<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:georss="http://www.georss.org/georss" xmlns:geo="http://www.w3.org/2003/01/geo/wgs84_pos#" xmlns:media="http://search.yahoo.com/mrss/"
		>
<channel>
	<title>Comments on: The 2009 New York Film Festival</title>
	<atom:link href="http://moviemorlocks.com/2009/10/13/the-2009-new-york-film-festival/feed/" rel="self" type="application/rss+xml" />
	<link>http://moviemorlocks.com/2009/10/13/the-2009-new-york-film-festival/</link>
	<description>MovieMorlocks.com is the official blog for Turner Classic Movies (TCM). No topic is too obscure or niche to be excluded from our film discussions. And we welcome your comments on our blogs and bloggers.</description>
	<lastBuildDate>Thu, 24 May 2012 06:08:22 +0000</lastBuildDate>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
	<generator>http://wordpress.com/</generator>
	<item>
		<title>By: R. Emmet Sweeney</title>
		<link>http://moviemorlocks.com/2009/10/13/the-2009-new-york-film-festival/#comment-10369</link>
		<dc:creator><![CDATA[R. Emmet Sweeney]]></dc:creator>
		<pubDate>Tue, 20 Oct 2009 19:43:15 +0000</pubDate>
		<guid isPermaLink="false">http://moviemorlocks.com/?p=15118#comment-10369</guid>
		<description><![CDATA[I&#039;m jumping in late here, but let me come to the defense of the NYFF. The new rush ticket program worked very well, and those are $10. They went on sale an hour before each show, and I had no problem getting into any of the screenings. 

The $40 tickets were only for the opening night screening of Wild Grass. But they also added a second screening the same night for $20, which is more reasonable. Plus it is getting released by Sony Pictures Classics, so I don&#039;t think there&#039;s much to complain about.]]></description>
		<content:encoded><![CDATA[<p>I&#8217;m jumping in late here, but let me come to the defense of the NYFF. The new rush ticket program worked very well, and those are $10. They went on sale an hour before each show, and I had no problem getting into any of the screenings. </p>
<p>The $40 tickets were only for the opening night screening of Wild Grass. But they also added a second screening the same night for $20, which is more reasonable. Plus it is getting released by Sony Pictures Classics, so I don&#8217;t think there&#8217;s much to complain about.</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: idawson</title>
		<link>http://moviemorlocks.com/2009/10/13/the-2009-new-york-film-festival/#comment-10306</link>
		<dc:creator><![CDATA[idawson]]></dc:creator>
		<pubDate>Fri, 16 Oct 2009 01:56:10 +0000</pubDate>
		<guid isPermaLink="false">http://moviemorlocks.com/?p=15118#comment-10306</guid>
		<description><![CDATA[Michael J. Anderson - I agree with you 100-200%. I was going to purchase some NYFF tickets but when I saw the prices, I realized it is NOT that important that I see a film a little ahead of time.

Especially since I live in the NY area, it makes it a little easier to catch some of these films (although it can still be quite a challenge). And what I don&#039;t catch in the cinemas, I can pick up on DVD.]]></description>
		<content:encoded><![CDATA[<p>Michael J. Anderson &#8211; I agree with you 100-200%. I was going to purchase some NYFF tickets but when I saw the prices, I realized it is NOT that important that I see a film a little ahead of time.</p>
<p>Especially since I live in the NY area, it makes it a little easier to catch some of these films (although it can still be quite a challenge). And what I don&#8217;t catch in the cinemas, I can pick up on DVD.</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Michael J. Anderson</title>
		<link>http://moviemorlocks.com/2009/10/13/the-2009-new-york-film-festival/#comment-10285</link>
		<dc:creator><![CDATA[Michael J. Anderson]]></dc:creator>
		<pubDate>Wed, 14 Oct 2009 01:02:59 +0000</pubDate>
		<guid isPermaLink="false">http://moviemorlocks.com/?p=15118#comment-10285</guid>
		<description><![CDATA[A fine post, Rob.  I would tend to agree with your assessments at both the level of the individual films and also as a festival in general: I quite liked and admired &lt;i&gt;Police, Adjective&lt;/i&gt;, &lt;i&gt;Around a Small Mountain&lt;/i&gt;, &lt;i&gt;Mother&lt;/i&gt; and &lt;i&gt;White Material&lt;/i&gt;, though it&#039;s also true that no film emerged as the clear film of the year, as I would claim &lt;i&gt;The Headless Woman&lt;/i&gt; did a year ago (with &lt;i&gt;Tokyo Sonata&lt;/i&gt; not far behind).  Perhaps that film was &lt;i&gt;Wild Grass,&lt;/i&gt; but who would know with its supposedly fan-friendly $40 tickets?

On the matter of the many bizarrely critical write-ups, one wonders what your A.O. Scott&#039;s of the world imagine an event like the NYFF should be, if not a venue to provide access to more challenging works from every corner of the globe (that often lack distribution).  Who needs to pay $20 - or $40 - to see the Coen brothers film, or frankly a &quot;Broken Embraces&quot; that has distribution in advance, a week or two early?  I guess A.O. thinks we do.]]></description>
		<content:encoded><![CDATA[<p>A fine post, Rob.  I would tend to agree with your assessments at both the level of the individual films and also as a festival in general: I quite liked and admired <i>Police, Adjective</i>, <i>Around a Small Mountain</i>, <i>Mother</i> and <i>White Material</i>, though it&#8217;s also true that no film emerged as the clear film of the year, as I would claim <i>The Headless Woman</i> did a year ago (with <i>Tokyo Sonata</i> not far behind).  Perhaps that film was <i>Wild Grass,</i> but who would know with its supposedly fan-friendly $40 tickets?</p>
<p>On the matter of the many bizarrely critical write-ups, one wonders what your A.O. Scott&#8217;s of the world imagine an event like the NYFF should be, if not a venue to provide access to more challenging works from every corner of the globe (that often lack distribution).  Who needs to pay $20 &#8211; or $40 &#8211; to see the Coen brothers film, or frankly a &#8220;Broken Embraces&#8221; that has distribution in advance, a week or two early?  I guess A.O. thinks we do.</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Medusa</title>
		<link>http://moviemorlocks.com/2009/10/13/the-2009-new-york-film-festival/#comment-10284</link>
		<dc:creator><![CDATA[Medusa]]></dc:creator>
		<pubDate>Wed, 14 Oct 2009 00:11:33 +0000</pubDate>
		<guid isPermaLink="false">http://moviemorlocks.com/?p=15118#comment-10284</guid>
		<description><![CDATA[The setting of the Jacques Rivette film sounds like it&#039;s right up my alley -- a decaying traveling circus.  Thanks for bringing news of this and other out-of-the-ordinary treasures to us!]]></description>
		<content:encoded><![CDATA[<p>The setting of the Jacques Rivette film sounds like it&#8217;s right up my alley &#8212; a decaying traveling circus.  Thanks for bringing news of this and other out-of-the-ordinary treasures to us!</p>
]]></content:encoded>
	</item>
</channel>
</rss>

