The Sir Lancelot Mysteries!Look deep into the heart of a true cinephile and you’ll find not only a long list of movies he or she is dying to see and hasn’t but another equally long, if not longer, list of movies he or she is dying to see that were never made. Fantastical imaginings! Imaginary match-ups! Cross genre mash-ups! Seeing this image from RKO’s THE CURSE OF THE CAT PEOPLE (1944), I’m struck by how cool calypso singer turned occasional bit player Sir Lancelot looks in his gabardine suit and wide brimmed hat. He looks just like a detective! In the film, directed by Gunther von Fritsch and Robert Wise for producer Val Lewton (as part of an ongoing series of psychological horror films shot at RKO), Lancelot plays a chipper valet for a nice white family in Tarrytown, New York. In this scene, he is merely collecting his young charge from a neighbor’s house… and yet he has such a presence in his street clothes – such velvet glove authority – that I can’t help but imagine him involved in something a bit more complex. Born Lancelot Edward Victor Pinard on March 24, 1902, in Cumoto, Trinidad, Sir Lancelot was the son of an affluent government official. A musical prodigy as a child, Lancelot Pinard was aimed towards a career as a pharmacist and studied medicine in New York before the siren call of singing lured him to his true path. He began performing classical numbers but soon incorporated calypso tunes into his repertoire. Promoted by bandleader Gerald Clark under the Arthurian moniker “Sir Lancelot,” he made his debut at the Village Vanguard in 1940, where he established himself as a pioneer calypsonian and recorded popular calypso sides (which inspired a young Harry Belafonte). This diversion from his stated career goal got him disowned by his family, which a wounded but undaunted Sir Lancelot answered with the song “Shame & Scandal,” which he performs in the RKO creeper I WALKED WITH A ZOMBIE (1942). If you know that movie, you know what a intriguing character Sir Lancelot is, effectively playing himself: a nattily dressed troubadour with impeccable manners and a funny habit of incorporating shameful tidbits from the past into his songs to the mounting horror of his listeners. More than one critic has labeled Lancelot’s unnamed character a one-man Greek chorus and the label fits; you get so accustomed to his sudden appearances and so enjoy the way he sticks it to Whitey that you miss when he disappears from the tale halfway through.
The possibilities are endless. In SIR LANCELOT STRIKES OUT (1941), he could solve a mysterious death while attending a double header at Wrigley Field, where he has been invited to sing the National Anthem! In THINK TWICE, SIR LANCELOT (1944), he might have to deduce the guilty party from a set of identical twins! In SIR LANCELOT’S GAMBLE (1942), he could unmask a killer from among the swells and dandies at a Mediterranean casino where he has been hired to perform!. In SIR LANCELOT IN RENO (1943), he could solve the slaying of a gay divorcee and try his hand at rodeo clowning! In AHOY THERE, SIR LANCELOT (1944), he could thwart Italian drug traffickers while crewing aboard a tramp steamer. (Trivia: Like Lancelot’s swabbie cap? His songs were the inspiration for the theme to GILLIGAN’S ISLAND and series creator Sherwood Schwartz briefly considered hiring him to sing it.) In SIR LANCELOT IN CENTRAL PARK (1944), capitalizing on his single “A Night in Central Park,” our man could hear a murder rather than a murmur and clap the culprit in irons by the lion cage at the zoo! In SIR LANCELOT ON VOODOO ISLAND (1945), our man could ankle Axis rats operating out of an allegedly haunted sugar cane grove in darkest Haiti with the help of an obliging zombie (Darby Jones, natch). In SIR LANCELOT’S FAKE-OUT (1946), he could oppose counterfeiters who have bootlegged his recordings! This would have been a great opportunity to put Sir Lancelot on the big screen with other calypso performers, like Lord Invader, whose “Rum and Coca Cola” was covered by The Andrews Sisters and became a big hit in the States even though the song was a condemnation of the corrupting influence of the American military on the Islands. That’s what so great about Sir Lancelot… he serves up the judgment in such an entertaining and nonthreatening way that we’re completely charmed and arrested at the same time. He sure would have cleaned house as a private dick and made some beautiful music while doing it. In the kinder, gentler holiday classic MERRY CHRISTMAS, SIR LANCELOT! (1946), our tubby protag could clear the name of an innocent man charged with embezzlement while visiting relatives in Bedford Falls. Oh, I could go on and on. When you’re dreaming, the sky’s the limit. I love my imaginary Sir Lancelot – Calypso Cop box set. I think I’ll watch one of these gems right now – in my brain.
8 Responses The Sir Lancelot Mysteries!
I always thought Sir Lancelot was an odd duck, especially in I WALKED WITH A ZOMBIE when he sings a calypso-style song with a creepy verse that encapsulates the scandal at the heart of the narrative. But, maybe starring in his own film series would have turned him into a lovable, jovial character. Oh, how much I wish your brainchild could have been true, RHS, if only to see this dignified man with the lyrical voice straighten out the world a bit in the ’40s. Please sign me up for your imaginary boxed set of Sir Lancelot – Calypso Cop movies. I always loved whenever Sir Lancelot showed up in movies, especially since he was often the wisest guy in the room, ready to point out the folly of becoming vexed by life’s twists and turns,(“Calypso” in Brute Force is a particular fave). Btw, one movie that should have been made: THEY CALL ME SIR LANCELOT! I too think about movies that were never made. I would liked to have saved MGM in the late 40s and 50s when it was falling apart. It wasn’t all Dore Schary’s fault. Or Mayer’s. The seven year actor contract system was ending, TV was a major threat and the courts made the studios sell their theaters. Of course, there was one thing stopping me from saving the day. I was born in 1948. And I don’t have a time machine to go back and tell them which movies to make and which ones to avoid. I think some people blame MGM’s downfall on Schary but it probably would have happened anyway. When he left the studio he got no offers to run another major film operation. I guess I just feel frustrated when I realize all the mistakes the studio made at that time. I feel like screaming, “What is the matter with you idiots? What are you thinking about?” During that time Gable, Turner, Skelton, Garson, Elizabeth Taylor and other biggies made their worst films. So, you aren’t the only one to daydream about what might have been. By the way, that was an imaginative, well written piece. One of the great treats of watching the Lewton pictures is the stock company of performers with Sir Lancelot in first place. We can’t have those delicious movies you envision, but what’s stopping you from giving us a novel? I’d buy a book. I’d buy a series! “SIR LANCELOT – CALYPSO COP” – wasn’t that the short-lived TV series he later did for ZIV? Terrific coulda-been/shoulda-been movies, and I love that newspaper page! It looks like a classic movie transition: showing first the “uh-oh, trouble” headline, then panning down to the “rest easy, he’s on the case” Lancelot story. I think I’ve got this right…Billy Wilder doing a film with Garbo in the late forties/early fifties. Have you seen those brief screen tests of her from that period? She’s stunning. Wouldn’t presume to map a scenario onto it, but I wish that deal had gone through. I applaud your creativity here, RHS. The studio missed out on not creating these Calypso Cop series of movies. Leave a Reply |
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Oh, god, brilliant.
I’d almost love to make up more, but you’ve provided about as many ones to imagine as would possibly have been created.
I think I’ll just think of them, and mention them, as if real, and maybe in 100 years, as far as written film history goes, they WILL be.