When The Exotic Became Commonplace

Late tonight on TCM, in the early morning hours of tomorrow, three movies back to back to back, Trader Horn, Malaya and Macao, feature what were once exotic, unknown locales.   Trader Horn is the most famous of the three but still has no official release on DVD, possibly due to the story elements of the time that make for some seriously uncomfortable viewing today.  That is to say, the African tribes are portrayed as primitive savages and the white girl they kidnapped as a child is now worshiped as a white goddess.   But wait, it gets better (by which I mean, worse).  Animals like lions were mistreated, starved to make them attack hyenas and members of the cast and crew got sick and two of them even died.  So, yeah, the whole thing feels kind of dirty at this point but it’s a record of those attitudes and methods and, frankly, I always recommend watching things like that because it’s an undeniably important artifact for the very reason it’s also rather distasteful.   But here’s what you don’t need to see it for: The exotic locations.  Why?  They’re not exotic anymore.

Poster - Trader Horn

There was a time in movie history when just having a story take place somewhere other than a hometown setting was reason enough to make and see the movie.   Places like Morocco, Rio de Janeiro, Egypt, Arabia and the Far East all held a mysterious sway over Americans and Western Europeans eager to see those hidden corners of the globe they’d only read about in books and travel magazines.  Tall tales about exotic people and tribal customs unfamiliar to the average Joe.  Documentaries, or reasonable facsimiles thereof, like Nanook of the North, exposed movie goers to some of these distant customs, even if they had to be faked for the movie.  A part of it was curiosity and a part of it was also a way of reassuring the viewers that no matter how hard their lives were, at least they were superior to those primitives living around the globe.

And they made good backdrops for established stars and comedians, like Bob Hope and Bing Crosby, to play off of in their famous Road pictures with Dorothy Lamour.  In other films, like the big budget epics Lost Horizon and The Razor’s Edge, the locale offered an inner peace unavailable to the modern man living in his button down, white collar habitat, too busy working to understand himself.   And these kinds of movies are still made today, like Eat Pray Love with Julia Roberts, but they no longer hold the big box office appeal of seeing something so exotic it can’t be seen anywhere else.   The fact is, technology has rendered the exotic ordinary.  Take a trip around Google Maps to see the world.  Go to Wikipedia and find out everything you want to know about any country in the world.  No historical detail is too insignificant and no spot on earth too remote to not have full explanations, stories and pictures available to anyone who cares to seek them out.  And so, the movies have moved on.

Poster - Lost Horizon 1

And the movies were always about showing the audience that which they couldn’t see anywhere else.  Once the audience can see it whenever they want, no need to make a movie around it.  Once upon a time there were also movies about going to the moon and breaking the sound barrier but once those things were actually accomplished, well, who needed to make movies about them anymore?  Except that there are still very good reasons to make exotic locale movies even if it seems impossible to have an exotic locale anymore.  Action movies, especially ones like the James Bond and Jason Bourne franchises, make plentiful use of multiple locations worldwide that may not seem as mysterious as they once were but still provide, at the very least, a change of scenery from the ordinary.   Of course, the different locales all seem vaguely familiar anyway, usually populated by the same Starbucks and sports cars evident everywhere else in the world.  For a truly different, exotic locale, you really do have to go back in movie history, when exotic still meant box office.

Some of my favorite movies of the thirties were based in exotic locations.   Only Angels Have Wings is one of them, that fantastic Howard Hawks romance/adventure taking place in the fictional South American town of Barranca alongside the Andes mountains.  And the thing that’s impressive about what Hawks did (and so many other filmmakers of the thirties and forties and fifties) is that he took this entirely studio shot movie and convinced me that it took place in a mysterious and seedy no-man’s land.  When I watch it, I honestly get the feeling of being transported to another place and time.   Speaking of time, that’s another thing I failed to mention.  When Hollywood used exotic locales, it gave them a way to make a story stand outside of time.  Despite the airplanes and specific technologies on display in Only Angels Have Wings, it feels like it could take place at any time in history, in some alternate timeline where planes existed hundreds of years ago.  Really, it has an almost mystical feel.  (Hawks, along with nominal director Christian Nyby, created another amazing and exotic outpost, this time in the arctic, in The Thing from Another World, in 1951)

Other classics from the thirties that truly transport me include King Kong and Lost Horizon.  It’s important to note, as well, that all three of these (Angels, Kong, Horizon) are all set in fictional locations.  That’s an important key to making the exotic work: make it fictional, then it can never become commonplace.   Skull Island still looks and feels the same because it never existed in the first place.  Same goes for Shangri-La.  Or Dr. Moreau’s island in the Island of Lost Souls.    Filmmakers back then even understood how to make towns in Europe feel exotic by, again, taking them out of time, like the backdrops for Dracula and Frankenstein.  Old castles and creepy lighting meant that they’d be exotic no matter what decade they took place in.

Poster - Island of Lost Souls

So what’s the point?  This:  When technology made the exotic commonplace, Hollywood abandoned it except for tracts on self-discovery and spy movies.   What they didn’t (or don’t) realize, is that the exotic can still be exotic.  It can still transport the viewer to another time and place and still work even if the whole globe’s been mapped out.  It can still work because film artists can still create worlds like those mentioned above, if they’d just let themselves.  Look, I’m not asking for every movie to stop using realistic locations and plunge headlong into the mysterious, but would it kill Hollywood to give us a few more castles, jungles and unexplored mountain ranges once in a while?  Places where GPS doesn’t work, where Google Maps refuses to go, where the ordinary becomes extraordinary.  If you need to know how to get there, just ask Howard Hawks.  He’ll show you the way.

12 Responses When The Exotic Became Commonplace
Posted By DevlinCarnate : October 23, 2013 4:14 pm

geez,i can remember a time as a kid growing up in the late 60′s/early 70′s and seeing New York City or San Francisco on TV or in the movies (i grew up outside of Boston) and thinking that they were exotic locations just because they were outside my own sphere of reference….going off topic, David F. Friedman the producer of She Freak did his own spin on Trader Horn called Trader Hornee,and though i’ve only seen clips,i’m guessing the “exotic locations” were probably filmed in Florida

Posted By Andrew : October 23, 2013 6:25 pm

I think that movies can still make locations feel exotic. It is up to the director to make it a different world with the story and characters. Especially when they make the location a character of sorts. I am not talking about SciFi or Fantasy but rather rea locations shown as they actually are.

The first one that comes to mind is Michael Mann’s The Last of the Mohicans. Another is The Secret of Roan Inish (forgive my spelling)

Posted By Emgee : October 23, 2013 7:44 pm

Part of the appeal for me of these prewar adventure movies is the total irreality of the exotic locations. Made on a soundstage, they nevertheless conjured up an appealing exotic, mysterious (and yes, politically highly incorrect) view of the globe that has vanished forever. Even if you’ve never been to China or Africa, you know it looks nothing like in those old movies. We’ve seen too much reality.

Posted By Doug : October 23, 2013 10:51 pm

“The Dark Knight Rises” showed us the land where Bane imprisoned Wayne in that hole in the ground prison. Seemed exotic, but you’re right,Greg-as the world becomes known, the exotic does become common.
Not just landscapes-peoples who once seemed alien and ‘not us’ now are melting into the melting pot of ‘known culture’. Kids may be able to tell Buddhist from Brahman or Baptist as they have grown up seeing examples of each. Especially if they play GTA 5.

Posted By Danny : October 24, 2013 3:12 pm

I think Warner Archive said they’re working on a release of Trader Horn, it’s just taking some time since the elements they have aren’t that great.

And I agree with what you’re saying to a point, but I think one of the big appeal of classic movies in general is escaping to another time and place that obviously don’t exist any more. When I watch something like Beast of the City or So Big!, you see vastly different locales than you’ll have today even if they’re set in areas still around and commonplace. Times have changed so much, it’s as if classic movies have developed their own exoticism as a result.

Posted By swac44 : October 24, 2013 3:56 pm

Having been to some of the West Ireland locations for The Secret of Roan Inish, I can confirm that they’re pretty magical and exotic in real life. The Aran Islands (I only got to Inishmore) in particular are breathtaking, I hope to get back there someday.

The most exotic place I’ve ever been is probably the North Australian outback around Darwin, at the time I was thinking we were really out of the way, when our guide mentioned that the remote road we were on had been used for a location for the first Crocodile Dundee film. But I could see why they filmed there.

Posted By doug : October 24, 2013 4:10 pm

swac, you’re more of a world traveller than I-it must have been great to see both Ireland and Australia.
Not strictly movie stuff, but “Miss Fisher’s Murder Mysteries” are an excellent Australian TV series which take us back to Australia in the 1920′s-exotic and very fun.

Posted By gregferrara : October 25, 2013 1:26 am

Well, that’s two votes for Roan Inish. If I had the time or money, I’d travel to Ireland right now just to confirm it

Posted By gregferrara : October 25, 2013 1:28 am

Devlin – In Trader Hornee’s defense, I’m betting no one died during filming, except maybe someone’s pride or sense of dignity.

Posted By gregferrara : October 25, 2013 1:30 am

Danny – No, no, I agree that classic movies have exoticism in spades, and I want it to come back. By the way, since you mentioned it, So Big is one of my favorite films of the thirties and it’s not available anywhere. I’ve only ever seen it on TCM but I really wish it would get a DVD release.

Posted By gregferrara : October 25, 2013 1:32 am

Emgee, that’s definitely a part of why I say I recommend Trader Horn anyway, despite any awkwardness it instills in the viewer. So many classic movies are like time machines to the extent that any setting becomes exotic because it’s all so distant and gone forever.

Posted By vp19 : October 28, 2013 12:14 pm

That description of “Trader Horn” makes me think of that marvelous opening to “The Player,” where one of the fictional planned films discussed is a comedy where Goldie Hawn’s character winds up in a society of pygmies completely cut off from the rest of the world and they perceive her to be a giant goddess. One wonders if Robert Altman had seen “Trader Horn” in his youth.

Leave a Reply

Current day month ye@r *

MovieMorlocks.com is the official blog for TCM. No topic is too obscure or niche to be excluded from our film discussions. And we welcome your comments on our blogs and bloggers.
See more: facebook.com/tcmtv
See more: twitter.com/tcm
3-D  Action Films  Actors  Actors' Endorsements  Actresses  animal stars  Animation  Anime  Anthology Films  Art in Movies  Autobiography  Avant-Garde  Aviation  Awards  B-movies  Beer in Film  Behind the Scenes  Best of the Year lists  Biography  Biopics  Blu-Ray  Books on Film  Boxing films  British Cinema  Canadian Cinema  Character Actors  Chicago Film History  Cinematography  Classic Films  College Life on Film  Comedy  Comic Book Movies  Crime  Czech Film  Dance on Film  Digital Cinema  Directors  Disaster Films  Documentary  Drama  DVD  Early Talkies  Editing  Educational Films  European Influence on American Cinema  Experimental  Exploitation  Fairy Tales on Film  Faith or Christian-based Films  Family Films  Film Composers  Film Criticism  film festivals  Film History in Florida  Film Noir  Film Scholars  Film titles  Filmmaking Techniques  Films of the 1980s  Food in Film  Foreign Film  French Film  Gangster films  Genre  Genre spoofs  HD & Blu-Ray  Holiday Movies  Hollywood history  Hollywood lifestyles  Horror  Horror Movies  Icons  independent film  Italian Film  Japanese Film  Korean Film  Literary Adaptations  Martial Arts  Melodramas  Method Acting  Mexican Cinema  Moguls  Monster Movies  Movie Books  Movie Costumes  movie flops  Movie locations  Movie lovers  Movie Reviewers  Movie settings  Movie Stars  Movies about movies  Music in Film  Musicals  Outdoor Cinema  Paranoid Thrillers  Parenting on film  Pirate movies  Polish film industry  political thrillers  Politics in Film  Pornography  Pre-Code  Producers  Race in American Film  Remakes  Revenge  Road Movies  Romance  Romantic Comedies  Satire  Scandals  Science Fiction  Screenwriters  Semi-documentaries  Serials  Short Films  Silent Film  silent films  Social Problem Film  Sports  Sports on Film  Stereotypes  Straight-to-DVD  Studio Politics  Stunts and stuntmen  Suspense thriller  TCM Classic Film Festival  TCM Underground  Television  The British in Hollywood  The Germans in Hollywood  The Hungarians in Hollywood  The Irish in Hollywood  Theaters  Thriller  Trains in movies  Underground Cinema  VOD  War film  Westerns  Women in the Film Industry  Women's Weepies