99 Balloons for Marc Lawrence

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He darn near made it to 100 and at the time of his death he looked about 200, with every wrinkle and white hair earned the old fashioned way.  Though he passed away in 2005 at the age of 95, I still say let’s raise a glass and toast Marc Lawrence… who turns 99 today!

marc_lawrenceYou know that face – you’ve seen it in a thousand movies and two thousand nightmares.  Lawrence rarely got to play Big Evil and was most often relegated to the farm team of second string villainy but he made a big impression nevertheless.  Descriptions of the actor in film guides and obituaries at the time of his death by heart attack are as hilarious (to us, anyway) as they are unflattering:  “hatched-faced”… “pock-marked”… “serpentine”… “oily-skinned.”  Born in Brooklyn, New York, on this day in 1910, the former Max Goldsmith studied acting with Eva LaGallienne and Michael Chekhov before heading west in 1932 and snagging a Columbia contract.  He made his film debut that year, on loan-out to Paramount for IF I HAD A MILLION, playing a lesser gangster opposite big stars Gary Cooper and George Raft.  Jewish by birth, Italian by association and sporting a distinctly Yiddisher nom de film, Lawrence cranked out over 100 character parts over the course of a 70 year career – that’s not a typo – stretching from THIS GUN FOR HIRE (1942) to THE MAN WITH THE GOLDEN GUN (1974) and beyond.What’s remarkable about Lawrence is how easy he is to spot in things he only plays bits in, like one of the doomed gangsters making a stand against a government raid in ‘G’ MEN (1935) or in any of the Charlie Chan whodunits in which he appeared uncredited (but never unappreciated).  He was always great, weather nervous and weak (as “Sleeper” in THE MONSTER AND THE GIRL) or strong and venal (as Jeff Farnley in THE OX-BOW INCIDENT), as Lefty Landers in LADY SCARFACE (1941), as the stiff who gets the ball rolling in the Abbott and Costello romp HOLD THAT GHOST (1941), as one of Lawrence Tierney’s mob in DILLINGER (1945) and as a nameless but unforgettable goon in DIAMONDS ARE FOREVER (1971): pitching Lana Wood out of the window of a Las Vegas high rise hotel, Lawrence watches her splash safely into an Olympic size swimming pool before turning to Sean Connery’s 007 and deadpanning “I didn’t know there was a pool down there.”  It’s not his movie but Lawrence has s the best line in it.

long-time-no-seeLawrence published an autobiography in 1991.   Long Time No See: Confessions of a Hollywood Gangster (the title was partially inspired by a remark allegedly made to Lawrence in Italy by exiled mafioso Lucky Luciano – this guy was connected!) is a sprawling but terse tale of the rise and fall (due to the HUAC hearings, for which Lawrence was to his enduring shame a friendly witness) of a Hollywood heavy, who fled the States to Europe and bounced back and forth for the rest of his long life, playing an infinity of heels, cads, shitters and sneaks.  The book details (briefly, of course) Lawrence’s involvement in the cult classic PIGS ( “In 1972, a decision was made to produce a film about pigs that eat people and the people then become pigs.”)  Lawrence also discusses (brusquely, of course) his being typed out of a role in THE GODFATHER (“They’re only using Italians,” Walter Matthau warned him) and of the friends who abandoned him when the HUAC spotlight turned his way.  (A loyal holdout was Lionel Stander, who said to Columbia Pictures president  Harry Cohn that he still palled around with “that Bolshevik” Lawrence because “Borscht is better than bullshit.”  )  I recommend the book (if you can find it) and the man.  Rent a Marc Lawrence movie today and Happy Birthday, you old scoundrel!

9 Responses 99 Balloons for Marc Lawrence
Posted By Marty McKee : February 17, 2009 8:20 pm

Is FROM DUSK TILL DAWN his final picture?

Posted By Patricia : February 18, 2009 9:18 am

My Dad was the original movie buff in our family. He raised daughters who were not allowed to refer to any character actors as “whatshisname”. He used to say that if Marc Lawrence or Ward Bond were in a picture then he knew he would enjoy it.

I particularly like Lawrence’s pathetic hillbilly, Pete, in “The Shepherd of the Hills”. It’s odd not to see him in a suit.

Posted By Richard Harland Smith : February 18, 2009 9:32 am

Marty, LOONEY TUNES: BACK IN ACTION was Lawrence’s final film appearance, in 2003. It really did seem like he’d never die. But then he did. I love the story about how Lawrence watched FROM DUSK ‘TIL DAWN and then told Tarantino “You shoulda made it a porno.”

Posted By john august smith : February 18, 2009 9:58 am

In Hollywood your face is your fortune. Laurence looked like a tough guy and that is what he played. Can you imagine him as a priest or pastor or kindly uncle?

Posted By Alan K. Rode : February 18, 2009 10:26 pm

Richard:

I was heartened to read your birthday piece on Marc Lawrence. There is debate on whether he was born in 1909 or 1910; this may well be his centennial. I dug the hell out of him and still do. Marc was an authentic character.

I chated with Marc several times over the telephone. He was relentlessly funny, profane, outrageous and tragic.

It would challenging to repeat the verbatim Lawrence for a G rated audience as routine profanity was such an integral part of his vocabulary. A sample greeting:

AKR: “Marc, How are you doing, this is Alan”.

ML: Who? Oh yeah, you f#%&er. How the f!#k are you! How do you f*!*ing think I am doing living here in death’s waiting room?” It’s hotter than a !!!***&&&! (Marc lived in Palm Springs).

Of course this rendition doesn’t convey Lawrence’s( Actually Max Goldstein) thick Bronx accent.

Beyond this, Marc was a fascinating raconteur whose elephantine knowledge of Hollywood encompassed 1932 to 2001. He was the last man standing who could freely discuss a world that now resides only in books and on film.

Writer Lee Server, who knew Marc intimately, remarked in a Sight and Sound tribute (I am paraphrasing) that there was no one else I can talk to anymore who can relate insider stories about W.C. Fields, Thomas Gomez and Arnold Schwarzenegger all in the same phone call.

Marc Lawrence was permanently scarred by the Blacklist. The HUAC got him to cough up some names and it stained his soul. When asked how often he thought about it, Lawrence said, “Every day of my life.” He ended up being another victim of those times.

I watched THE ASPHALT JUNGLE last week after James Whitmore passed away and watched Marc in perhaps his best screen role as “Cobby” sweating as he counted his money.

For more about Marc, I recommend Lee Server’s anthology, THE BIG BOOK OF NOIR that has an interview with Lawrence.

As a matter of fact, Lawrence was the one who goaded Lee into writing his superb bio on Robert Mitchum, “Baby, I Don’t Care”.

For wherever Marc is holding court, Happy Birthday!

Posted By Joe aka Mongo : February 19, 2009 12:39 pm

Marc Lawrence is fabulous in “Cloak and Dagger” (1946) as the Ovra (Italian Gestapo) agent Luigi. The hand to hand fight he has with Gary Cooper is one of the best, most vicious, and most realistic ever filmed.

Posted By Richard Harland Smith : February 23, 2009 10:59 am

As usual, it’s not a party until Alan Rode turns up with his gift basket of stories. You have walked with giants, Alan… and given your own accomplishments, that’s saying something.

Posted By TCM’s Classic Movie Blog : March 12, 2009 9:19 pm

[...] Morlock RHS had a great article a little while ago on Marc Lawrence, who appeared before the committee and ended up naming fellow actors Lionel Stander [...]

Posted By Jon Haber : August 25, 2009 11:43 pm

Marc Lawrence gave such a textured performance in Asphalt Jungle. You were made clammy and uncomfortable with every bead of sweat on his face. He joined a pantheon of talent to make Asphalt a seminal film noir masterpiece.

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