99 Balloons for Marc Lawrence
He darn near made it to 100 and at the time of his death he looked about 200, with every wrinkle and white hair earned the old fashioned way. Though he passed away in 2005 at the age of 95, I still say let’s raise a glass and toast Marc Lawrence… who turns 99 today!
9 Responses 99 Balloons for Marc Lawrence
My Dad was the original movie buff in our family. He raised daughters who were not allowed to refer to any character actors as “whatshisname”. He used to say that if Marc Lawrence or Ward Bond were in a picture then he knew he would enjoy it. I particularly like Lawrence’s pathetic hillbilly, Pete, in “The Shepherd of the Hills”. It’s odd not to see him in a suit. Marty, LOONEY TUNES: BACK IN ACTION was Lawrence’s final film appearance, in 2003. It really did seem like he’d never die. But then he did. I love the story about how Lawrence watched FROM DUSK ‘TIL DAWN and then told Tarantino “You shoulda made it a porno.” In Hollywood your face is your fortune. Laurence looked like a tough guy and that is what he played. Can you imagine him as a priest or pastor or kindly uncle? Richard: I was heartened to read your birthday piece on Marc Lawrence. There is debate on whether he was born in 1909 or 1910; this may well be his centennial. I dug the hell out of him and still do. Marc was an authentic character. I chated with Marc several times over the telephone. He was relentlessly funny, profane, outrageous and tragic. It would challenging to repeat the verbatim Lawrence for a G rated audience as routine profanity was such an integral part of his vocabulary. A sample greeting: AKR: “Marc, How are you doing, this is Alan”. ML: Who? Oh yeah, you f#%&er. How the f!#k are you! How do you f*!*ing think I am doing living here in death’s waiting room?” It’s hotter than a !!!***&&&! (Marc lived in Palm Springs). Of course this rendition doesn’t convey Lawrence’s( Actually Max Goldstein) thick Bronx accent. Beyond this, Marc was a fascinating raconteur whose elephantine knowledge of Hollywood encompassed 1932 to 2001. He was the last man standing who could freely discuss a world that now resides only in books and on film. Writer Lee Server, who knew Marc intimately, remarked in a Sight and Sound tribute (I am paraphrasing) that there was no one else I can talk to anymore who can relate insider stories about W.C. Fields, Thomas Gomez and Arnold Schwarzenegger all in the same phone call. Marc Lawrence was permanently scarred by the Blacklist. The HUAC got him to cough up some names and it stained his soul. When asked how often he thought about it, Lawrence said, “Every day of my life.” He ended up being another victim of those times. I watched THE ASPHALT JUNGLE last week after James Whitmore passed away and watched Marc in perhaps his best screen role as “Cobby” sweating as he counted his money. For more about Marc, I recommend Lee Server’s anthology, THE BIG BOOK OF NOIR that has an interview with Lawrence. As a matter of fact, Lawrence was the one who goaded Lee into writing his superb bio on Robert Mitchum, “Baby, I Don’t Care”. For wherever Marc is holding court, Happy Birthday! Marc Lawrence is fabulous in “Cloak and Dagger” (1946) as the Ovra (Italian Gestapo) agent Luigi. The hand to hand fight he has with Gary Cooper is one of the best, most vicious, and most realistic ever filmed. As usual, it’s not a party until Alan Rode turns up with his gift basket of stories. You have walked with giants, Alan… and given your own accomplishments, that’s saying something. [...] Morlock RHS had a great article a little while ago on Marc Lawrence, who appeared before the committee and ended up naming fellow actors Lionel Stander [...] Marc Lawrence gave such a textured performance in Asphalt Jungle. You were made clammy and uncomfortable with every bead of sweat on his face. He joined a pantheon of talent to make Asphalt a seminal film noir masterpiece. Leave a Reply |
Archives
Featured Sites
Popular terms
3-D
Action Films
Actors
Actors' Endorsements
animal stars
Animation
Anime
Anthology Films
Autobiography
Awards
B-movies
Best of the Year lists
Biography
Biopics
Blu-Ray
Books on Film
British Cinema
Canadian Cinema
Character Actors
Chicago Film History
Cinematography
Classic Films
College Life on Film
Comedy
Comic Book Movies
Czech Film
Dance on Film
Digital Cinema
Directors
Disaster Films
Documentary
Drama
DVD
Early Talkies
Editing
Educational Films
European Influence on American Cinema
Experimental
Exploitation
Fairy Tales on Film
Faith or Christian-based Films
Family Films
Film Composers
film festivals
Film History in Florida
Film Noir
Film Scholars
Film titles
Filmmaking Techniques
Food in Film
Foreign Film
French Film
Gangster films
Genre
Genre spoofs
Guest Programmers
HD & Blu-Ray
Holiday Movies
Hollywood lifestyles
Horror
Horror Movies
Icons
independent film
Italian Film
Japanese Film
Korean Film
Literary Adaptations
Martial Arts
Melodramas
Method Acting
Mexican Cinema
Moguls
Monster Movies
Movie Books
Movie Costumes
Movie locations
Movie lovers
Movie Reviewers
Movie settings
Movie Stars
Music in Film
Musicals
Outdoor Cinema
Paranoid Thrillers
Parenting on film
Polish film industry
political thrillers
Politics in Film
Pornography
Pre-Code
Producers
Race in American Film
Remakes
Road Movies
Romance
Romantic Comedies
Russian Film Industry
Satire
Scandals
Science Fiction
Screenwriters
Semi-documentaries
Serials
Short Films
Silent Film
silent films
Social Problem Film
Sports
Sports on Film
Stereotypes
Straight-to-DVD
Studio Politics
Suspense thriller
Swashbucklers
TCM Classic Film Festival
Television
The British in Hollywood
The Germans in Hollywood
The Hungarians in Hollywood
The Irish in Hollywood
The Russians in Hollywood
Theaters
Trains in movies
Underground Cinema
VOD
War film
Westerns
Women in the Film Industry
Women's Weepies |
Is FROM DUSK TILL DAWN his final picture?