Period Story, Present Day Look

The movies are now and have always been eager to please.   They want you to like them, even if they’re giving you a bit of history along with the entertainment.  They want you to know they have you in mind no matter what, and when I say “you,” I don’t mean whoever is watching the film at any given moment.  I mean whoever is going to see the movie in the theater during its initial release.  That’s the audience the movies want to please because they don’t know who the audience is going to be in 40 or 50 years so best to concentrate on the one before them right now.  And that’s why period movies always give more than a passing nod to the present day and if the choice comes down to period accuracy or present day pandering, pandering will win every time.

Julie_Christie_in_Doctor_Zhivago_4 (1)

Most perceptive movie goers have noticed that no matter what decade (or century) a film takes place in, you can always tell what decade it was made in.   I’ve often referred to it as the “Rule of Hairstyles” in which, no matter what the actual hairstyle of the movie’s period is, the actors, by God, are going to wear their hair in a contemporary do, like it or not.   In fact, I once watched an interview with Julie Christie who laughed about her hairstyle obsession while filming Doctor Zhivago.  She didn’t want it changed. Looking back, she wondered why they were all so concerned with keeping their sixties hairstyles intact in the first place, it wasn’t like they couldn’t just put it back at the end of the day.  As a result, despite taking place during and around the Russian Revolution and the Russian Civil War, anyone can accurately place Zhivago‘s production date to within a couple of years.  The hairstyles give it away.

Sometimes, it’s a lot more than just the hair.  When I first saw The Cincinnati Kid (a movie set in the thirties) on television as a kid, I had no idea it didn’t take place in the sixties.  Not a clue.  Even when I saw the old fashioned cars, I just figured these card shark types liked their classic cars.  Certainly nothing Ann-Margret was wearing and sure as hell not her hairstyle gave any indication whatsoever that it wasn’t taking place in the sixties.   When I saw it again, a little older, I picked up on the period but no one older than ten should have any trouble at all picking out the decade of that movie’s production.

And then of course, there’s Bonnie and Clyde with Faye Dunaway and Warren Beatty looking about as much like a couple of poor, downtrodden midwestern gangsters as, well, as I look like them.  Or Elvis Presley and Debra Paget looking decidedly un-Civil War like in Love Me Tender.  But I’ve talked about these examples before (in comments, on other blogs, on Facebook) and, basically, though it’s fun pointing it out, I understand the reasons behind it.  With Bonnie and Clyde it even helps drive home the point of criminals as media superstars by making them look like they should be on the cover of Vogue (the same idea kind of applied with Amadeus, in which the styles of the 1980s drove home the celebrity centered self destructive lifestyle of Mozart in the 1780s ).  And generally speaking, where’s the harm in giving a visual nod to the present day, especially when it comes down to centuries ago, rather than just decades?

The first time I noticed it in a deep period piece, that is, a period piece taking place centuries ago, not a mere few decades ago, was Excalibur, a personal favorite then and now.  I’ve always loved the King Arthur legend and Excalibur is my favorite of all the King Arthur movies.   But favorite or not, I always get a chuckle when the movie arrives at an older Arthur, having taken the throne and built Camelot and the Round Table.  At that point, it becomes more the Bee Gees of the Round Table than the Knights of the Round Table.  Also, perms.  At least two major ones from Lancelot and Mordred.

The Cincinnati Kid 05

Even more off putting than the hairstyles is the lack of a grimy, filthy, disgusting appearance.  Now, it was at its worst back in the fifties with The Knights of the Round Table in which, I’m pretty sure, no character ever so much as gets dirt under their fingernails.  But it’s been around in all of them, in one way or another, throughout the decades.  Yes, Excalibur looks great in its battle scenes.  The men are dirty and bloody with filthy armor and yet, everyone has great teeth and no visible scars or deformations from childhood infections (before antibiotics when some infections lasted months).  One of my current favorite shows, and one I mentioned here just last week, Game of Thrones, suffers from all the same problems.

In the second season, the Men of the Night’s Watch, ventured beyond the wall and… actually, I’ll spare non-viewers all the specific names and locations and just dumb it down to this:  One of them, Jon Snow, who, like the rest of them, looks remarkably good for someone who has, quite possibly, never taken a bath in his life, comes upon a wildling girl (that’s what they’re called) and, even more than Mr. Snow, our wildling girl could easily, if pressed, show up on the cover of any magazine at the checkout of your local grocery store on a moment’s notice.

Despite no CVS selling the latest varieties of shampoos and conditioners, her hair is not a clumped, matted mess.  Despite no dentistry in the area, her teeth are white, straight and clean.  As for the rest of the cast, we can always forgive the royalty for looking well kept but even then, Robb, who fights for months without rest, looks ready for a model shoot when he and Oona Chaplin get down to it in his tent off the battlefield (quite a few characters get intimate in GoT and damned if they don’t look like models every time).

got 01

Of course, I understand this as well.  If we really made the characters in Game of Thrones, Excalibur or even something like Pirates of the Caribbean (here’s a funny bit about just this thing) actually look like they would look under the same circumstances, people might avoid the movie just to keep from getting sick in their popcorn bag.   We make them look movie gritty, just enough that it looks acceptable but not so much that we get queasy looking at them.

We want to see period movies but we want to recognize the characters, too.  To do this, we make them more like us.  When audiences in 1936 saw Romeo and Juliet, the absurdly too old for the character Leslie Howard, and not as absurdly but still way too old Norma Shearer, made audiences comfortable.  In 1968, they were closer to the right age (Leonard Whiting and Olivia Hussey)  and, more importantly, sported hairstyles that signaled they were a part of the sixties.  One thing we will never know, because we were born far too early in the process, is how this is going to look to people watching in three or four or five hundred years.  If some cultural historian comes upon our period movies and tv shows of today, will they look and feel ridiculously wrong for the period, or just slightly off?  There’s no way to know for sure and no reason to be embarrassed.  It’s just a marker of time on the cinematic landscape.  Personally, I find it fascinating that we cannot extract ourselves, or the way we speak (also quite different in most period pieces than the actual dialects, cadences and language of the day), from the entertainment we make.  It’s a way of putting the present in the past and the past in the present.   Of announcing we are here, all of us who live in the time the original work was made, to someone watching it in the future.  Doctor Zhivago and The Cincinnati Kid are as much about 1965 as Darling, made in the same year and taking place in the present, and that’s important because one way to study any particular time is to see how the people in that time portrayed other times.  And how we portrayed ourselves.  So here’s to the go-go look in the thirties, clean teeth in centuries past and bouffant hairdos in revolutionary Russia.  I wouldn’t trade them for anything, or  any time.

49 Responses Period Story, Present Day Look
Posted By robbushblog : May 15, 2013 10:18 am

This practice was especially egregious in the 70′s. Shag haircuts for every century! Bellbottoms in decades past. Period TV shows were even worse. M*A*S*H and Happy Days were terrible at period hair and style.

Posted By Greg Ferrara : May 15, 2013 10:36 am

Happy Days gave up after only about two seasons. Everyone simply looked and dress like they did in the seventies after that. On MASH, a favorite of mine, Mike Farrell’s moustache and Loretta Swit’s hair were ridiculously out of the period. I mean, Swit had it feathered out and blown dry every episode, sporting a Farrah Fawcett do… in 1952!

Posted By Peter Nellhaus : May 15, 2013 10:38 am

What I see too often are movies, especially those taking place in World War II, where the actors don’t bother to get military haircuts, or at least more appropriate for the period trimmings.

Posted By Manfred Arcane : May 15, 2013 10:44 am

I would cut Game of Thrones and others who show nice white teeth a little slack. I’ve been in some of the wildest places in the world like South Sudan – a place with no dentists or doctors – and you come across tall, handsome people with beautiful white teeth (especially when they are young). They are the strong and healthy survivors from a brutal situation with very high infant mortality. It comes from having diets consisting solely of beef and milk. They don’t have access to civilized things like refined sugar. So it is entirely possible that a Wilding would be tall and straight with good teeth. Now an inhabitant of the slums of King’s Landing would probably be pretty awful looking.

Posted By Greg Ferrara : May 15, 2013 11:00 am

Peter, I love how in Stripes everyone gets a crew cut except Ramos and Murray, who simply get shorter hair but still pretty bushy for new recruits.

Posted By Greg Ferrara : May 15, 2013 11:06 am

Manfred, good points and an interesting bit of info. Definitely easier to accept with younger characters. As for older, I know from my own experience (and I’ve got plenty of access to dentists) at a certain age, the teeth get troublesome. Most of the older characters, especially the very old ones, should be effectively toothless, since there is no bridgework or dentures.

Mainly though, I think, like the other examples, the present day is infused into it (the styles, the look, even the dress). Probably tougher to see right now since we’re in the day it’s being made but I bet in twenty or thirty years it’ll be obvious that Game of Thrones was made in the teens.

Posted By Doug : May 15, 2013 11:09 am

Great article; one of the most recent examples of not-the-right-era stylings was done on purpose, for effect: Bruce Dern’s
character in “Django Unchanged” wearing 21st century yellow sunglasses.
My mind jumps around-in Tony Richardson’s 1965 classic “The Loved One” there’s a scene where a hairstyle is pointed out to show how ‘modern’ the character is: Robert Morse is questioned by James Coburn as to whether his haircut is a “Beatles” cut. Morse responds that it is simply a British cut.
That defines the era in which it was made pretty clearly.
I think I might watch it again today-Rod Steiger’s Mr. Joyboy always makes me grin.
It might be just me, but Doris Day always seemed to wear the same hair style no matter the decade in which her films were set.
Or maybe she just made it all look good.

Posted By Heidi : May 15, 2013 12:23 pm

Oh Boy, is this a great topic. I have had chuckles over this for years! My, what straight, white teeth you have, poor oprhan child on the streets of London in the early 1800′s. And the hair never getting tangled or oily looking. I want that hair! I don’t think the latest incarnation of the Robin Hood movie was too far off, but still, I was amazed at the wonderful hair. I can understand the teeth though, to a degree. Stars are not going to let you pull their teeth out for any role! There is a tv series called Cadfael, that is set in the 1100′s, and aside from the somewhat decent teeth, hands and finger nails and feet (in rope sandals on dirt streets!)are dirty when they need to be, Leprosy looks quite convincing, and clothes look sufficiently tatty. Or how about original Star Trek. Those hair styles and costumes came right out of the 60′s…nothing futuristic about them!

Posted By Greg Ferrara : May 15, 2013 1:07 pm

Doug – That song that Rod Steiger sings to his mom in The Loved One, when he brings in the food, is my favorite scene in the whole movie.

Posted By Greg Ferrara : May 15, 2013 1:09 pm

Heidi – I love the go-go skirts, boots and beehives in the original Star Trek. Yeoman Rand in particular looked so far removed from the future it’s laughable. And Chekhov had the perfect Beatle’s/British haircut. The 23rd century sure looks like the sixties.

Posted By WolfmansRazor : May 15, 2013 1:52 pm

One of the most egregious examples of this phenomenon is Whit Stillman’s The Last Days of Disco, where the fashion an hairstyles are so ’90s it hurts. I mean, Kate Beckinsale basically has the “Rachel,” and Chris Eigeman looks like this: http://www.thecobrasnose.com/images8/LDODalicedes.jpg

Posted By DBenson : May 15, 2013 2:46 pm

In “Prince Valiant”, Janet Leigh wears a bullet bra under her medieval gowns. That whole movie is packed with howlers, and yet remains enjoyable on a non-ironic level. Aside from the villainous James Mason, the whole cast is so outrageously American Robert Wagner comes off pretty well.

Posted By chris : May 15, 2013 3:51 pm

Chekov, in Star Trek, looked especially like the fifth Beatle in his earlier episodes. They overcut Walter Koenig’s hair and had to throw a wig on him.

Posted By Doug : May 15, 2013 4:05 pm

“That song that Rod Steiger sings to his mom in The Loved One, when he brings in the food, is my favorite scene in the whole movie.”
Greg,it is the highlight for me,also, including the little story that he tells about the dream he had. I’m definitely watching it tonight.
Bye the bye, one of the other highlights for me was the beautiful
Anjanette Comer. And John Gielgud’s performance. And I’d better stop now.

Posted By robbushblog : May 15, 2013 4:12 pm

DBenson- Well of course! They’re not going to waste Technicolor on dirt and grime! Oh…and Janet Leigh and Debra Paget are quite stunning in that movie too. I’m glad they didn’t grime them up.

Posted By tdraicer : May 15, 2013 4:51 pm

>The 23rd century sure looks like the sixties.

But hair in the 1960s looked rather like the 1860s, showing that styles do return. So who knows, maybe the future WILL look like the past.

My biggest problem with Game of Thrones is all those characters north of the Wall without a hat. (I understand-we want to see the actors-but given they are actually filming in Iceland, you’d think SAG would demand hardship pay.)

Posted By DevlinCarnate : May 15, 2013 6:10 pm

how about movies where they get it right?…TCM’s upcoming showing of Hard Times,Bronson,Coburn,Martin,and Ireland all had the depression era look down pat…even the fringe characters and extras added to the atmosphere…not a shag cut in sight

Posted By kaystarstyle : May 15, 2013 7:53 pm

And let’s not forget, my favorite, Funny Girl!!! YE GODS. Barbra in exquisite 60′s STRAIGHTENED hair. Where’s the fingerwave??? And 20,000 BC with Raquel W. in her fave Brigette Bardot tousled bedhead do. The list goes ON AND ON. Natalie Wood in, well, virtually every period movie, from Gypsy to Splendor in the Grass. WHY WHY WHY??? It drives me NUTS! Thanks for letting me vent. I have to go set my hair on soup cans now. Kay

Posted By kaystarstyle : May 15, 2013 7:55 pm

OH, and Robert Redford in…you name it! Sundance Kid, The Way We Were(n’t), etc. …Okay, I’m done now. But may I just add Barbra S.’s fingernails in Way We Were. ARGH!

Posted By Doug : May 15, 2013 9:36 pm

I think maybe Yul Brynner had it all figured out.

Posted By jennifromrollamo : May 15, 2013 11:42 pm

My complaint, other than Happy Days not looking very 1950s, was Little House on the Prairie. I read and re-read those books in my youth and Pa Ingalls was described as having bushy hair, cut short on the sides, longer on the top, and he always, always, always had a beard and mustache. When Michael Landon appeared as Pa, I was so disappointed! No beard, just that Mod-hair Ken doll style of hair guys wore in the 70s.

Military movies also get it wrong a lot; the background soldiers with no lines get the proper haircuts, but usually not the stars.

Posted By Lamar : May 16, 2013 8:19 am

“The Group” (1966), about eight women who graduate Vassar in 1933, is interesting since the leading actresses look very 1966 while the lesser characters often are 100% accurate to the period.
Speaking of the 60s-Audrey Hepburn’s ultra 60s hair & makeup at the ball in “My Fair Lady” always irritates.

Posted By zandypop : May 16, 2013 10:45 am

I love the 60s westerns, where just about every woman is sporting frosted lipstick and eyeshadow. And of course they don’t wear bonnets so they can show off that fresh from the beauty parlor hair.

Who knew that beauticians and stylists were the first pioneers on the Oregon Trail?

Posted By Greg Ferrara : May 16, 2013 12:09 pm

But hair in the 1960s looked rather like the 1860s, showing that styles do return. So who knows, maybe the future WILL look like the past.

Well, anything’s possible.

With Game of Thrones, I thought the same thing. Everyone who lives north of the wall has hoods on their coats but the men of the night watch, who are in the same cold most of the time, have none. Odd.

Posted By Greg Ferrara : May 16, 2013 12:12 pm

Devlin, Mad Men gets it right. Not only do the characters sport hairdos appropriate to the period, but the less youthfully conscious Don Draper keeps his fifties clean cut look while the younger guys are growing sideburns and wearing flashier clothes.

Posted By Juana Maria : May 16, 2013 1:51 pm

Yes! I too have felt the same way watching both classic and modern films and TV shows!! Ugh! I love most of them anyway.. especially if they are fictional settings as opposed to strictly historical and non-fiction settings. “Dr. Zhivago” is a tough movie for me to say I love it or hate it. Hate is too strong. It has flaws. Julie Christie is gorgeous!!! I envy her looks! Sure, who wouldn’t? My friend, Natasha, who is from Siberia, Russia, says Julie actually looks like a Russian girl. That’s good enough for me. Ok. This too clean look– yes, I know everything from Errol Flynn’s “Robin Hood” and pirate flicks to a plethora of old Westerns, his and other old timey ones. Love them, but so squeaky clean! And those hair styles and costumes would make the lead characters targets to get their butts kicked just like poor Marty McFly in “Back to the Future III”. Which is my favorite of the series. On the subject of Westerns, I think some of time “Gunsmoke” and “Rawhide” had fairly convincing cowboys- sure they had the likes of Ben Johnson and L.Q. Jones,who were real cowboys!! Ok,later there was “Dr. Quinn:Medicine Woman”, “Peacemakers”(short-lived,but good),and now “Hell on Wheels” on AMC. There is a lot of blood,sweat and tears on those shows! Not as fakey as previous Westerns have been. So I like them better. That and they have gorgeous Natives who I’m related too. Alas,that is another subject for another time. Adios amigos!

Posted By Emgee : May 16, 2013 3:13 pm

It always makes me laugh to see how tidy and wellkempt people generally look in Fifties westerns, (Shane being the big exception. Like they just stepped out of a Western Outfit store after having a haircut. Suits you, sir!
Thankfully the Italians came up with the now standard grimy look; Leone sure did his research.

Posted By robbushblog : May 16, 2013 4:01 pm

While watching a documentary about the making of Tombstone, the filmmakers were discussing the research they did on the clothing of the period. They stated that not everything they wore was brown. People liked to wear colors. In a big, bustling town like Tombstone people would get cleaned up and dress up in their best clothes for a night on the town. Not everything was drab and dreary and grimy, like in Leone’s westerns and almost every western made since the late 60′s. I prefer 50′s westerns. The amount of grime, or lack of it, is not as important as the story being told, and in my mind there was no better decade for western stories than the 1950′s.

Posted By Emgee : May 16, 2013 4:25 pm

@robbushblog: Each to his own; i prefer the Italian movies to 50′s Westerns, but this blog does deal with the look of movies, not so much the stories.But even in that respect i prefer the grit of 60′s Westerns. And i simply can’t believe that in the Old West people looked so well scrubbed at all times, as in most 50′s westerns. IMO it much more reflects the 1950′s rather than the 1850′s.

Posted By DevlinCarnate : May 16, 2013 7:16 pm

i guess the 50′s westerns,Shane included…could be explained by them slicking their hair back with bacon grease,or in Van Heflin’s case a curling iron on the wood stove…i still love ‘em though

Posted By DevlinCarnate : May 16, 2013 7:21 pm

Greg…only watched a few episodes of Mad Men,to be honest i’m more a fan of AMC’s repeats of the Rifleman,something i watched faithfully as a kid,in syndication,the good old days when there were 6 stations tops in any major city that had UHF

Posted By Juana Maria : May 16, 2013 9:08 pm

I’m a fan of “the Rifleman” too! Yay! I love so-called Hippie Westerns and those Spaghetti Westerns too. They are surely a portrait of their times. I love Westerns!!! Yes, so much so I’ve actually watched 100′s of them! It’s true. Thanks for mentioning “Shane” and “Tombstone”, my favovites for sure. Special favorites:”High Noon” and “Liberty Valance”. I don’t know if “Treasure of the Sierra Madre” is stictly a Western but it is in my heart! I love the look of the characters in those films. I could go on about a topic like this….

Posted By Wolf99197 : May 16, 2013 10:27 pm

As a girl, one weird modern style I notice in period pieces is that women always seem to have smooth legs/armpits- not a hair in sight! But to my understanding, shaving your arms didn’t become the norm until the 1910s, and legs later on. Like imperfect teeth, I suspect it’s become such a non-glamorous bit of historical accuracy no one wants to see it.
“Dances with Wolves” is one movie I can think of where the leading (white) lady did look (more-so) realistically “wild”. Her hair was a mess, and I did notice she had under-arm hair.

Posted By robbushblog : May 16, 2013 11:23 pm

DevlinCarnate- I was recording The Rifleman every Saturday, but then they started showing Rawhide and I’ve been recording every episode of that instead, beginning with season 1, episode 1. I can’t have too much on the old DVR. I set up my mom’s DVR to series record Wagon Train from Me-TV too. She really liked Wagon Train growing up.

Posted By Doug : May 16, 2013 11:36 pm

One of the most fun of the 1980′s comedies, “Rustlers’ Rhapsody” did something which should bring a smile-the Colonel (Andy Griffith) and his bad guys (American horse opera types) team up with the railroad Colonel (Fernando Rey) and his men (Spaghetti Westerners)to try to stop Rex O’Herlihan. Hilarity ensues. Marilu Henner plays nearly the same part as she did in “Johnny Dangerously” but I have no complaints.

Posted By Christine in GA : May 17, 2013 12:34 am

You can almost always tell the approximate year an American western (movie or TV) was made by looking at the hair and makeup. False eyelashes on the frontier! Zandypop, what you wrote was so true. This largely holds true for historical dramas as well.

Posted By Devlin Thompson : May 17, 2013 12:52 am

When I first saw A CLOCKWORK ORANGE in the early ’80s, I was annoyed at how Kubrick’s future looked so thoroughly 1971. Later, in the mid ’90s, I realized that now that we’d reached approximately the time of the film’s setting, the world looked like 1971 again!

Posted By DevlinCarnate : May 17, 2013 7:11 am

@robbushblog & Juana Maria…one of the things i never picked up on until they started the Rifleman re-runs a few years back,is that Sam Peckinpah directed and or wrote some of the episodes,and that Joseph H Lewis (Gun Crazy) directed some too before he retired in the mid-60′s…it’s funny the things you miss when you’re a kid just waiting for Lucas to fire that rifle of his

Posted By Greg Ferrara : May 17, 2013 8:47 am

Well, the nineties never quite looked like the setting of Clockwork Orange as much as 1971 did. And the year 2001 didn’t have flight attendants looking at all like they did in the movie where they looked exactly as they did in 1968.

Another one that comes to mind is Back to the Future, Part II. If you haven’t seen it awhile, give it a look just to see how 2015 looks to them. Basically, it looks exactly like the eighties, only more so. Bigger shoes, baggier pants, more neon colors. All they did was heighten the time the movie was made in and call it the future.

Posted By Greg Ferrara : May 17, 2013 8:49 am

I’ll put in my vote on westerns. I like the look of the later ones much better but I do like the earlier movies better. I like Stagecoach, Shane, The Searchers, Rio Bravo and the like much better than the later westerns of Eastwood and Leone. I like those, don’t get me wrong, but I prefer the ones from the 30s through the 50s.

Posted By Greg Ferrara : May 17, 2013 8:51 am

I was also a huge fan of Gunsmoke and even like the radio version. It’s a good listen.

Posted By Cool Bev : May 17, 2013 9:10 am

This isn’t a new phenomenon. Surely you’ve seen some Renaissance paintings of a bible scene with everyone wearing doublets and hose? I used to think that the painters just couldn’t imagine anyone wearing anything else. Now I wonder if those clothes were, like, 50 years out of fashion, and everyone would understand that they were really really old.

Posted By Cool Bev : May 17, 2013 9:11 am

And concerning hairstyles – you say you never see greasy matted hair on savages and primitives? You do now, now that dreadlocks are fashionable.

Posted By thomasfhering : May 17, 2013 10:37 am

Cool Bev, Renaissance artists saw plenty of examples of ancient art, and knew that people dressed differently in the past. The point of depicting Bible characters in contemporary dress and settings was to make it clear that the Bible’s lessons and warnings applied to the artists’ contemporaries – especially the corruptions and perversions of churchmen, royalty, merchants, etc.

Posted By Patricia Nolan-Hall : May 17, 2013 12:55 pm

It’s the fashionable 1950s foundation garments worn by the leading ladies in westerns that I have had to learn to overlook. It ain’t easy with all that lifting and separating!

Posted By Juana Maria : May 17, 2013 4:25 pm

To Patricia Nolan-Hall: Those women needed all the support they could get!

To Thomas F. Hering: Often, Renaissance artists put themselves or their patrons, usually the Medici, in their artwork. I’ve seen some of these in galleries. Thanks for your comments, everyone!

Posted By jennifromrollamo : May 17, 2013 4:41 pm

Rawhide fan here, been dvr-ing it and then watch it on Sundays. I am glad AMC has shown the Rifleman episodes, now I want them to show Have Gun will Travel! Clint’s hair-style on Rawhide is the same as in the Dirty Harry films, but his sideburns aren’t quite as long. I do think the crew on Rawhide looks appropriately dusty and dirty at times. The other day they were dying of thirst and made that look pretty real. One pet peeve of mine, and it happened a lot in old movies and tv shows, a character has fallen into some water, their soaked in that scene, and then moments later, they appear looking to be almost dry, hair looking great!

Posted By Greg Ferrara : May 17, 2013 9:53 pm

So, I just got back from seeing BLACK NARCISSUS at the AFI tonight (first time on the big screen, multiple times before on DVD and tv) and I gotta say, David Farrar looks dirty and unkempt in every scene and when they show close ups of the nuns hands, they’re dirty and messy. The old woman tending the convent has rotting teeth and dingy clothes. Only the prince looked uber-clean, as would be expected.

Posted By Nim Kovak : May 18, 2013 1:16 am

Oh well, I guess that accuracy on hygiene makes up for our having to accept Jean Simmons as an Indian girl! (Though truth be told she’s so beautiful I can’t really object to seeing her in anything — which is the same logic that allows me to accept Natalie Wood as Maria for that matter …)

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