Let’s go to the video tape…

frogs-on-tape1

It seems as though you can’t throw a scalding cup of coffee these days without hitting someone writing an obituary for VHS.  The first one I read was in November of 2006, when Variety printed an actual death notice (“VHS, 30, dies of loneliness”) while last month the Los Angeles Times declared the “VHS era is winding down” (get it?!).  The last major studio film to be released on video cassette (in addition to DVD) was David Cronenberg’s A HISTORY OF VIOLENCE (2006) and in October of 2008 JVC, who marketed the first-ever Video Cassette Recorder, announced they would cease production on stand-alone VCRs.  So after years of nailing that coffin lid closed, it seems the end has truly come for an entertainment medium that changed the way we look at movies (and all broadcast programming) and changed the world, really.

old-vcrPrerecorded video cassettes came at a high price back at the dawn of the so-called video revolution.  I remember my Belushi-obsessed roommate Bumpy laying down $60 (and that’s 60 bucks in 1983) for a VHS tape of 1941 (1979).  Soon enough we were both so crafty as to take jobs in a video store so we could get our movies at cost.  And dupe, of course,  With a pair of patch cables and a second recorder, we could dupe all of our favorite movies, sometimes 3 or 4 onto a single cassette.  We weren’t yet so sophisticated as to notice how poor the quality of these second (or sometimes third) generation tapes were – we were too excited about the prospect of owning our movies, of not having to be beholden to movie theaters or TV stations, about being able to watch whatever we wanted whenever we wanted.  And watch we did, growing fat and pallid in front of a box TV set in a shabby ground floor apartment in New Haven.  Fast forward to a few years later and I’m living in a shabby Manhattan one bedroom apartment (five flights above the hurlyburly of East 91st Street, where the local boys still played stickball on summer weekends) trading cassette tapes through the mail with guys I’ve never met but whom I’ve “met” online.  It all sounds a bit seedy but these anonymous exchanges resulted in nothing more sordid than lonely guys like myself sitting in the dark watching tape after tape of obscure European spy, western, sword and sandal and horror movies.  The great thing about VHS is that studios dumped a ton of product onto the market, hoping to make any money off of hits and bombs alike.  The sheer wealth of films available on VHS tape back in the early 80s is staggering.  We will not, mark my words, see the same kind of variety of films released to DVD.

captive-joan

And for that very reason it becomes difficult to part with one’s tapes.  Now that I’m happily married and have children, I find myself with much less storage room for bulky items like video cassettes.  I own hundreds, collected over the years as a critic for Video Watchdog, as a compulsive shopper of going-out-of-business video outlets and remaindered video outlets, and as a film trader.  Yet recently I could not forestall the inevitable.  With my DVD collection swollen to triple digits (actually, that’s small compared to many film collectors I know), I just can’t justify the tapes anymore.  I rarely watch them.  With my cultivation as a film snob, I can no longer stand the look of a panned and scanned film or the wretched transfers that were so common in the era of VHS – even from major studios.  So last week I got busy.  I filled a giant box with tapes.  Everything that’s currently available on DVD from Netflix had to go (and some of these were even still sealed in plastic):   CHINATOWN (1974), ELVIRA MADIGAN (1967), THE DISCREET CHARM OF THE BOURGEOISIE (1972), SHOCK CORRIDOR (1963), YOJIMBO (1961) and SANJURO (1962), PLAN 9 FROM OUTER SPACE (1959), THE PASSION OF JOAN OF ARC (1928) and ORDET (1955), THERESA AND ISABELLE (1968), CAMILLE 2000 (1969) and SCORE (1974), THE 1000 EYES OF DR. MABUSE (1960), GIMME SHELTER (1970) and GREY GARDENS and more than a fistful of old serials from Sinister Cinema that I had reviewed in years past and would likely never watch again.  Also on the chopping block were movies I had bought on DVD to replace my old tapes:  DRACULA (1931) and all its sequels, FRANKENSTEIN (1931) and all its sequels, THE MUMMY (1932), THE INVISIBLE MAN (1933), THE CREATURE FROM THE BLACK LAGOON (1954) and all their sequels, the Lon Chaney, Jr. INNER SANCTUM mysteries (CALLING DR. DEATH, PILLOW OF DEATH, FROZEN GHOST, WEIRD WOMAN, STRANGE CONFESSION), the Val Lewton horror movies (THE LEOPARD MAN, THE BODY SNATCHER, ISLE OF THE DEAD) and those old Universal (and other studio) films included in various Lugosi and Karloff DVD collections (MURDERS IN THE RUE MORGUE, THE BLACK CAT, THE RAVEN, THE BLACK ROOM) and many a Hammer horror and others I only now realize are too numerous to mention.  And still, boxes of tapes fill my 20 month-old son’s bedroom closet.

teenage-frankensteinMore tapes remain than were shown the door.  Some of these I can’t part with because they aren’t yet available on DVD (at least not legitimately and/or not in this country/region).  Select titles among the pardoned include IT CONQUERED THE WORLD (1956), TEENAGE FRANKENSTEIN (1957), I WAS A TEENAGE WEREWOLF (1957), HOW TO MAKE A MONSTER (1958), THE MONSTER OF PIEDRAS BLANCAS (1959) and THE CAT GIRL (1957), an early role for Hammer Studios scream queen Barbara Shelley.  Also, THE PEOPLE WHO OWN THE DARK (a Spanish twist on NIGHT OF THE LIVING DEAD featuring Iberian monster man Paul Naschy in a supporting role), the mind-bending GOKE: THE BODY SNATCHER FROM HELL (1967), the DELIVERANCE-inspired (but I kinda like it better) RITUALS (1977) with Hal Holbrook, MIAMI HORROR (aka MIAMI GOLEM, 1985) with John Ireland and a movie I seem to be the only person in the world to not only like but to think incredibly brave and uncommonly candid – A WINTER TAN (1987);  based on the book Give Sorrow Words, the film stars Canadian actress Jackie Burroughs (THE DEAD ZONE) as Maryse Holder, a New York intellectual and sexual free spirit who was murdered in Mexico in the late 70s.  Speaking of South of the Border, I’d read about Hall Bartlett’s THE SANDPIT GENERAL (1970) in John Willis’ 1973 Screen World.  The film was distributed theatrically by American International in 1972 as THE WILD PACK and dumped onto VHS in 1986 by Lightning Video as THE DEFIANT.  Based on a book by Jorge Amado (better known for writing the source novel for DONA FLOR AND HER TWO HUSBANDS), it’s the tale of a handful of Brazilian orphans (played, somewhat incongruously, by WASPpy American actors Kent Lane and Tisha Sterling and slightly less WASPy John Rubinstein) scratching out a life on the streets of (I forget, but I’m guessing) Rio de Janeiro.  I wanted to see this because Butch Patrick from THE MUNSTERS played a character named “No Legs.”  Once I saw the movie (which I didn’t like all that much), I learned it was more of an honorary title.  I’m not sure if I’ll ever watch THE DEFIANT again but its rareity makes me hold onto it… at least for now.

day-of-the-maniacAnd then there are movies which are available on DVD but whose video boxes are so wicked that I can’t bear to part with them.  Case in point, DAY OF THE MANIAC (1972), which was released (as you can see for yourself) on the Super Video label back in 1984.  I’m a sucker for anything in a clamshell box but the artwork on this thing is to die for.  Look at that maniac!  The illustration has nothing to do with the actual movie, an Italian psychothriller whose original title is TUTTI I COLORI DEL BUIO (or ALL THE COLORS OF THE DARK) but which was exhibited theatrically under the alternative title THEY’RE COMING TO GET YOU (which evokes the shuffling flesh-eaters of NIGHT OF THE LIVING DEAD when in fact the picture has no real supernatural content).  I just can’t part with this thing – it looks like a pulp novel.  Ditto anything released by Unicorn Video, who put a lot of Spanish language thrillers and horror films on video for both English-speaking and Latin audiences.  Their clamshell case art for THE NIGHT OF THE SORCERERS has the feel of an issue of Jim Warren’s CREEPY or EERIE (precursors to the graphic novel, these told comic book-style tales of the grotesque and arabesque in a magazine format).  And even though I’m the proud owner of the incredible KING KONG (1933) box set that came out in the wake of Peter Jackson’s recent remake, which includes with that titanic classic both SON OF FRANKENSTEIN (1933) and MIGHTY JOE YOUNG (1939), how could I be expected to part with my 60th Anniversary VHS release of KING KONG, whose slipcase is kitted out with a computer chip that allows Kong to roar like the Eighth Wonder of the World every time you press his chest.  And I’ve owned this tape since 1993.  And I press Kong’s chest a lot.  Sixteen years later and he’s still roaring.  I will never, ever watch this tape again but I will take it to the grave with me or die trying.  If that even makes sense.

So yeah, video tape changed the world.  The medium allowed cinephiles to see movies that no distributor would touch, it allowed film buffs to build libraries devoted to their tastes, it encouraged social networking decades before MySpace and Facebook, it affected the way Hollywood collects its profits and hands out awards, and by virtue of its shortcomings (improper framing, incomplete prints, washed out transfers) it made us all demand more of titles marketed towards our home entertainment systems.  And that ain’t bad.  So while VHS seems truly terminal and even I’m dumping my collection (once I’m done cleaning house, the Sherman Oaks Public Library will surely name a wing after me), I look back with extreme fondness to the video revolution, whose army I was proud to serve.

Be kind.  Rewind.

PS.  Speaking of my son, he is fast approaching his second birthday.  Named for my late friend Victor Argo and bearing my family name Harland, he will likely not know as a young man why he gets stares from the older jewelers and haberdashers whom he asks for the monogram V.H.S.

14 Responses Let’s go to the video tape…
Posted By suzidoll : January 16, 2009 8:49 pm

I, too, recently dumped many of my films on VHS for space reasons. However, if you are a teacher, and you want to show a clip in class, nothing beats having a film cued up to the exact point you need it, which you can do easily with VHS. Plus, VHS tapes are far less finicky than rented DVDs. I once rented a VHS of a film I needed for class, and it had peanut butter smeared around the “business end.” But I shoved it into the player anyway, and it worked fine. I used to keep my tapes in the window of my car all day, cold or hot, and had no problem with them. Chalk dust permeates the VHS and DVD players in the room I teach in, yet it poses no problems for the durable VHS. However, if you look at a DVD sideways, it develops a scratch and skips. If that happens, the screening is over, because you will never get the DVD to play after the scratch, or precious time is wasted trying to re-cue the film.

While I understand the benefits of the home-viewing revolution, because we all get to own/rent our favorite films, I can’t help but see the down side. The average viewer rents/buys only what he feels comfortable watching — familiar favorites, some reocmmendations from friends. Few people will watch films outside their comfort zones — something I realized after talking to my students about why they don’t watch old movies, or foreign films, etc. When I was a kid and watched movies on TV, I was at the mercy of the station’s schedule. This forced me to watch movies I might not otherwise have watched, which expanded my tastes and experiences. Sometimes getting to watch anything you want anytime you want only serves to narrow tastes.

Posted By medusamorlock : January 17, 2009 8:40 am

I still have many many VHS tapes, and sometimes do go back to them, and love to see the ones that I recorded off commercial TV. It’s a time machine — you get to see all the ads and news promos. That’s what really makes them valuable. In terms of the film quality it’s horrible and they are often edited, but boy, do I love seeing the old local L.A. ad spots!

I agree with you, Suzi, about the narrowing of tastes and preferences if you only watch your favorite things. The things I was exposed to as a kid in a great TV market like L.A. was astounding — newer movies on network TV, foreign films on PBS or even one of the local indies, classics on the independent stations, really old cheaper titles on the lesser independents. Just reading the TV Guide — it used to be my weekly thrill — was an education in movies in itself, and really prepared me for my job when I had to analyze huge movie libraries for purchase. Unlike many people, I didn’t have to look up the titles. I knew them by sight, and still freak myself out when I realize how much of that old knowledge is still in there. If I can’t name at least two stars of a movie, I feel like I’m losing it! :-) I’m sure most of us reading this post are the same way!

Glad many of your titles still live with you, RHS! Couldn’t be a better home for them!

Posted By MDR : January 17, 2009 12:15 pm

Great blog Richard! When I moved last summer, I threw out more than a hundred VHS tapes for space reasons, and regret losing all those copies of TCM’s original intros (now that they’ve ‘updated’ them). I was surprised this fall when my kids wanted to watch one of ones I’d kept (because I thought they’d outgrown it; they had, but it was hilarious for all of us to watch it again anyway). I began to think of what was lost in the purge, movies which may never air on television again nor be distributed on DVD (or derivative formats) ever. I guess there will always be eBay, Amazon, and other on-line brokers for such material.

Posted By morlockjeff : January 17, 2009 5:57 pm

I cleaned out most of my VHS tapes several years ago – it felt cathartic – but like you, I still kept some because of their cover art (THE APE WOMAN, THE VAMPIRE’S NIGHT ORGY) and some because they aren’t available in any other format (William Klein’s THE LITTLE RICHARD STORY, EYES OF FIRE, THE TOUCHABLES, A QUIET PLACE IN THE COUNTRY). And Suzi is right; it’s much easier to cue up a VHS for a specific scene to amaze your friends as opposed to trying to find it quickly on a DVD even with chapter headings. By the way, TCM showed GOKE, BODY SNATCHER FROM HELL last year.

Posted By Jonathan Lapper : January 17, 2009 8:52 pm

I got rid of damn near everything a few years back. I kept only a handful. Of those I kept were the original three Star Wars films because they have the original special effects and Greedo doesn’t fire at Solo in the Cantina. I don’t think we’ll ever get those on DVD so I kept them for history sake. I aslo kept the original release of The Exorcist letterboxed edition since that is now out of print as well. Although, I have no way of watching them as my VCR broke years ago. Oh well.

Posted By Al Lowe : January 19, 2009 11:34 am

So far I have kept my huge VHS collection. Years ago I wrote down a list of the films I wanted and now that I have collected most of them, I am certainly not going to put them in garbage bags yet.

As a volunteer I bring VHS movies to a local senior center for the elderly to watch. Each week they show a different one from my collection. I think the seniors would prefer more recent films than ones made in the 50s, 40s and 30s, but the center is located on the bottom floor of a church and I am not going to cause a scandal by having some right wingers walk in and get shocked at seniors watching “dirty movies.”
Sometimes the seniors are excited about what they’re watching. “Meet Danny Wilson” with Frank Sinatra and Shelley Winters got them all worked up. Sometimes the small group all falls asleep. The lesson I learned from that instance was: Don’t show them George Raft. Once an elderly couple held hands while they were viewing that week’s feature.
Last week was Roberta, with Irene Dunne, Randolph Scott, Fred Astaire and Ginger Rogers. After Fred and Ginger had performed one of their most dazzling dances, I asked an elderly lady how she liked it. “It’s okay,” she said.

I can remember when all the local stations and some cable stations showed old movies all the time. Often you started watching something you never intended to spend time seeing.

But things change.

I am really thankful for TCM and I hope they never change their format like AMC did.

This week I am showing “Jane Eyre.” In coming weeks: Not as a Stranger, The Gunfighter, Angel and the Badman. (Of course there is no charge and the films are not advertised.)

See ya at the movies.

Posted By Peret : January 19, 2009 1:06 pm

I have kept many of my VHS tapes, only getting rid of them when I decided it was worth buying the DVD of it again. ANd yes, my VCR still works, which is good as i haven’t yet figured out how to disengage it from the hookup system I have now that the DVD player, the digital cable/DVR box, and Playstation and Wii all flow into it and then the cord comes out from the VCR into the tv… it’s a lot easier to keep the setup the way it is, than to pull out the VCR to me. So I am down to the (relatively small number compared to others here) few tapes that I haven’t felt a need to replace on DVD or haven’t been released on DVD yet, but still do want to watch occassionally.

I just wanted to give an “I hear ya!” to Johnathan Lapper…I, too have the original Star Wars on VHS, and hate watching the changes they made to it on DVD. When my son was old enough to enjoy it with me about two years ago, the VCR version is the one I showed him…he was gonna watch it the way I had seen it long ago, and not the way it is now…I just can’t bring myself to embrace the updated version that is now being sold, and dread the day that the VCR eats one of the tapes, or breaks.

Posted By Richard J. Doyle : January 19, 2009 3:09 pm

“Rituals” is available on DVD as part of several public domain movie sets like Mill Creek’s 50 Drive-In Movie Classics set. You probably aren’t aware if this because it goes by the name “Creeper” (as distinct from “Creepers”, a renaming of Dario Argento’s “Phenomena” available in the same set).

Posted By James : January 19, 2009 5:18 pm

I too had a large collection of VHS and Betamax tapes, some bought used, some recorded off the late show. I made copies of all of them either using a computer with a TV card and Virtual Dub or with a Toshiba DVD recorder, or both.

When I was done I gave everything away to library sales or through Yahoo Freecycle. The DVDs and CDs I made take up much less space than the tapes did, and the quality of the copies is nearly as good as the original. I keep the DVDs and CDs in the binders they sell at Best Buy and record stores, and I have a bunch of them.

I still use the Toshiba to record movies off TCM. I sometimes use a TV card to record shows off other channels and make a DivX copy with the commercials removed. Some of these I’ll convert to watch on my ipod.

So while I agree that VHS and Beta were a boon to us film buffs, we do have some pretty attractive alternatives these days.

Posted By Striker : January 20, 2009 11:54 pm

What is the thinking, a VHS tape could record 6-8 hours and while a DVD recorder may have the capability of recording 8 hours, I can only find discs that record 2 hours. Why would the industry veer in this direction?

Posted By Gerald : January 25, 2009 2:49 pm

Someone please name the Movies that were aired on Turner-
a year or so ago,during what was called,a week of race movies.

Posted By Stephen : January 27, 2009 1:52 pm

I’ll probably have to be buried with my VHS and Beta tapes, not to mention laserdiscs. Good thing I never pursued RCA’s cumbersome SelectaVision format.

I should get rid of more of them, but it’s hard to upgrade when a title was full-frame to begin with, or the DVD offers no significant extra features. I still have a square tube set too; the few times I’ve tried to watch tapes on a larger flat screen they look terrible, so maybe it’ll take a TV upgrade to finally convince me to dump the tapes.

But there are still all those titles I can’t get elsewhere…Mask of Dimitrios, Rolling Thunder, Murders in the Zoo, The Boogens, that series of Paramount silents that included W.C. Fields’ Running Wild and Docks of New York, and utter trash like Little Girl–Big Tease or The Arousers (Curtis Hanson’s first feature, a.k.a. Sweet Kill, with Tab Hunter). At least I hear Murder at the Vanities is coming out on DVD from Universal in a collection of pre-code titles. Maybe we’ll finally see a release of Temple Drake?

And like that copy of King Kong, there’s the VHS of Frank Henenlotter’s Frankenhooker that says “Wanna date?” when you press the button on the box. And nowadays they think putting a disc in a metal tin is clever marketing.

Posted By Arlene Love : June 17, 2009 11:47 am

Please help! I can’t find a VHS or CD of Jackie Burroughs’ “A Winter Tan.” Is it possible they don’t exist? It is not even listed among all her films. I’ve searched for years. I know it’s been panned by critics, but I knew a woman like that in Mexico and I thought it a very accurate and painful portrait, the character often described as a female Malcolm Lowry.

Posted By Richard Harland Smith : June 18, 2009 1:43 pm

Arlene, I’m very sure that A WINTER TAN, which was put out by Kino on Video, is now out-of-print. Beyond pointing you to eBay, there’s not much I can do for you. You might try an ad on Craigslist looking for the movie. I’m certain people have it stashed in the back of their collections and would be amenable to passing it on to you for a nominal fee and/or a trade.

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