film.  No, I knew Cushing from At the Earth’s Core which I’d seen the year prior.  Soon, I would discover many more bodies of work attesting to the supreme talents of that man as well.  For now, it was all about Guinness.  I had never seen him in anything but comedy so I thought it might be a little strange.  Also, being a stupid kid, I didn’t immediately recognize him thanks to the beard.  But once I did, I was amazed at how different he was than he had been before.  When the movie was over, I showed my friend’s the encyclopedia entry on the Academy Awards and how Obi-Wan Kenobi had won Best Actor for a movie called The Bridge on the River Kwai.  That didn’t impress them (at all) like it impressed me and I realized, as I have been reminded too many times over the course of my life, that most people don’t care anything about a movie or who is in it or who makes it beyond what they see on the screen.  They don’t want to discuss it, seek out other movies by the same filmmakers or actors, explore the era of movies surrounding it, nothing.  And so, my fascination with Guinness remained a lonely venture.

Once we got cable and TBS, I was able to see many more Guinness works.  I watched the George Smiley miniseries, Tinker, Tailor, Soldier, Spy, I watched the old David Lean Dickens adaptations, and all of the old works that had nothing to do with Lean or Ealing but showcased his talents nonetheless.   And I finally got to see that Oscar winner of his.

alec02

At first, I saw it on commercial television, where it ran about four hours and was reformatted to pan and scan.  And you know what?  I still loved it even with all those limitations.  Fortunately, that wasn’t the end of it.  I got to see it on the big screen at the Uptown Cinema in Washington, DC back in 1991.  It remains one of the most memorable movie experiences of my life, thanks to the stunning work by Guinness and its startling effect on one audience member.  As my friends and I sat in the theater, riveted by the closing moments of the movie, it all became too much for one woman near the front.  Keep in mind, this was a massive screen, with complete surround-sound, a full and total movie-going immersion.  It was during the climax that it happened.  As we watched the train grow nearer its destination, and Guinness reveal the wires that mine the bridge, and William Holden swim desperately across the shallow strait, and the entire plan to destroy the bridge coming perilously close to total failure, a woman in the front of the theater could take it no more.  She stood up and yelled at the screen, to Guinness, “What are you doing?! They’re your allies!”  Believe it or not, it didn’t ruin the experience for anyone.  In some strange way, it made the climax even more powerful. Guinness’ actions just afterwards seemed to indicate he’d heard her.  To this day, I’ve never encountered anything like it again.  That was the power of Alec Guinness and the mastery of David Lean.  Don’t let anyone ever tell you an actor can’t be so convincing that a viewer literally forgets they’re in a movie theater.  Alec Guinness had that power.  Today, TCM will put it on display.

 

15 Responses My Goodness, My Guinness!
Posted By Andrew : April 2, 2014 3:43 pm

John le Carre’s comments about how Alec Guiness’s performance took George Smiley away from the author is probably about the highest praise you can bestow on a performance.

Posted By swac44 : April 2, 2014 4:06 pm

Love the title, and the beloved Guinness Irish stout ad campaign that inspired it, but it also made me think of Guinness’s The Ladykillers co-star Peter Sellers’ impression of the great character actor, which he did under the guise of “Sir Eric Goodness”.

Posted By Jazzmonkie : April 2, 2014 5:29 pm

Great article, Gregg. But it always seems my favorite Guinness movie is frequently overlooked, “The Horse’s Mouth.” I realize it is hard to please all your readers when an actor has such an extensive legacy. ;>)

Posted By Marty : April 2, 2014 6:35 pm

The Ealing comedies are all great and Sir Alec was in some of the best.
And of course, he’s great in Kwai. But, I really enjoy his portayal of Faisal in Lawrence of Arabia and as Jock Sinclair in Tunes of Glory.
I remember seeing both pictures first run in New York when I was a youngster.
And what he and the crew doesn’t do to John Mills in Tunes of Glory!

Posted By tdraicer : April 3, 2014 1:46 am

Greg, I completely agree-one of those great actors who never disappoints.

One of the films they showed today was The Scapegoat, which is an under-appreciated film in which Guinness basically plays a romantic leading man (not his usual role), and such is his talent and conviction, he pulls it off with aplomb.

I think I’ve mentioned before I saw him onstage in London in 1977 (a year in which I saw pretty much every British stage great except Olivier, who had retired from the stage) in the play The Old Country. In it he played a British defector to the Soviet Union (a version of the mole he later hunted as Smiley) trying to recreate a little England in his dacha outside Moscow. It was a rather hateful character actually, and he carried that off as well.

Posted By Doug : April 3, 2014 4:10 am

I’m going to go ahead and apologize now for what follows:

Not only was Sir Alec a great actor, but when he was just a wee
lad, he was a half pint of Guinness.

Posted By Marjorie Birch : April 4, 2014 1:06 am

It was Dick Cavett who made an anagram of Alec Guiness’s name — genuine class.

Posted By Jenni : April 4, 2014 3:46 pm

Guiness absolutely blew me away with his portrayal of Fagin in Lean’s version of Oliver Twist. After I watched it, I wondered if Dicken’s had meant for Fagin to be a Jewish character? So, getting on the internet, I did some reading about Lean’s production and lo and behold, came across some info that the film brought forth outrage from different groups around the world, due to Guiness’s portrayal and the make up man’s work to make Guiness look like illustrator Cruikshank’s depictions of Fagin. I think it all speaks to the giftedness of Guiness’s work as an actor. My sons have seen Bridge,and liked it, but still mainly know Guiness as Obi Wan.

Posted By Fanny : April 4, 2014 4:57 pm

I can’t find thelistingof the movies I sat and watched all afternoon on Tuesday, April 2, but I unfortunately missed any that played after Scapegoat. I haven’t had such an enjoyable afternoon in a long time. Alec Guiness was outstanding!

Posted By kingrat : April 4, 2014 6:08 pm

Thanks for a fine tribute to a great actor. Alec Guinness was great in just about everything he did. It’s fun to hear from people who are now discovering his work.

Posted By jjsemple : April 5, 2014 1:08 am

As Martin Scorsese pointed out so pointedly, “…there’s no room for his performances in Ronald Neame’s The Horse’s Mouth and Tunes of Glory, his Fagin in Lean’s Oliver Twist, his Colonel Nicholson in The Bridge on the River Kwai, also by Lean, or his incredible work as George Smiley in the two BBC mini-series based on John Le Carré’s Tinker Tailor Soldier Spy and Smiley’s People.”

How can these be no room for The Horse’s Mouth and Tunes of Glory? They’re two of his most tour de force roles.

Posted By david hartzog : April 5, 2014 10:57 pm

TThanks foor the fine tribute.

Posted By Muriel : April 6, 2014 9:43 am

I too, spent a lot of time researching old movies at the local library.
I had a similar introduction with Guinness, Ealing, British films & character actors, and many European art house films: on our local PBS station every Saturday night in the 70′s. Only I called it the “Janus Film Collection Channel”. I had also seen “Tunes of Glory” on TV, and “The Horse’s Mouth” in the cinema.
I also watched Creature Features late Saturday nights, so Peter Cushing was an old friend. (As a teen, when others might have been out late at night getting in trouble, I was hunkered in front of the TV watching old movies: old classics from 7-9PM on a local independent. 9-11PM on the “Janus Film Collection Channel”, then back to the independent station for Creature Features, followed by “Silents Please” and finally to bed at 2AM. :-)
(There were so many old movies filling in programming gaps in the good old days – now those gaps are filled with infomercials.)
So I had a similar experience with “Star Wars”, knowing exactly who Guinness and Cushing were. I was 17, and went with my father to see it at a drive in. We both hated the movie, it’s the only Star Wars movie I have ever seen. We even discussed “Why would the great Alec Guinness appear in such a stupid story?” My father said “Oh, he needed the money. Actors have to buy groceries too! Remember Olivier’s TV commercials.”
(And speaking of actors who need money -look on youtube for James Masons Thunderbird wine commercial.)
And Jenni…regarding the Jew Fagin. That is a pretty typical 19th century portrayal of a Jew! Jules Verne had some vicious depictions of Jews in his novels too. Ouch.

Posted By robbushblog : April 11, 2014 5:34 pm

Star Wars stupid? …….

Posted By Muriel : April 17, 2014 9:08 am

Yes, for some people, Star Wars is just another movie, which they have no desire to watch again.
I’ve heard Joseph Campbell on all the mythology and hero of Star Wars, but I’d rather read “The Golden Bough”

Leave a Reply

Current day month ye@r *

MovieMorlocks.com is the official blog for TCM. No topic is too obscure or niche to be excluded from our film discussions. And we welcome your comments on our blogs and bloggers.
See more: facebook.com/tcmtv
See more: twitter.com/tcm
3-D  Action Films  Actors  Actors' Endorsements  Actresses  animal stars  Animation  Anime  Anthology Films  Art in Movies  Australian CInema  Autobiography  Avant-Garde  Aviation  Awards  B-movies  Beer in Film  Behind the Scenes  Best of the Year lists  Biography  Biopics  Blu-Ray  Books on Film  Boxing films  British Cinema  Canadian Cinema  Character Actors  Chicago Film History  Cinematography  Classic Films  College Life on Film  Comedy  Comic Book Movies  Crime  Czech Film  Dance on Film  Digital Cinema  Directors  Disaster Films  Documentary  Drama  DVD  Early Talkies  Editing  Educational Films  European Influence on American Cinema  Experimental  Exploitation  Fairy Tales on Film  Faith or Christian-based Films  Family Films  Film Composers  Film Criticism  film festivals  Film History in Florida  Film Noir  Film Scholars  Film titles  Filmmaking Techniques  Films of the 1980s  Food in Film  Foreign Film  French Film  Gangster films  Genre  Genre spoofs  HD & Blu-Ray  Holiday Movies  Hollywood history  Hollywood lifestyles  Horror  Horror Movies  Icons  independent film  Italian Film  Japanese Film  Korean Film  Literary Adaptations  Martial Arts  Melodramas  Method Acting  Mexican Cinema  Moguls  Monster Movies  Movie Books  Movie Costumes  movie flops  Movie locations  Movie lovers  Movie Reviewers  Movie settings  Movie Stars  Movies about movies  Music in Film  Musicals  Outdoor Cinema  Paranoid Thrillers  Parenting on film  Pirate movies  Polish film industry  political thrillers  Politics in Film  Pornography  Pre-Code  Producers  Race in American Film  Remakes  Revenge  Road Movies  Romance  Romantic Comedies  Satire  Scandals  Science Fiction  Screenwriters  Semi-documentaries  Serials  Short Films  Silent Film  silent films  Social Problem Film  Sports  Sports on Film  Stereotypes  Straight-to-DVD  Studio Politics  Stunts and stuntmen  Suspense thriller  Swashbucklers  TCM Classic Film Festival  TCM Underground  Television  The British in Hollywood  The Germans in Hollywood  The Hungarians in Hollywood  The Irish in Hollywood  Theaters  Thriller  Trains in movies  Underground Cinema  VOD  War film  Westerns  Women in the Film Industry  Women's Weepies