Some (not yet on DVD) TCM Picks for June

One of the greatest things about Turner Classic Movies, besides Robert Osborne, is the fact that they show movies that can’t be (readily) seen anywhere else.  Starting Monday, TCM will be featuring some of the best films from fifty-two of (arguably) the most celebrated directors in cinema’s history.  While you’re probably familiar with the classics that will air during primetime throughout the month – virtually all of which ARE available on DVD – you may not have seen some of these directors little known gems (that is unless, like me, you’re a regular viewer of the channel).  Some of these titles are (or have been) tied up in legal battles which have prevented their physical distribution to date; for others, their owners apparently don’t believe that the market is sufficient enough (given the costs) to make them available.  In time, Warner’s Archive and (Internet, cable & satellite) on-demand offerings will make it easier to see these ‘forgotten’ films from Hollywood’s Golden Era; for now, TCM is the only show in town.  Regardless of the reason(s), I’ve compiled a list of some of the better unavailable movies found on June’s schedule.

 

 


June 2Victor Fleming directed Jean Harlow in the aptly named Bombshell (1933), an essential inside-Hollywood comedy about a blonde film star, her meddling agent (played gloriously by Lee Tracy), and all the other leaches (including her family – Dad played by Frank Morgan) who live off her; Pat O’Brien plays her director.  When she gets fed up with the whole phony environment, Harlow’s character escapes to a desert resort where she meets and falls in love with a blueblood played by Franchot Tone.  Of course, his parents (Mary Forbes and C. Aubrey Smith) don’t approve.  Moreover, there’s something fishy going on here; Una Merkel, Isabel Jewell and Louise Beavers also appear.


June 3King Vidor directed an Academy Award nominated silent slice-of-life silent drama, The Crowd (1928), about an ambitious young man (James Murray) that becomes just another worker in a large office building in New York City.  But then he finds, courts, and marries (Eleanor Boardman’s character).  After each becomes disillusioned with married life, everything appears to be getting better after they have a child, until tragedy strikes.  The film earned Vidor the first of his five Best Director nominations (though he never won!) and was added to the National Film Registry in 1989.

June 4The Devil and Miss Jones (1941) is a hilarious comedy, directed by Sam Wood, which stars Jean Arthur, Charles Coburn, Robert Cummings, Spring Byington, and Edmund Gwenn among others.  Coburn picked up his first of three Best Supporting Actor Oscar nominations playing J.P. Merrick, the richest man in the world; he owns and controls a conglomerate.  After some employees at one of his department stores hang him in effigy and start forming a union, the executive decides to go undercover as a worker at the store to find out whose organizing it.  He’s assigned to work for a stern taskmaster (Gwenn) with coworkers (Arthur, whose boyfriend Cummings is the organizer, and Byington) that eventually charm and transform him.  Norman Krasna picked up his third Oscar nomination for his original screenplay.

June 6 – see two that haven’t aired on the channel in quite some time, These Three (1936) and Hell’s Heroes (1930), both directed by William Wyler.  The former – a drama written by Lillian Hellman about the damage that rumor and innuendo can do – was remade by the director twenty-five years later as The Children’s Hour (1961), which is more faithful to the original story (and is available on DVD), but the original is the superior adaptation.  It stars Miriam Hopkins, Merle Oberon and Joel McCrea and features (then 12 year-old) Bonita Granville’s Oscar nominated performance; to protect herself and a friend, she tells her grandmother (Alma Kruger) a lie that has serious consequences for the adults.  The latter is the fourth of seven versions (and the first talkie) of the outlaw ‘Three Wise Men’ Westerns based on Peter Kyne’s novel The Three Godfathers.  Charles Bickford plays the character later played by Chester Morris (in 1936), and popularized by John Wayne in the 1948 (first color) version.

June 11 – although most people have seen (and love) The African Queen (1951), the adventure romance drama which netted Humphrey Bogart his Best Actor Oscar and Katharine Hepburn her fifth of twelve Best Actress nominations, it remains a mystery why director John Huston’s masterpiece isn’t available on DVD.


June 16 – While the original adaptation of Booth Tarkington’s novel The Magnificent Ambersons (1942) from screenwriter-director Orson Welles no longer exists, this existing version of the drama is still worthy of your time.  Narrated by the director himself, the film’s cast includes Joseph Cotten, Dolores Costello, Anne Baxter, Tim Holt & Ray Collins, and features Agnes Moorehead’s first Best Supporting Actress nominated performance.  The studio’s president ordered Editor Robert Wise to cut 40 minutes, and later had a happy ending tacked on, after witnessing reactions and assessing other feedback from preview audiences.


June 20 – for some reason, Anthony Adverse (1936) – directed by Mervyn LeRoy, is not as appreciated now as it was in its day.  It’s an adventure drama with a terrific cast that was nominated for Best Picture and in two other categories in addition to winning Oscars for its Cinematography, Editing & Score, and for Gale Sondergaard’s performance, the first Supporting Actress award given, in her film debut.  It stars Fredric March in the title role and also Olivia de Havilland, Donald Woods, Anita Louise, Edmund Gwenn, Claude Rains, Akim Tamiroff, and Henry O’Neill among others.

June 23rd – features two from director Ernst LubitschThe Merry Widow (1934) & The Student Prince In Old Heidelberg (1927) – which are worth mentioning.  The former is the oft-remade story (this one’s a musical romantic comedy featuring Maurice Chevalier & Jeanette MacDonald, among others) while the latter is a four star silent romance drama about a young prince (Ramon Novarro) who learns to live, and love a commoner (Norma Shearer), before duty calls; Jean Hersholt plays the prince’s indulging teacher.

 

 

 

June 30 – if you enjoy Jeanette MacDonald’s musicals, then you’ll probably want to see Maytime (1937) – directed by two-time Best Director nominee Robert Z. Leonard, which isn’t quite as good as those that she made with Chevalier, but at least it features her most regular on-screen partner, Nelson Eddy.

 

 

 

Several other renown classics which are now out of print will also be shown in June, including William A. Wellman’s Story of G.I. Joe (1945) on the 17th, David Lean’s Doctor Zhivago (1965) on the 26th, and Alfred Hitchcock’s North by Northwest (1959) on the 27th (though this one is being prepared for a 50th Anniversary Blu-ray release for later this year, per The Digital Bits).  Others which may be of interest include Jacques Tourneur’s Berlin Express (1948) on the 12th, Clarence Brown’s The White Cliffs of Dover (1944) on the 15th, Robert Wise’s Two for the Seesaw (1962) on the 16th, Edward Dmytryk’s Raintree County (1957) on the 22nd, and Anthony Mann’s Strategic Air Command (1955) on the 30th.

4 Responses Some (not yet on DVD) TCM Picks for June
Posted By Patricia : May 30, 2009 12:43 pm

You have just made my day. “Hell’s Heroes” has been on my wish list for a loooong time!

A few months ago I was extolling the virtues of “These Three” to some friends who became very upset with me at its lack of availability. TCM just saved those relationships.

I’ll be watching “Maytime”. I’ll cry, but I’ll be watching “Maytime”.

Posted By medusamorlock : June 2, 2009 8:30 am

Definitely going to catch “The Merry Widow” — we don’t often get the chance to see a young Chevalier onscreen!

Thanks for this great shout-out to gems on the schedule!

Posted By moirafinnie : June 2, 2009 5:14 pm

When I read that there were “seven versions (and the first talkie) of the outlaw ‘Three Wise Men’ Westerns based on Peter Kyne’s novel The Three Godfathers” in your post, I almost keeled over, HH.

I can’t wait to see this version due to my being in a lifelong thrall to Charles Bickford‘s patented brand of gruffness and to compare his playing of the character of “Robert ‘Bob’ Sangster” to the naughty rascal played by Chester Morris and John Wayne in later versions. Btw, during filming in the Wyler chosen location in the Mojave Desert in the blistering August 1929 heat for the Bickford version, the star and the neophyte director almost came to blows over a long tracking shot featuring the actor dragging his rifle through the sand, which Wyler wanted, in his usual fashion, to film multiple times.

Charles Bickford finally refused to do it, saying “it was lousy”, so Wyler got it done when he wasn’t around using another actor in the distance. The effectiveness of that scene was among those that alerted the studio that there might be a new kind of director on the lot. And it only took 28 years for Wyler to hire Bickford again for The Big Country (1958), which was done at the behest of Gregory Peck when Wyler resisted.

They almost came to blows again during that shoot too. There’s nothing like mellowing with age, eh?

Posted By ClassicBecky : June 8, 2009 1:58 am

In response to moirafinney’s remark about Charles Bickford, I just love him too. One of my favorite roles he played was the parish priest in “The Song of Bernadette”. He was perfect, and was a strong presence in the movie. He’s a real man!

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