Marry MerryDipping once more into vital statistics via the ol’ photo collection, we find that talented screenwriter/producer/director Norman Krasna was wed this day, in 1951, to the lovely Erle Chennault Galbraith Jolson, the comely widow of show Krasna was, of course, the award-winning writer of movies like 1945’s Princess O’Rourke (for which he won an Academy Award), The Devil and Miss Jones (1941), Indiscreet (1958), Sunday in New York (1963), and particularly pertinent to this month, White Christmas (1954), co-written with Norman Panama and Melvin Frank. The Krasna/Jolson union brings to mind other situations which have always fascinated me, that is, when notables marry the widows or ex-wives of other notables. Krasna married Jolson’s widow; Frank Sinatra’s last wife was the ex-wife of Zeppo Marx; Groucho once married the ex-wife of Bowery Boy Leo Gorcey; Richard Widmark married Henry Fonda’s ex-wife; Jason Robards married Lauren Bacall, Bogie’s widow, to name a few. It all seems a little incestuous, doesn’t it, but then again, people marry who they know. And back in the day, the whole serial monogamy thing was much more common. Many gals (and guys, too, possibly), married the people they slept with, which could partially explain the long list of marriages for stars like Elizabeth Taylor, Mickey Rooney, Rita Hayworth, Mickey Rooney, the aforementioned Henry Fonda, Lana Turner, star musician Artie Shaw, and many others. Frank Sinatra, for instance, married Ava Gardner after she had divorced Mickey Rooney and then Artie Shaw, who had earlier been married to Lana Turner, who later married Lex Barker, who earlier wed Arlene Dahl, who later married Fernando Lamas, who then married Esther Williams. And so on…. But back to Krasna and Erle; they had a long and happy marriage which ended with his death in 1984. Sometimes, just like in real life, people in Hollywood manage to live happily ever after. (Friday 12/8 update: I just found out that Jack Benny played matchmaker for Erle and Norman back in 1951. Very appropriate, as Jack (one of my favorite comedians) was born on St. Valentine’s Day. Good work, Cupid!) 7 Responses Marry Merry
Hi MDR!Yes, I shouldn't have left out his other amazing work, of course. It's always enlightening to peruse someone's credits, and in the case of somebody with multiple talents, find out exactly how talented they were. Thanks for the info! I need to catch "Indiscreet" sometime; I don't have an active memory of *ever* seeing it, which seems unlikely but is possible. Shame on me!– Medusa Nice site! [url=http://ptxxwsjp.com/selb/hlum.html]My homepage[/url] | [url=http://jodwobmi.com/dwof/dlma.html]Cool site[/url] Good design! My homepage | Please visit Love your blog, there is a book called "Flesh and Fantasy" by Penny Stallings that has a marriage go round chart of all the crazy Hollywood unions of the golden age. I feel like Greer Garson marrying Richard Ney, who played her son in Mrs. Miniver, and Gloria Grahame marrying her real life step son Anthony Ray were pretty incestous also. Julie, thanks for bringing up the Richard Ney/Garson pairing, and the Gloria Grahame thing is also a wee bit creepy. At least the Jolson/Krasna marriage was sweet and long and had the blessing of Jack Benny! I know that movie stars behave in interesting ways these days, too, but they all seem like kids compared to the folks from the good old days! (Or maybe I'm just getting old…for sure!) Leave a Reply |
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Hello Medusa, great article!A couple of more things: though Krasna is perhaps best known for writing or adapting romantic comedies, I think it's interesting that he also wrote Mob Rule on which the Joseph L. Mankiewicz-produced, Fritz Lang-directed thriller Fury (1936) was based. It earned the writer one of his four Oscar noms. I also found it interesting that Robert Osborne, in his excellent Private Screenings with Stanley Donen last night, mentioned Krasna's Indiscreet (1958), with Cary Grant & Ingrid Bergman, as one of his favorites (I've always liked that one as well).