Posted by Richard Harland Smith on August 9, 2013
With James Wan’s recent haunted houser THE CONJURING (2012) scaring up all kinds of big business at the boo-xoffice lately, I’ve had occasion to opine, mostly to the open air of my empty house and in my most lamentable ghostly wail, “Whyyyyyyyyy… whyyyyyyyyyy isn’t THE UNINVITED on DVD in this country? WHYYYYYYYYYYY???” And also, “Wheeeerrrrrrreeeee’s my gooooolllllllllllldddennnn arrrrrmmmmmm?” Well, silly me, it is available… or is about to be made available. (THE UNINVITED, I mean. Made available on DVD; golden arm still M.I.A.) Lewis Allen’s masterful 1944 ghost tale (not to be confused with the crap-ass 2009 American remake of the 2003 Korean ghost movie A TALE OF TWO SISTERS, which cadged the title THE UNINVITED rather gratuitously, rendering generic a brand that had been for almost half a century threaded with the very stuff of mystery and menace), based on the charming 1941 novel Uneasy Freehold by Irish writer Dorothy Macardle, is being released on DVD and Blu-ray by the estimable, the frighteningly comprehensive, and the exceedingly cool Criterion Collection. The announced street date is just over two months away. October 22nd. Just in time for Halloween!
I’ll tell you exactly where I was when I first saw THE UNINVITED, thank you for asking. It was New York City, it was the late 80s — 1988 or 1989 — and the thing just came on TV. I have no recollection of what channel was showing THE UNINVITED, if I had looked forward to seeing it or just found it already in progress, but my roommate and I found ourselves glued — glu-oo-ooed — to our cheap little black-and-white set as we sat side by side, two 20-something Bohemians with scratchy three days beards and black clothes, on the floor my futon, which doubled in those halcyon days as the couch in our Upper East Side railroad apartment. We both enjoyed the movie thoroughly throughout its crisp, fleet o’floot running time, but it was the ending… the ending, when the whooky-de-woo went all woooooo-oooooooo-ooooooooo and the protagonists were like yeow-ow-ow-ow that made us get all “GAHHHHHHHHHHHHHH!” And then I spent the next, I don’t even know how many years — 20 at least — wondering “Did I really see what I thought I saw?”
Based as it is on a novel (two radio adaptatons followed within five years, and a stage version in 1979), THE UNINVITED turns not on a shopping list of tricks or feints or special effects but on words, on conversations, on secrets, on declarations, and in superstition and dread given voice. It’s a story that is fundamentally interested in people — the living, mind you — and one that does not suppose (as do so many contemporary ghost stories) that the dead have anything to tell us that we do not already know. This is not to say THE UNINVITED doesn’t believe in ghosts — far from it — but rather it understands that the restless dead derive the entirety of their power from the living, from the oral tradition, from the information we conceal from one another and ultimately from ourselves. Largely faithful to the Macardle novel (apart from changing various location and character names — the nickname of the main character from Roddy to Rick and his profession from theatre critic-cum-playwright to music critic-cum-composer), THE UNINVITED begins, leisurely but assuredly, as vacationing brother and sister Roderick and Pamela Fitzgerald (Ray Milland and Ruth Hussey) espy an empty old house on the stormy Devonshire coast and decide that they must have it as a change of venue from dreary old London. Not daring to dream they could afford such a manor, Rick and Pam manage to buy Windward House for a song from retired military man Beech (Donald Crisp). Getting chummy with the commander’s granddaughter, Stella, (Gail Russell), a beautiful but demon-drawn young woman, the Fitzgeralds find out there is a tale to be told about their new digs, a proper ghost story, whose third act has yet to be written.
THE UNINVITED is such an engrossing little yarn that you don’t even care that it throws in your way not one love story subplot but two. Happily, these represent not padding but rather a fleshing out of the overriding theme of loneliness. If Rick seems a bit mature for the budding Stella (while representing for her, it’s worth noting, a happier ever after than she had to expect at Cornelia Otis Skinner’s sanitarium), you’ve got to love the sparks that fly between Hussey and Alan Napier, as the local sawbones (who is able to add a few pieces to the niggling puzzle that is Windward House). The dialogue by Frank Portos (THE STRANGER ON THE THIRD FLOOR! THE SNAKE PIT!) and Dodie Smith (who wrote the source novel for Disney’s 101 DALMATIONS) is brisk and fulgent, light when it needs to be and then clamping down like a steel glove when things get heavy. The playing is expert, Lewis Allen’s direction (his first go at features after a career in theatre) is efficient yet evocative, and the icing on THE UNINVITED cake is the eerie process photography of Farciot Edouart (relatively fresh from Paramount’s comical but still creepy THE GHOST BREAKERS with Bob Hope and United Artists’ I MARRIED A WITCH with Veronica Lake). Edouart’s spectral contributions were not part of the original design and were only added, NIGHT OF THE DEMON-style, in postproduction, after Lewis Allen turned in his cut to Paramount. To say more about what happens specifically would be to do the uninitiated and THE UNINVITED a disservice. When this thing streets, see it. See it for yourself!
THE UNINVITED got its British DVD release just last year, with Exposure Cinema’s region 2/PAL issue of the film. The transfer is only adequate, a bit dark, a bit soft, and a bit thumb-rubbed… but still, what a treat (for those of us with multi-region capability) to finally have this one on disc. The Brit release came with both the 1944 and 1949 radio versions of the film as bonus features, along with the original trailer, and a stills and poster gallery. Exposure also included a keepsake booklet, nicely illustrated with original poster art from American and foreign markets, featuring a foreword by The Dark Side publisher Allan Bryce, an essay on the film by Claudette Pyne (which offers a lot of biographical information on the cast and director, though gives Farciot Edouart short shrift), an essay on the ghost movie subgenre by American critic Clydefro Jones, and a bio of Ray Milland by film critic and historian James Oliver. Criterion’s impending release of THE UNINVITED raises the stakes immeasurably with a digital restoration of the film — in and of itself entirely worth the sticker price. Additionally, Criterion is offering as supplements a print essay by film blogger Farran Smith Nehme (aka The Self-Styled Siren) and a visual essay by New York indie filmmaker Michael Almereyda. I love Almereyda and am about the only person in the world who dug his female vampire movie NADJA (1994), though I think I like his TWISTER (1989) just a little bit more. I wish there were more extras but I’ll be happy just to have the film itself, looking grand, on a region 1 disc and you should be, too!
To pre-order THE UNINVITED DVD for $13.99, click here.
To pre-order THE UNINVITED Blu-ray for $19.99, click here.
MovieMorlocks.com is the official blog for TCM. No topic is too obscure or niche to be excluded from our film discussions. And we welcome your comments on our blogs and bloggers.
See more: facebook.com/tcmtv
See more: twitter.com/tcm
3-D Academy Awards Action Films Actors Actors' Endorsements Actresses animal stars Animation Anime Anthology Films Art Direction Art in Movies Asians in Hollywood Australian CInema Autobiography Avant-Garde Aviation Awards B-movies Beer in Film Behind the Scenes Best of the Year lists Biography Biopics Black Film Blu-Ray Books on Film Boxing films British Cinema Canadian Cinema Character Actors Chicago Film History Cinematography Classic Films College Life on Film Comedy Comic Book Movies Crime Czech Film Dance on Film Digital Cinema Directors Disaster Films Documentary Drama DVD Early Talkies Editing Educational Films European Influence on American Cinema Experimental Exploitation Fairy Tales on Film Faith or Christian-based Films Family Films Film Composers Film Criticism Film Festival 2015 film festivals Film History in Florida Film Noir Film Scholars Film titles Filmmaking Techniques Films About Gambling Films of the 1930s Films of the 1960s Films of the 1970s Films of the 1980s Food in Film Foreign Film French Film Gangster films Genre Genre spoofs HD & Blu-Ray Holiday Movies Hollywood history Hollywood lifestyles Horror Horror Movies Icons independent film Italian Film Japanese Film Korean Film Literary Adaptations Martial Arts Melodramas Memorabilia Method Acting Mexican Cinema Moguls Monster Movies Movie Books Movie Costumes movie flops Movie locations Movie lovers Movie Reviewers Movie settings Movie Stars Movie titles Movies about movies Music in Film Musicals New Releases Outdoor Cinema Paranoid Thrillers Parenting on film Pirate movies Polish film industry political thrillers Politics in Film Pornography Pre-Code Producers Race in American Film Remakes Revenge Road Movies Romance Romantic Comedies Russian Film Industry Satire Scandals Science Fiction Screenwriters Semi-documentaries Serials Set design/production design Short Films Silent Film silent films Social Problem Film Spaghetti Westerns Sports Sports on Film Stereotypes Straight-to-DVD Studio Politics Stunts and stuntmen Suspense thriller Swashbucklers TCM Classic Film Festival TCM Underground Television The British in Hollywood The Germans in Hollywood The Hungarians in Hollywood The Irish in Hollywood Theaters Thriller Trains in movies U.S.S. Indianapolis Underground Cinema VOD War film Westerns Women in the Film Industry Women's Weepies