TearjerkersWhat makes you cry? O.K., I know if you pull out a nose hair with tweezers you will probably shed a tear. But what kind of movie brings tears to your eyes? Unless you tend to view movies from a strictly controlled and objective viewpoint, chances are you experience a variety of emotions when watching a film. Of course, Hollywood knows this and has therefore learned how to manipulate you: they use visuals, words, a soaring soundtrack and many other (more subtle) techniques in order to evoke a certain reaction from you … it’s the business that they’re in. First and foremost, they want you to believe that what you are seeing on the screen is real or the truth; they might also want to persuade you to adopt a certain viewpoint. So, moviemakers have developed storytelling methods which are constantly being refined in order to to thrill, scare, excite, surprise, convince, enrage (etc.) you and perhaps even bring tears to your eyes, which may be the hardest thing for them to do in a cynical world.
As I’ve previously admitted on these pages, I’m a sentimental guy, and as such see no reason why a man can’t cry tears of joy or sorrow even if the culture shuns it: “boys don’t cry”. You may feel the same way but – because of differences in our backgrounds – might not have the same reaction while watching a given movie as me. However, there are obviously enough commonalities between those of us who have grown up in the same country and relative era such that screenwriters, directors, composers and cinematographers (et al) can rely on demographic bell curves to “hit their marks” and – as filmmakers – produce movies that a wide ranging audience will react to similarly, especially if box office success is the goal (sometimes it is not). ![]() Now, Voyager (1942) In the classic era, Hollywood made dozens of “weepies” specifically designed to make audiences’ tear ducts run; these have frequently been labeled “women’s pictures” or given some other slight, which would be equally unfair. There are genres for everyone’s preferences, and none is any “better” than another; for instance, I don’t care too much for this month’s annual theme (though this tends to alienate me from some of my fellow Morlocks;-) ![]() Love Affair (1939) Ironically, back when I subscribed to NOW PLAYING, A Viewer’s Guide to Turner Classic Movies, the very first issue I received – November, 2004; Clark Gable was the Star of the Month – featured a TCM Spolight on Tearjerkers, running every Tuesday in primetime, and these were the titles that were aired (in sequential order): ![]() Stella Dallas (1937) Dark Victory (1939), Camille (1936), Beaches (1988), Wuthering Heights (1939), ‘Til We Meet Again (1940), In Name Only (1939), West Side Story (1969), Casablanca (1942), Waterloo Bridge (1940), Doctor Zhivago (1965), A Farewell to Arms (1932), Magnificent Obsession (1954), Love Affair (1939), Now, Voyager (1942), The Way We Were (1973), Random Harvest (1942), Imitation of Life (1934), Stella Dallas (1937), Since You Went Away (1944), Penny Serenade (1941), Little Women (1933), The Yearling (1946), Sounder (1972), The Champ (1931), Goodbye, Mr. Chips (1939), and Boys’ Town (1938) ![]() Camille (1936) Most of the titles above are “standards”, and several (in bold) would appear among the others that I’ve listed below. Any list of movies that makes one cry can be deeply personal, and might even be kept to oneself. But I will reveal (at least some of) mine in hopes that you will share yours as well. Not always, but it’s usually the endings of the following (in chronological order) that have been particularly impactful for me: ![]() A Farewell to Arms (1932) The Kid (1921), City Lights (1931), The Old Maid (1939), City for Conquest (1940), Blossoms in the Dust (1941), Kings Row (1942), Going My Way (1944), The Corn is Green (1945), Our Vines Have Tender Grapes (1945) – and virtually every other Margaret O’Brien movie, It’s a Wonderful Life (1946), To Each His Own (1946), I Remember Mama (1948), The Hasty Heart (1949), Little Women (1949), The Secret Garden (1949), Show Boat (1951), All Mine to Give (1957), Some Came Running (1958), Light in the Piazza (1962), The Miracle Worker (1962), To Kill a Mockingbird (1962), The World of Henry Orient (1964), The Sound of Music (1965), Guess Who’s Coming to Dinner (1967), Ordinary People (1980) – which I wrote about a couple or three posts ago, E.T. the Extra-Terrestrial (1982), Terms of Endearment (1983), Awakenings (1990), and Courageous (2011) Each of these have caused me to start to well up, have moistened my eyes, or even ‘forced’ me to shed a tear or two, but I can think of only two movies that I’ve seen in the past 10 years (about 3,000 movies) that have caused me to hit the pause button because I was crying uncontrollably, and audibly: Come Back, Little Sheba (1952) and Life is Beautiful (1997). Of the former, I’m not really sure what caused my reaction since I haven’t any real connection to the protagonists’ reality – loneliness and alcoholism – in my own life (though I suppose I could be living in denial). However, I saw the latter at a time in my life when I was struggling to be a good father (which I still do, daily), and Roberto Benigni’s brave Academy Award winning performance touched me deeply. I’m almost afraid to watch either again, but perhaps I should … it could be cathartic. ![]() Come Back, Little Sheba (1952) 33 Responses Tearjerkers
You listed all my tearjerkers, but the first tearjerker I recall was “The Wizard of Oz” I am among the generation that got to see all the CBS TV airings, I cried when Dorothy said goodbye to her new Oz friends, and so did my Daddy who watched all annual showings with me. I have discussed this on my blog for father’s Day: http://thefeebleartichoke.wordpress.com/2011/06/18/fathers-day/ You might enjoy reading it. Jenni, your comment reminded me of a recent animal movie – Marley & Me (2008) – which was designed specifically to make its audience cry and, even though I was steeling myself not to, I couldn’t help myself from getting teary eyed. Winston, you may notice that among my tearjerkers are a lot of “Films about Fathers”, which I wrote an essay about on my site (many years ago) … and (per above) you know why these affect me so. I guess I left out Field of Dreams (1989). The only film I can remember crying about was The Fox And The Hound, and that was when I was five. The song when Widow Tweed is leaving Tod alone in the forest… killer. Any movie with a dog in it. “Hachiko” will break me down like nothing else, especially if our two loyal Aussie’s are watching with us . . . I must add “The Heart Is A Lonely Hunter” with Alan Arkin. Wonderful movie, in my humble opinion. Life Is Beautiful may well be the last time I cried at a film. (The killer moment there, for me, is when the American tank appears.) Before that, it may have been Sense and Sensibility, which surprised me because it wasn’t the sort of moment which usually unmans me. (I blame the uncalled-for brilliance of Emma Thompson’s performance!) As a rule, lovers’ partings don’t devastate me (unless it’s happening in real life…to me). I love Casablanca, but it doesn’t make me weep. I don’t really like movies that intentionally try to tickle my tearducts; maybe i’m a hopeless cynic. But Judy Garland singing Over The Rainbow always does the trick.As does the final scene in Midnight Cowboy; again there the music definitely helps set the mood.Without it i’d be moved, yes, but to tears? I couldn’t be sure. Charley Blake – “Oh, and June Allyson! It’s one of Newton’s lesser known laws of physics: when June Allyson cries, we all cry. Scientifically demonstrable.” Yeah, in fact, that’s why I have the 1949 version of Little Women on my list; I also had Two Girls and a Sailor (1944) on my list, but figured only hardcore TCM junkies would have seen that one;-) When I saw “Life is Beautiful” at the top of this post I went, “Uh-oh”. That ending got to me. Rutger Hauer and some arrows in 1997′s beautifully filmed “The Call of the Wild – Dog of the Yukon” had me bawling like a baby. Thanks, Highhurdler, for pointing me to your own blog. I have enjoyed reading your essays very much! As much as i hate to admit,but “It´s a wonderful Life” get´s me Also,the Ending of “Shane”.When Shane told Ryker,that there is Also “Angels with dirty Faces”. Lol Ghijath! No, I probably cringed and looked away when Quint got killed by “Bruce” the shark near the end of Jaws, though. Ghijath – I can relate; I’ve seen the ending of It’s a Wonderful Life (1946) more times than I can count, and have even turned on the TV just to watch the ending (every year?) just so that I can have a goodhearted ‘cry’. “A toast to my big brother George: The richest man in town.” is what gets me. I can’t watch “Dumbo” at all. I own it, just because i collect the “Good ole” Disney movies, but I just look at the cover and tears well up. Just talking about it does it too. I don’t care if people die, usually, and sappy movies don’t usually do it for me either. Although my husband might remember it differently! I do tear up at the end of “Terminator:Salvation” when Marcus gives up his heart. I hate that ending. “The Fox and Hound” just kills me. Not sure if it is the movie, or if it is because it is the last movie my grandma took us to before she passed. But I have to say, there is a show on tv called “too Cute” which is just stupidly cute with kittens and puppies and assorted other animals. Last night there was one that had a kitten that had been orphaned and they were showing it in a foster rescue. I was a puddle of tears when they showed it going to it’s forever home at the end of the episode. Stupid animal movies. For me it’s “Let’s Go Fly a Kite” from Mary Poppins ; it gets me every time. Military hospital sequence of “Random Harvest,” where the withdrawn amnesiac Ronald Colman is taken to meet what might be his parents. He is clearly hopeful. The woman cries out in disappointment and has to be helped from the room. I feel more for her than for Greer Garson, mainly because Garson is stuck in a very good but traditional soap opera. Two moments in “Lady and the Tramp”: The tearful puppies in the pound during the comical “No Place Like Home” and Jock howling over the fallen Trusty. Miracle in the Rain (1956) I meant to make a note that these are stories that reduce me to sobs. I only watch them alone so no one sees my disintegration. Oh, and I forgot to mention in “The Hurt Locker”, I cried when the sniper wanted some juice, and they couldn’t find any. No water, no juice, and i just lost it. Now, I send care packages to soldiers deployed overseas, so that really hurt my feelings. I have sent juice boxes in every box I have sent since that movie came out. Not on my watch! The rest of the movie I was fine with, but that really got me. As a mom of an enlisted US Marine, thank you so much for sending care packages to our troops, Heidi! God bless you!!! Yep, even reading that line from IAWL gets me a bit choked up. And of course, “Every time a bell rings…” I haven’t had a dog since I was 5 or 6, but even so, My Dog Skip and the recent Australian film Red Dog (seek it out, it’s really quite wonderful, with a great canine performance) turned on the waterworks. I lost someone close to me when I was still in my late teens, so I’m usually affected by people being reunited with someone they thought was dead (non-comedically, as this plot twist seems to turn up in a lot of ’30s and ’40s comedies). Can’t think of too many examples, I probably blocked them out, but A Very Long Engagement comes to mind because I’m also deeply affected by stories from the First World War (although not Warhorse), and Audrey Tatou is so unbearably cute. swak44-I loved “A Very Long Engagement” but somehow I think I might have liked it better without the happy ending. I know that makes no sense. Thanks Jenni! I have Christmas cards and packages going out now. Actually Doug, that does make sense, to me anyway. Sometimes I watch a film like that and wonder where my happy ending went to (as it turns out, I’m now the love of my life and things couldn’t be rosier), or, in A Very Long Engagement, the happy ending denied to so many who lost loved ones in the trenches of France. But I guess sometimes you’ve got to hold onto hope. BTW, just watched the documentary Stories We Tell by Canadian actor/director Sarah Polley, where she delves into the story of her mother, a beautiful and vivacious actress who died when Sara was only 11, and the mystery around her own birth, and it’s quite a moving story, especially when she talks to her dad about her mother’s death. There are a few surprises along the way, and some thoughtful insight into family lore and how it clouds and shifts over time. Recommended! Thanks for the recommendations swac44, several I’ve yet to see (I have seen War Horse;-) The ending of “It´s a Wonderful Life” makes me cry every single time I watch it. No other film scene gives me the same feeling of joy and hope. It´s like a fairy tale for adults. As someone said above, no matter if you know the trick: the trick just works so wonderfully. Other films whose endings never fail to make me cry : “Gone With The Wind”, “Stage Door”, “The Sound of Music”, “Nuovo Cinema Paradiso” and “Billy Elliot”. I just watched “My Foolish Heart” again with Susan Hayward and Dana Andrews. Now that’s a tearjerker! Dana Andrews as Walt is the most endearing man. In the beginning, Susan Hayward is reminiscing about Walt and says “He was really sweet, not that little boy sweet, just sweet.” Leave a Reply |
Archives
Featured Sites
Popular terms
3-D
Action Films
Actors
Actors' Endorsements
Actresses
animal stars
Animation
Anime
Anthology Films
Autobiography
Avant-Garde
Aviation
Awards
B-movies
Beer in Film
Behind the Scenes
Best of the Year lists
Biography
Biopics
Blu-Ray
Books on Film
Boxing films
British Cinema
Canadian Cinema
Character Actors
Chicago Film History
Cinematography
Classic Films
College Life on Film
Comedy
Comic Book Movies
Crime
Czech Film
Dance on Film
Digital Cinema
Directors
Disaster Films
Documentary
Drama
DVD
Early Talkies
Editing
Educational Films
European Influence on American Cinema
Experimental
Exploitation
Fairy Tales on Film
Faith or Christian-based Films
Family Films
Fan Edits
Film Composers
Film Criticism
film festivals
Film History in Florida
Film Noir
Film Scholars
Film titles
Filmmaking Techniques
Films of the 1980s
Food in Film
Foreign Film
French Film
Gangster films
Genre
Genre spoofs
Guest Programmers
HD & Blu-Ray
Holiday Movies
Hollywood history
Hollywood lifestyles
Horror
Horror Movies
Icons
independent film
Italian Film
Japanese Film
Korean Film
Leadership
Literary Adaptations
Martial Arts
Melodramas
Method Acting
Mexican Cinema
Moguls
Monster Movies
Movie Books
Movie Costumes
Movie locations
Movie lovers
Movie Magazines
Movie Reviewers
Movie settings
Movie Stars
Movies about movies
Music in Film
Musicals
New Releases
Outdoor Cinema
Paranoid Thrillers
Parenting on film
Pirate movies
Polish film industry
political thrillers
Politics in Film
Pornography
Pre-Code
Producers
Race in American Film
Remakes
Revenge
Road Movies
Romance
Romantic Comedies
Russian Film Industry
Satire
Scandals
Science Fiction
Screenwriters
Semi-documentaries
Serials
Short Films
Silent Film
silent films
Social Problem Film
Spaghetti Westerns
Sports
Sports on Film
Stereotypes
Straight-to-DVD
Studio Politics
Stunts and stuntmen
Suspense thriller
Swashbucklers
TCM Classic Film Festival
Tearjerkers
Television
The British in Hollywood
The Germans in Hollywood
The Hungarians in Hollywood
The Irish in Hollywood
The Russians in Hollywood
Theaters
Thriller
Trains in movies
Underground Cinema
VOD
War film
Westerns
Women in the Film Industry
Women's Weepies |
Any movie with an animal in it, that is a main focus of the plot, and near the end that animal dies, or has to be set free to the wilderness, that always makes me cry. To Kill A Mockingbird, when it is revealed that the children’s savior is Boo, and he’s hiding behind that door-always gets me and I’ve seen that movie quite a few times. Penny Serenade, when Cary Grant is pleading with the judge to let them adopt the baby-oh my! I recently got caught up on the Toshiro Mifune films I had dvred when he was one of the stars of the month for August. He starred in one film, The Rickshaw Man, and at the end of it I was a mess of tears. It was a simple plot: lowly rickshaw man, befriends an Officer in Japanese Army, circa 1900. Rickshaw man also befriends Officer’s wife and son. Officer dies, and his widow asks the humble Rickshaw man to help teach her son how to be a man, which he does, putting his whole heart into this endeavor, and also loving the widow from afar. But class diffenences will not allow a romance to happen. It was such a tender, sweet movie, and at the end, I was balling like a baby!