Francis Ford Coppola’s TETRO

Coppola on the set of TETRO.

I’m not of much use when the heat gets above 90 degrees. That’s one of the reasons I wanted to fly to Portland last week – I figured it’d be a reasonable temperature while my homestead here in the Rockies baked under summer sun. And what happens? Boulder got hit with rain and weather in the 50′s while Portland was scorched under record-breaking temperatures that reached 107 degrees. And there I was on the second floor of the Hawthorne Youth Hostel, with no air-conditioning, reeling about in buckets of sweat like Martin Sheen on the tail-end of a drinking binge about to go mad in the opening scene of Apocalypse Now. As many people do who look for a reprieve from extreme heat, I sought my refuge in the cool halls of a movie theater. And with Coppola and madness in mind, I found his latest film, Tetro, playing at the Living Room Theaters. READ MORE

Dirk Bogarde on LSD

Yes, the impeccable, droll, tightly wound British actor gets to freak out and reveal other surprising facets of his enigmatic title character in SEBASTIAN (1967), a fascinating curiosity released in the waning days of “Swinging London” cinema which has been unaccountably forgotten since its release. Sir Bogarde, the distinguished British actor of such internationally acclaimed films as Luchino Visconti’s Death in Venice (1971), Alain Resnais’ Providence (1977) and R.W. Fassbinder’s Despair (1978), rarely gets to flip his lid on screen but in this unique mixture of espionage drama, office romance and urban alienation, he breaks his own stereotype, makes good on the dramatic promise of Darling and The Servant and points the way to his more serious dramatic work in the seventies.

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